When Richard Linklater released Waking Life in 2001, he became the granddaddy of a whole new kind of filmmaking process. The film had been shot and edited like a normal feature, then sent to computer jocks who basically painted over each frame, giving the images a surreal quality of undulating colors that fell somewhere between photography and animation -- an acid-trip philosophy lesson.
Linklater returns to the same technique once again (and for the last time, from what he has said, due to rampant production difficulties) for a much more literal acid trip. Based on the Philip K. Dick novel of the same name, A Scanner Darkly is a feature-length PSA on the evils of drugs and the potentially-as-damaging efforts to ferret them out of society.
Continue reading: A Scanner Darkly Review
Most people will not understand Waking Life. Some will find it to be one of the most brilliant pieces of film ever produced. I found it to be beyond words; a combination of film, groundbreaking computer animation, and a difficult and profane script that produces a sublime interpretation of existence.
Continue reading: Waking Life Review
I lived in Austin when Slacker was made in 1991 -- I was a junior at The University of Texas at the time, not cool enough to personally know anyone involved with the production but certainly aware of it when it came out. You couldn't avoid it: The film earned a miniscule release and was ignored at the national level, but in the town of Austin (population about 800,000 at the time), it got the red carpet treatement, playing in local theaters all year long.
Continue reading: Slacker Review