Topher Grace - The British Film Institute London Film Festival - 'Truth' - Fellowship Special Presentation Gala held at the Odeon Leicester Square - Arrivals at Odeon Leicester Square - London, United Kingdom - Saturday 17th October 2015
Mary Mapes is the producer of CBS' '60 Minutes' and, in the run up to the 2004 presidential election, she's looking for a story for her and her team - including anchor Dan Rather - to chase. The team discovers evidence that President George W. Bush failed to complete the required amount of military service during his time in the Texas Air National Guard during the 70s. It's a story that could truly bring down the right wing government if only they can get hold of some solid documents to support the story. That's when Bill Burkett comes in; he's the former Lieutenant Colonel of the Texas Air National Guard and he claims to be in possession of some papers criticising Bush's lack of attendance for his military service, written by his commander at the time Lieutenant Colonel Jerry B. Killian. Unfortunately, in their haste to air the controversial information, the '60 Minutes' team fail to have the documents authenticated - and when several experts out the papers as forgeries, it seems the tables quickly turn on these newscasters in the most devastating way.
Continue: Truth Trailer
Neil Lane, Ashley Hinshaw , Topher Grace - The Beverly Hilton 60th 'Diamond' Anniversary Celebration at the Aqua Star Pool - Inside at The Beverly Hilton Hotel - Los Angeles, California, United States - Friday 21st August 2015
Jesse Eisenberg, Kristen Stewart, Connie Britton, Topher Grace , Tony Hale - Los Angeles premiere of 'American Ultra' at the Ace Theater - Red Carpet Arrivals at The Ace Hotel Downtown - Los Angeles, California, United States - Tuesday 18th August 2015
Mike's current life revolves around his girlfriend, a healthy amount of weed and his job at the local cash & carry but little does he know that things are about to dramatically change. Even though most people would think it unlikely - especially Mike- he's actually been programmed by the government into a super agent and has been 'sleeping' in this quiet town.
In order to survive, Mike must adapt and embrace his new abilities and find out who's out to kill him.
British director Nima Nourizadeh originally started out directing music videos and has shot promos for Dizzee Rascal, Franz Ferdinand and Lily Allen. Since the Nima broke into Hollywood with his directorial debut Project X.
Brainy blockbuster maestro Christopher Nolan heads into deep space with this epic adventure, which is packed with thoughtful ideas and big emotions even if the plot wobbles badly in the middle. But although it ultimately feels somewhat forced, the film is still a mesmerising exploration of parenthood and survival, bending time and gravity in ways that keep our brains spinning. And the seamless visual effects combine with some wrenching performances to make it unmissable.
It opens in a future America where a desperation for food has overtaken the need for technology and innovation. Which is a problem for Nasa pilot Cooper (Matthew McConaughey), who is now working a massive corn farm that he runs with his father (John Lithgow). Then Cooper and his daughter Murph (Mackenzie Foy) discover a gravitational anomaly that leads them to a secret base run by father and daughter scientists Brand and Amelia (Michael Caine and Anne Hathaway), who are looking for a new home planet for humanity since Earth is dying. So Cooper joins up and heads through a wormhole with Amelia and crew (Wes Bentley and David Gyasi). Meanwhile, Murph (who grows up to be Jessica Chastain) gets involved in the project back on earth, wondering if her dad will ever return home as he promised.
The first act of the story is a beautiful depiction of yearning for discovery, that innate curiosity that drives people to do crazy things in the hopes of pushing the humanity forward (or in this case, saving it). Nolan directs this section beautifully, with sharp editing propelling the story out into space with real energy and passion. But once they begin visiting other planets, there are some extended episodes that feel oddly contrived, including an encounter that leads to unexplained violence, explosions and melodrama. These kinds of things undermine the characters' motivations to the point where the audience just has to take Nolan's word for it and ride it out, even as the underlying ideas begin to lose their weightiness.
Continue reading: Interstellar Review
Dark and haunting, this Canadian thriller has an offhanded style that balances a grisly mystery with real-life humour, plus characters who are easy to identify with. It may spark memories of Fargo with its snowy small-town female cop storyline, but it's a much moodier movie, delving into religious themes that add an emotionally unsettling twist. So even if the plot itself feels somewhat straightforward and inevitable, the atmosphere is riveting.
Susan Sarandon stars as past-her-prime police officer Hazel, using sardonic humour to get through each uneventful day. Then a family friend is violently murdered, and she decides to investigate the case herself. To tackle the first murder in Fort Dundas in four years, Hazel teams up with long-time colleague Ray (Gil Bellows) and newcomer Ben (Topher Grace), who has just transferred in from big-city Toronto, complete with his own issues. They soon link the killing to others around the country and, by consulting with a priest (Donald Sutherland) who's an expert in Latin, it becomes clear that these murders are part of a much greater plan that has a connection with early Christian mysticism. The question is whether they can predict who the next victim will be so they can catch the killer.
