Tsutomu Tsuchikawa

Tsutomu Tsuchikawa

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Shinjuku Triad Society Review


Weak
Takashi Miike tries to get all the sex out of his system in one fell swoop with Shinjuku Triad Society, the first in a rough series of films called the "Black Society Trilogy" and Miike's first film that wasn't a straight-to-video production.

You got oral sex, you got straight sex, you got anal sex. You got men, you got women. You got violent sex. You got prostitute sex. You got yourself a ton of sex here.

Continue reading: Shinjuku Triad Society Review

Cure Review


OK
In and around Tokyo, a series of unrelated murders have an eerie common characteristic: the victims, killed by those well-known to them, are each branded by an X carved into their torso just below the throat. The killers are all unknown to one another and the detail has not been publicized. The only characteristic that the killers share, besides an irreconcilable remorse, is a vague confusion about what took place in the moments leading up to the murder.

The killings haunt detective Takabi (Koji Yakusho), not least because he worries about the safety of his wife, a disturbed woman who is prone to become disoriented and lost when out of the home. The first half of the 1997 thriller Cure, directed by Kiyoshi Kurosawa (no relation) and now available stateside on DVD, details the crimes themselves, revealing the true culprit in the killings and showing the ways in which this murderous cipher gets inside his subjects' heads. The second half is about the detective, and about his struggle to keep the villain out of his own head.

Continue reading: Cure Review

Ley Lines Review


Very Good
Ley Lines is billed as the third and final film in Japanese director Takashi Miike's "Black Society Trilogy," but that doesn't mean you have to see the first two films, Shinjuku Triad Society and Rainy Dog, to follow along. All three films are loosely connected by themes and overarching philosophies, but they're three different stories with three different sets of characters (though some actors appear in multiple films).

Like the first two films, Ley Lines concerns itself with outsiders trying to navigate both an insular Japan and the even more insular -- and violent -- world of organized crime in Tokyo. But this story begins out in the sticks. Black sheep Ryuchi (Kazuki Kitamura) can't wait to break the bounds of his boring country life by moving to the big city to look for trouble. His younger brother Shunrei (Michisuke Kashiwaya) disapproves, but after all of Ryuchi's friends, with the exception of the excitable Chan (Tomorowo Taguchi), chicken out on joining the adventure, Shun decides to tag along.

Continue reading: Ley Lines Review

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Tsutomu Tsuchikawa Movies

Ley Lines Movie Review

Ley Lines Movie Review

Ley Lines is billed as the third and final film in Japanese director Takashi Miike's...

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