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Where The Money Is Review


Good
At more than one point in his career, Paul Newman has been the ultimate con man. The Sting, Butch Cassidy and the Sundance Kid, Cool Hand Luke, The Hustler, and The Color of Money all epitomized this master of smooth talk and wily ways. But the successes of all of his past films and all of their cons have one common denominator: a memorable and talented supporting cast. In The Hustler, Jackie Gleason played Minnesota Fats, who proved to be a worthy nemesis by outsmarting the cocky and more talented Newman. Tom Cruise, in The Color of Money, was like an apprentice learning from the master sorcerer, as Newman molded Cruise into an effigy of his old self. While Newman always emerged the star, he would continually share the spotlight, so that none of those movies became one-dimensional.

Newman's latest film, Where the Money Is, directed by Marek Kanievska (Less Than Zero), unfortunately lacks the supporting cast for Newman to thrive as the luminary "hustler." In the film, Newman plays Henry Manning, a former bank robber who plans to break out of prison by faking a stroke. When he is transferred to a minimum-security nursing home, he thinks he's home free. However, the woman assigned to take care of him, Carol Ann McKay (Linda Fiorentino - Men in Black) suspects that he's a fake and attempts to lure him out of his trance so he will help her in a burglary with her and her husband Wayne (Dermot Mulroney - Copycat, My Best Friend's Wedding). She goes to some outrageous lengths to keep him from playing possum, but when she finally awakes the bank robbing legend, she faces a challenge that could change her life.

Continue reading: Where The Money Is Review

Where The Money Is Review


Good
At more than one point in his career, Paul Newman has been the ultimate con man. The Sting, Butch Cassidy and the Sundance Kid, Cool Hand Luke, The Hustler, and The Color of Money all epitomized this master of smooth talk and wily ways. But the successes of all of his past films and all of their cons have one common denominator: a memorable and talented supporting cast. In The Hustler, Jackie Gleason played Minnesota Fats, who proved to be a worthy nemesis by outsmarting the cocky and more talented Newman. Tom Cruise, in The Color of Money, was like an apprentice learning from the master sorcerer, as Newman molded Cruise into an effigy of his old self. While Newman always emerged the star, he would continually share the spotlight, so that none of those movies became one-dimensional.

Newman's latest film, Where the Money Is, directed by Marek Kanievska (Less Than Zero), unfortunately lacks the supporting cast for Newman to thrive as the luminary "hustler." In the film, Newman plays Henry Manning, a former bank robber who plans to break out of prison by faking a stroke. When he is transferred to a minimum-security nursing home, he thinks he's home free. However, the woman assigned to take care of him, Carol Ann McKay (Linda Fiorentino - Men in Black) suspects that he's a fake and attempts to lure him out of his trance so he will help her in a burglary with her and her husband Wayne (Dermot Mulroney - Copycat, My Best Friend's Wedding). She goes to some outrageous lengths to keep him from playing possum, but when she finally awakes the bank robbing legend, she faces a challenge that could change her life.

Continue reading: Where The Money Is Review

Dungeons & Dragons Review


Terrible
You know you're in big trouble when halfway through a movie you ask yourself, "What would be better? Sitting through the rest of this garbage or receiving a scratch to the retina?" Ultimately, the question is moot, since both are examples of ocular mayhem.

The impulse as you sit through Dungeons & Dragons is to close your eyes, thereby shielding yourself from those atrocious computer-generated zooming up and down gaudily-colored castles and cloud-capped palaces. Unfortunately, the sound design is so brutal with those sharp rings as swords clash, glitter dust swirls, and magic spells go WHOOSH that sleep is not a viable option.

Continue reading: Dungeons & Dragons Review

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