Takashi Miike is no stranger to producing disturbing, genre-busting, and gut-wrenching cinematic treats like the Dead or Alive series, Audition, and Visitor Q. Watching a Miike film is akin to tossing the works of Billy Wilder, John Ford, Werner Fassbinder, Clive Barker, and David Cronenberg into a blender on puree mode. Then throw the mix against the wall, wipe it up with a sponge, and squeeze it onto fresh celluloid.
Continue reading: Ichi The Killer Review
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