This may be a drama about breast cancer, but it's astutely written and played with a jagged sense of humour that makes it thoroughly entertaining. Anchored by energetic, emotionally resonant performances from Drew Barrymore and Toni Collette, the film is also a sharp depiction of lifelong friends who travel through some enormous events together. And by keeping everything so funny and honest, it's even more moving than expected.
Jess and Milly (Barrymore and Collette) have grown up together in London, outsiders who always had each others' backs. Their respective spouses Jago and Kit (Paddy Considine and Dominic Cooper) have become part of their extended family, as are Milly's two sparky kids (Honor Kneafsey and Ryan Lennon Baker) and Milly's diva mum (Jacqueline Bisset). Jess has never been able to get pregnant, so she and Jago are undergoing fertility treatment. And just as Jess finds out that she's pregnant, Milly is diagnosed with cancer. Both are understandably nervous about sharing their news. Then things get even more strained when Milly's relationship with Kit falters, and she starts flirting shamelessly with a local barman (Tyson Ritter).
Morwenna Banks' screenplay may have a fairly standard structure, but its details are fresh and unusually balanced, cleverly deepening the characters and never letting the movie fall into sentimental sappiness. Indeed, as the emotions get more intense, the interaction gets edgier and the jokes dirtier. Both Barrymore and Collette shine in their roles. With the showier, more wrenching character, Collette brings a raucous feistiness that's utterly infectious, even when Milly does something she knows is wrong. She is certainly not a cancer "victim"! And Barrymore digs much deeper than usual as Jess, deploying her impeccable comic timing to draw out the character's inner yearnings. Opposite them, both Considine and Cooper are excellent in roles that are more textured than the usual long-suffering husbands.
Continue reading: Miss You Already Review
In the mid-1960s, The Beach Boys were at the top of their game. Having released ten classic albums, a young songwriter and leader of the band, Brian Wilson (Paul Dano), was preparing to create the greatest album in history. His aggressive pursuit of the perfect sound for the band's eleventh studio album, 'Pet Sounds', had a negative effect on his psychological well-being. Almost two decades later in the 1980s, Wilson (John Cusack) is trapped in his own mind, sedated by medication and a troubled psychiatrist. But a young woman, Melinda Ledbetter (Elizabeth Banks), believes that she can restore him to the great man he once was, through a mixture of Love and Mercy.
Continue: Love & Mercy - Teaser Trailer
The Allman Brothers Band founder Gregg Allman is suing for production on the film adaption of his memoir to be ceased, following a fatal accident on set.
Rocker Gregg Allman is suing to cease production on ‘Midnight Rider,’ a film based on his best-selling memoir. The move is prompted by the recent tragedy, in which crew member Sarah Jones was killed during production. On February 20 production was suspended following an accident which killed Jones and injured seven others.
Singer Gregg Allman is suing to stop production on 'Midnight Rider'
The accident occurred when a train plowed into the crew, prompting to questions regarding the stringency of safety precautions taken. Allman is now suing to stop producers from starting filming again. The lawsuit was filed last week and explains that producers have told representatives for the singer that they intend to begin filming once again despite his clear dismay and objections.
Nick Wheeler and Tyson Ritter - Lyme Light: The Concert with The All-American Rejects and Youngblood Hawke at the El Rey Theatre - Arrivals - Los Angeles, California, United States - Friday 2nd May 2014
The Stooges frontman Iggy Pop awarded France's 'highest honor'.
Guns N' Roses have grossed $230m from their 'Not In This Lifetime' tour so far.
Jason Drucker is Greg Heffley in the upcoming movie based on the novel of the same name.
Ford attributes his career success to films that pass 'from generation to generation'.