Gabby Holland is the latest resident to join a quiet bay side community, her neighbour is a young single man, Travis, who lives with his dog. When Gabby finds out that her dog is pregnant and Travis' dog is the likely culprit, their worlds are thrown together.
Though Gabby has little time for Travis she feels an attraction to him, even though she's in a relationship with a smart and more than adequate match. This is a beginning to their intense love affair. As time goes by, their relationship is far from straightforward but the two still have an obvious mental and physical connection. After a serious car accident their relationship is tested to the limit and Travis must make some choices that will affect both their lives forever.
The Choice is the latest of Nicholas Sparks' film to be made into a film. Some of his more successful novels that have been turned into films include: The Notebook, Dear John, A Walk to Remember and The Lucky One.
Continue: The Choice Trailer
Essentially this year's Moneyball, but set in American football rather than baseball, this fast-paced drama is brightly made with an especially strong cast. But only die-hard fans will be able to drum up much interest in the plot, which is played as if it's the most important thing on earth. This insular approach is seriously alienating for audience members with even the slightest sense of perspective about life. Thankfully, the actors are likeable and entertaining.
It's set over the 12 hours leading up to the NFL draft, when teams select the top players from university teams. In Cleveland, manager Sonny (Kevin Costner) is struggling to hang on to his job, arguing with Coach Penn (Denis Leary) about who should be the first pick. And when he swaps with another team for the top selection, the team owner (Frank Langella) pressures Sonny to take the most highly desired player in the field (Josh Pence). But Sonny has his doubts, and amid backroom dealings and frantic last-minute swaps, he also looks at another promising player (Chadwick Boseman) while making sure the team's current quarterback (Tom Welling) is up to his job. Meanwhile, Sonny and the team's financial manager Ali (Jennifer Garner) are in a secret relationship and have just found out that they're pregnant.
Most of this takes place during phone calls, but director Ivan Reitman manages to make this visually intriguing using whizzy split-screen trickery. And while Garner's character feels utterly irrelevant, like a distraction to the main football plot , she adds the badly needed human interest element, as do two other actresses in smaller roles: Ellen Burstyn and Rosanna Arquette as Sonny's mother and ex-wife, respectively. There are also strong cameos from the likes of Sean Combs as a high-powered agent and Sam Elliot as a sporting veteran. And it's all anchored effortlessly by Costner's affable charm, providing resonance in Sonny's attempt to play a long game while being pushed to make the flashier decisions.
Continue reading: Draft Day Review
Sonny Weaver, Jr. is the general manager of National Football League team the Cleveland Browns who is faced with immediate dismissal if he does not put together an unbeatable draft pick for his team. With pressure from his associates and from Browns fans, he wants to make a spectacular impact on the football world on draft day but, with his ideas being very different from everyone else's, he's in for a big struggle to bring everyone round to his way of thinking and after making what seems like a professionally suicidal trade, even his mother starts to lose faith in him. Excitement builds as draft day nears, with everyone baffled by what could possibly be in store for the Cleveland Browns; but will Sonny pull through with the number one pick of the year?
Continue: Draft Day Trailer
This starry drama has documentary realism going for it, although without a single well-developed character it never finds any resonance. By recounting JFK's assassination from a variety of previously unseen angles, we learn some new things about that fateful day in November 1963. Oddly, the script doesn't even focus on the hospital that gives the film its name. That might have helped give the film some focus.
We watch the shooting in Dallas through the eyes of Abraham Zapruder (Giamatti), famously the only person to capture the event on film. He is immediately contacted by a Secret Service agent (Thornton), who helps him process the film and make copies. Meanwhile at Parkland Hospital, two residents (Efron and Hanks) and a tenacious nurse (Harden) are working against the odds to save Kennedy's life. And elsewhere, an FBI agent (Livingston) is following the trail of the shooter, whose brother and mother (Dale and Weaver) have very different reactions to what has just happened.
Writer-director Landesman jumps straight into the events without properly establishing the characters. But it's impossible to feel emotion when we don't know anything about the people we're watching, and we can't feel suspense when we know what's going to happen. So we're left to soak up the details, which are often fascinating (ever wonder how to get a coffin into a plane?). And while the actors are good enough to play the intensity of each scene for all it's worth, the only ones who register with us are Giamatti and Dale, because what their characters go through is more complex than we expect.
