Still, every rock movie good or bad needs a young kid with good looks and ambition, which here takes the form of Freddy (Kick Gurry), a sandy-haired singer with a vendetta against gambling machines and tendency to lose to his girlfriend's vibrator in the sexual sweepstakes. Worse, the girlfriend happens to be Tanya (Pia Miranda), the bassist in his go-nowhere Sydney band, which is filled with neurotic lead guitarist Joe (Brett Stiller) and drummer Lucy (Chris Sadrinna), an amateur pharmacist whose concoctions tend to produce more vomit than highs. Add to this Bruno (Russell Dykstra), a manager with no schmoozing skills to speak of, and Proyas winds up having great fun bouncing his characters against one another, revealing both their ineptitude and their charms.
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Robot is inspired by ideas found in Issac Asimov's anthology of the same name, though screenwriters Jeff Vintar and Akiva Goldsman don't follow any one specific novel verbatim. As in the literary works, the robots must abide by the following laws: 1) A robot may not injure a human or, through inaction, allow a human to come to harm; 2) a robot must obey orders given to it by a human, except where it would conflict with the first law; and 3) a robot must protect itself, as long as that protection doesn't violate either the first or second law. Of course these rules will be broken.
Continue reading: I, Robot Review