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Children Of The Revolution Review


Good
A true oddity, in keeping with Australian cinema. What with F. Murray Abraham as Stalin (yes, the Stalin), who fathers a lovechild in the 1950s with a visiting Australian radical played by Judy Davis, how can you expect anything but weirdness? With early-career appearances by Rachel Griffiths and Geoffrey Rush, Children of the Revolution is remarkable for its sheer ballsiness, but the story is likely a bit too circuitous, self-referential, and unbelievable for most tastes. Ostensibly based on a true story, the sarcasm eventually gets so thick you find you need a mint.

Strictly Ballroom Review


Good
There is weird cinema, and there is Australian cinema. There are weird movies about dancing, and there is Strictly Ballroom. Part Rocky with a touch of Blue Velvet, Simply Ballroom is the decidedly odd story of a boy (Paul Mercurio) and his tap shoes... a professional ballroom dancer who doesn't buy in to the rigidity the "sport" requires, instead busting out his own "crowd pleasing moves" and being frequently disqualified. His partner abandons him and he takes up with a plain Jane girl (Tara Morice), whom he teaches to be his new partner. Together, they manage to please the crowd even more, with or without music. What the film lacks in story, it makes up for with lots and lots of pompadours.

Now released on DVD (which includes a commentary from Luhrmann and his crew), it's easier to track Luhrmann's transition from Ballroom to Romeo + Juliet to the masterful Moulin Rouge -- and his road to greatness is an impressive one. Ballroom belies Luhrmann's love for the stage (beginning, Rouge-style, with a red curtain opening) and for gaudiness, but the tale is beyond his budget and sadly lacking in grandeur. Rouge took the ideas here -- from music to costuming to the idealistic hero -- and kicked it up about 20 notches. And in the process, Luhrmann learned how to make dialogue more thrilling and how to better develop his characters.

Continue reading: Strictly Ballroom Review

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