Director Jason Stone and writer Scott Abrahamovich draw the audience in with carefully developed characters and hilariously spiky interaction, then grab onto us with the intriguing mystery. There's a dark sense of foreboding from the start, tempered with dry wit to keep us off balance. They also let us see the soft-spoken killer (Christopher Heyerdahl) early on, which further complicates the story and elevates the suspense into something darkly personal. At the centre, Sarandon gives a wonderfully sassy performance, bouncing superbly off of Bellows and Grace, who has some subtle depth of his own. The presence of veterans like Burstyn (as Hazel's ex-judge mother) and Sutherland adds extra oomph.
Continue reading: The Calling Review
Mankind is doomed. Following generations of neglect and a lack of care, the planet Earth is a polluted mess and food supplies have all but run out. Only one hope remains for humanity if it is to survive into its next generation - they must leave Earth behind. Cooper (Matthew Mcconaughey), is a widowed engineer, living in a time where engineers are no longer needed. He also happens to be one of the world's best pilots. He is offered the choice to stay with his children and except the fate of the human race, or captain a mission through a newly discovered wormhole in search of a new, habitable planet which can sustain the prolonged existence of our species. He chooses the latter option, and begins his interstellar travels in search of a new home.
Continue: Interstellar Trailer
Hazel Micallef (Susan Sarandon) is a Detective Inspector leaving a rather peaceful existence in the small town of Fort Dundas, Ontario with her ageing mother Emily (Ellen Burstyn). She rarely has to deal with any major crimes in such a quiet district, but all that's about to change when she discovers the body of an old woman who had been brutally murdered. Alongside detective Ray Greene (Gil Bellows), they set out to investigate the vicious crime and discover a series of other bodies along the way which all have one thing in common: the mouths of each victim have all been physically manipulated to form, consecutively, the syllables of an ancient latin prayer of resurrection. They enlist the help of priest Father Price in a bid to uncover the intent behind the killer's deeds, and prevent the prayer from being completed with more victims.
Continue: The Calling Trailer
Cooper is a pilot and engineer with a huge ambition to save the world. With little discoveries left to be made on Earth and the development of pioneering technology ever slowing down, mankind's only chance of survival is to take to the stars - though there's a chance there's nothing out there either. But human endeavour once again proves fruitful as a team of space explorers discover a wormhole in the void of the universe. Cooper decides to join them on their intergalactic expedition to find out if there are any other habitable worlds out there. However, he has a big decision to make as the trip means leaving his beloved family behind with the possibility that he might never return. This is a dangerous mission unlike anything mankind has ever done before, but is it worth it to find a way to save the world?
Continue: Interstellar Trailer
With the Earth facing a bleak future, pilot and engineer Cooper wants to know how it can possibly be saved from its inevitable demise. The world seems to be slowing down in terms of technological advancement and important discovery, but one group of scientists and explorers are determined to keep pushing the boundaries of human endeavour in the hope that human beings can learned enough to save themselves. When an unusual wormhole like void is discovered in space, the scientists prepare to embark on an interstellar voyage of wisdom to unlock the hidden mysteries of the universe and uncover the key to time travel. It's an expedition that faces great danger and has never before been undertaken by man, and while Cooper is concerned about his separation from his family, he can't pass up this opportunity to explore the stars.
Continue: Interstellar Trailer
The most surprising thing about this comedy is that it's not very funny, but then it's not meant to be. This is a trippy odyssey into the mind of a drug-addled guy who thinks the world is falling apart around him. Sure, it's fitfully amusing, but it's also harrowing and utterly bonkers. And there are some moments of sublime emotion in there too.
Dan Fogler stars as Warren, a 33-year-old unemployed graphic novelist who is haunted by dreams about the world ending on 21st December 2012. But there's another date approaching much sooner that has him even more shaken: his wedding to his rather too-hot fiancee Karen (Kelly Hitchinson), who is trying to get pregnant as she plans the big day. Then in a peyote-induced stupor, Warren becomes convinced that he has been given some sort of psychic insight into the apocalypse, and asks his best pal Balance (Yang Miller) to help him make a documentary film about the strange events going on around him. And things get very strange indeed.
Written and directed by Fogler and Michael Canzoniero, the film flickers back and forth between Warren's luridly coloured drug trips and his even more jarring lucid moments. Every scene is packed with existential chatter, like a Woody Allen movie for potheads, while the tone swings wildly between dark drama, broad slapstick and even a couple of zany musical numbers. Which is appropriate for a film set in the mind of a man who isn't always sober. It's not easy to watch this slobby nice guy lose his mind, but there are observations along the way that add strong resonance.
Continue reading: Don Peyote Review
At a time where scientists and explorers are on the verge of reaching a stalemate with making new discoveries and extending the limits of human endeavour, a group of ever-curious space explorers uncover a wormhole in the universe that can allow them to make critical shortcuts through spacetime. The team set out on an intergalactic expedition never before untaken by man, to find whole new worlds of new discoveries, hidden dimensions and unearth the key to time travel.
Continue: Interstellar Trailer