Udo Kier - Variety's Creative Impact Awards And 10 Directors To Watch Brunch at The 27th Annual Palm Springs International Film Festival - Los Angeles, California, United States - Sunday 3rd January 2016
Udo Kier - Variety's Creative Impact Awards and 10 Directors To Watch Brunch at the Parker Palm Springs hotel - Arrivals at Parker Hotel - Palm Springs, California, United States - Sunday 3rd January 2016
Udo Kier - 27th Palm Springs International Film Festival Gala at the Palm Springs Convention Center - Arrivals at Palm Springs Convention Center - Palm Springs, California, United States - Saturday 2nd January 2016
Joe is a fiercely determined 50-year-old woman whose sexual drive has taken over her entire life. Her story of how she ended up injured in an alleyway and subsequently being nursed back to health by the curious Seligman deepens and darkens in this half of the story, as she relays tales of how her sexuality has caused so much damage. In a bid to somehow recover from her nymphomania, she attends a therapy group, but she also can't resist meeting a therapist of a different kind as she finds new and more dangerous ways to challenge herself and her sexuality. Her pleasure through pain has led her to a potential job with a group of criminals who are looking for somebody to inflict pain on their victims. But with such instable people around her, just how close is she to landing in some serious trouble?
Continue: Nymphomaniac: Volume II Trailer
In the dying days of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers and ultimate weapon, waiting for the right time to return to Earth and establish the Fourth Reich.
Continue: Iron Sky Trailer
In a grand castle located in the beautiful countryside, Justine and Michael have married. They enter their reception to cheers and applause and everyone agrees that Justine has never looked happier or more beautiful. The newlyweds enjoy their new marital status and the company of their guests, which include Justine's sister Claire and her husband, John, who organised and paid for the entire wedding.
Continue: Melancholia Trailer
A tumultuous thunderstorm of drumming, both primitive and achingly familiar, the gurgled throbbing of a bass line and sinister voices chanting and howling as a young woman races through a night forest in the midst of a deluge. Lightning flashes revealing snatches of something in the woods running along side her. The music crescendos, lightening hypnotically strobes, the colors are supersaturated deep reds and blues and screaming fills the cool night air.
Continue reading: Suspiria Review
And now at last The Story of O (based on the classic, scandalous erotic novel) comes to DVD, 27 years after its introduction way the hell back in 1975. And it's just as salacious as ever. Filled with fuzzy lighting, soft focus, large hairdos, and sounds-like-classical synthesizer/vibraphone music, O set a benchmark for its genre.
Continue reading: The Story Of O Review
FearDotCom is easily in the running for worst film of the year. The whole mess is a painfully dull ripoff of much better films - namely Poltergeist, Videodrome, and 8MM (okay, so that one's not much better). Full of grotesque imagery of sadistic tortures and killings and a plethora of asinine characters and pathetic attempts at acting, FearDotCom is a prime example of just how bad a bad movie can be.
Continue reading: Feardotcom Review
After a brief prelude, the film picks up Modigliani's story in 1919, the year before his death, at a time when modern art was flourishing in Paris. Artists such as Pablo Picasso, Diego Rivera, and Jean Cocteau haunted the cafes at night as their fame and influence spread over the globe. It is here, in a café, where Modigliani (Andy Garcia) makes his entrance, drunkenly hopping onto a table and publicly ridiculing Picasso with the question, "How do you make love to a cube?"
Continue reading: Modigliani Review
Part homage to one of cinema's best-known silent films, part winkingly nebulous black comedy, and part old-school horror flick, "Shadow of the Vampire" is a crafty "what if" fictionalization of the making of "Nosferatu," the world's first vampire movie.
The film stars John Malkovich as F.W. Murnau, the classic picture's legendarily obsessive director who is willing to go to any lengths to capture genuine terror from his cast -- even if it means hiring a real vampire to play the lead, promising the undead "actor" the neck of his leading lady when the picture wraps.
Enter Willem Dafoe in a performance of a lifetime as Max Schreck -- the method actor who never appeared to the cast and crew out of character (or out of make-up, or during daylight) the whole time "Nosferatu" was being made on location at a foreboding castle in Bavaria, circa 1922.
Continue reading: Shadow Of The Vampire Review
Lars von Trier's peculiar compulsion to humiliate his heroines (and by extension the actresses who play them) has finally crescendoed to a deafening din of indiscriminate, exasperating martyrdom in "Dogville," a daring experiment in heightened performance and minimalist filmmaking that is fatally undermined by the Danish writer-director's conceit as a narrator.
His last four movies ("Breaking the Waves," "The Idiots," "Dancer in the Dark" and now "Dogville") have all dealt largely with the psychological (and sometimes physical) torture of vulnerable female protagonists. While his storytelling and cinematic style are almost always compelling, he's never seemed so arbitrary in his sadism than in this allegory of a beautiful, 1930s flapper fugitive hiding from the mob in a ragged, remote, austere Colorado mountain hamlet, where the tiny populace goes from distrustful to accepting to maliciously cruel on little more than von Trier's say-so.
Played with discernible dedication by Nicole Kidman, Grace is a porcelain enigma of self-flagellation so determined to escape some kind of shadowy past that, in exchange for the skeptical township's shelter, she agrees to indentured servitude -- doing handy work, favors and manual labor one hour a day in each of the seven households. She gradually comes earn the friendship of all -- even those most reluctant to accept her.
Continue reading: Dogville Review
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In the dying days of World War II, a secret Nazi space program evaded destruction...
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Von Trier continues to challenge audiences with his bold, bleak storytelling. As always, he creates...
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