Continue reading: Parkland Review
On November 22nd 1963 in Dallas, Texas, the hugely adored President John F. Kennedy was shot to death as he arrived in the city with First Lady Jackie Kennedy. A women's clothing manufacturer named Abraham Zapruder had no idea of the events that would unfold as he set up his camera preparing for Kennedy's arrival; no idea that his footage would be seen by millions repeatedly as the only visual evidence for what took place that day. Few people know anything about this man, or indeed the other people who ended up becoming involved in this historic tragedy, such as the doctors and nurses who were forced to perform immediate life-saving attempts even with their initial shock and devastation, and the family of alleged killer US Marine Lee Harvey Oswald.
This historical drama tells the stories of the lesser known figures who became involved with one of the most famous assassinations in the history of the world ahead its 50th anniversary. It has been directed and written by Peter Landesman who is best known for his sex slavery article 'The Girls Next Door' which was published in the New York Times. 'Parkland' will be released in UK theatres on November 8th 2013.
When Abraham Zapruder, a women's clothing manufacturer from Texas, excitedly set up his camera to record the grand arrival of the much-loved President John F. Kennedy and First Lady Jackie Kennedy in Dallas on November 22nd 1963, he had no idea that he would in fact record one of the most shocking and most watched films in history when the President was fatally shot by a nearby gunman. He became one of a string of unlikely individuals to get involved in one of the world's most publicised assassination cases, along with all the doctors and nurses who were forced to overcome the shock when Kennedy was rushed to Parkland Hospital; the family of the alleged killer, US Marine Lee Harvey Oswald; and those FBI agents who could've prevented the incident when they had Oswald in their grasp.
'Parkland' is a new historical drama about one of the most famous assassinations in history which is set for release ahead of the event's 50th anniversary. It has been directed and written by Peter Landesman who is controversially best known for his New York Times article on sex slavery 'The Girls Next Door' which he later turned into a film called 'Trades' and which was publicly accused of being at least partly fictitious. 'Parkland' is set to be released in the UK on November 8th 2013.
Martin reprises the role of Tom Baker, father of twelve and husband to wife Kate (the sparkling, grounded Bonnie Hunt). In an effort to bond the family one final time before grandkids are born and chickens fly the coop, Tom cloyingly convinces the clan to vacation at their old lakefront haunt. There, they meet their nemeses: the clean-cut white-teethed Murtaugh family led by perfectionist papa Jimmy, played by the painfully underutilized Eugene Levy.
Continue reading: Cheaper By The Dozen 2 Review
The Fog is a terrible movie. Simply put, it sucks. It should have gone straight to video. No, even that is a better fate. It should have gone directly to the Sci-Fi Channel, the latest repository for "new" terrible films.
Continue reading: The Fog (2005) Review
Now there's Cheaper by the Dozen, a stale take on Walter Lang's 1950s farce of the same name that is based on the real-life story of Frank and Lillian Gilbreth, the parents of 12 children. Here the original Gilbreth becomes Thomas Baker (Martin). Get it? A Baker's dozen? No, the jokes don't get much better than that one, unless you laugh when an athletic supporter lands in a pot of spaghetti sauce and Martin bellows, "Pasta de la crotch!"
Continue reading: Cheaper By The Dozen Review
Is anybody else getting tired of doofus dad comedies? I don't know about you, but I'm pretty sure I've seen every emasculating joke there could be about stereotypically incompetent men being left alone with their kids and bungling everything while their wives are away. But here comes "Cheaper by the Dozen" anyway.
A loose remake of a 1950 laffer about a huge turn-of-the-century family headed by a stern efficiency expert, this version spends its opening voice-over explaining how Tom and Kate Baker (Steve Martin and Bonnie Hunt) ended up with 12 kids in this age of easy contraception before it launches into a multiple helping of the same old themes of clueless parents and kiddie chaos.
Escaped pet frogs and butt-biting dogs abound even before the plot kicks in, seeing the family move from their rural Illinois homestead to the hustle and bustle of Chicago when Dad, now a college football coach (in an abandonment of the original's most essential ingredient), is offered his dream job heading the team at his Division One alma mater.
Continue reading: Cheaper By The Dozen Review
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