Tony Plana, America Ferrera, Michael Urie, Judith Light and Ugly Betty reunion - A variety of stars were photographed as they attended the Opening night after party for the play 'Lips Together, Teeth Apart' The party was held at Yotel in New York City, New York, United States - Thursday 30th October 2014
Tony Plana - Celebrities attend the Los Angeles Dodgers game. The Milwaukee Brewers defeated the Los Angeles Dodgers by the final score of 7-2 at Dodger Stadium. - Los Angeles, California, United States - Sunday 17th August 2014
Tony Plana, Vanessa Williams, America Ferrera and Michael Urie - Vanessa Williams' First Night in Broadway's "After Midnight" at the Brooks Atkinson Theatre - Backstage - New York, New York, United States - Wednesday 2nd April 2014
The film's direction and script -- co-written by Nava and Anna Thomas -- are spare yet purposeful. At times, Nava and Thomas's work feels a bit clumsy with its jabs at broad cultural stereotypes (fatuous gringo employers, vulgar Mexicans, etc.) and liberal dips into melodrama, but El Norte is also lyrically eloquent, steeped in dreams and visual metaphors that allude to a portentous future for its protagonists.
Continue reading: El Norte Review
Okay, scratch that last bit. Salvador is actually a gripping docu-drama about the horrors of the revolution in that country in the mid-1980s. From raped nuns to the mass dumping of dead bodies, Stone's gaze is unflinching on the horrors that occurred, and Wood's Boyle is there to document it all, despite an utter lack of charisma, money, or morality.
Continue reading: Salvador Review
No, the title of "Half Past Dead" isn't meant to describe the state of one-note, whisper-tough action star Steven Seagal's movie career -- but it wouldn't be far off. The guy has never had the best taste in scripts -- let's face it, any good movies he's made have been flukes -- but this gangsta-styled, ammo-fueled, prison break-in Z-movie could well be the dumbest flick he's ever anchored.
Taking place on a high-tech "New Alcatraz" prison island, where a guard's hand print and voice identification are required to get into cell blocks but the armory doesn't even have a screen door, the plot revolves around prisoner (and deep-cover FBI agent) Seagal leading the inmates in a battle against leather-clad bad-ass invaders from Central Casting who've come to snatch a death row resident -- during his execution -- so he can lead them to a secret stash of gold.
Nothing more than feeble, imitation-John-Woo style slow-mo shoot-outs and kung fu clashes set to a rap and hard-rock soundtrack, this movie has no standards beyond achieving the loudest possible visual volume. Writer-director Don Michael Paul (whose only credits are the script for the insufferable sci-fi motorcycle movie "Harley Davidson and the Marlboro Man" and episodes of trash TV like "Silk Stalkings" and "Pacific Blue") couldn't care less about wooden acting, scenery chewing or gaping chasms in common sense, just as long as the guns stay a-blazin' and the obligatory babe baddie (Nia Peeples) shows a lot of midriff (because tight leather tummy tops are just so practical when parachuting into a penitentiary full of hardened rapists and murderers).
Continue reading: Half Past Dead Review
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The director reconciles with the Catholic Church with his latest film.