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An American Werewolf In Paris Review


Weak
Rather limp updating of John Landis's classic horror/comedy An American Werewolf in London, Scott and Delpy just don't muster a lot of enthusiasm for the material. By skewing this toward a teen audience, the comedy is lost (for plot summary, see title of film). The action is dull and predictable, and the digital werewolves look awfully phony. Good for a little goofy fun, but that's about it.

Freaked Review


OK
Most stars spend the millions (or hundreds of thousands) they make on big budget films buying up real estate, new cars, fancy trophy spouses, designer luggage, and small, rodent-like dogs that don't really qualify as dogs but sadly think they do. (There is some innate "wolf-like" attitude in even the slightest of Chihuahuas, it's the glint of their teeth extended over tiny lips, the snarl; little dogs still have that "wild hunt" bred deep within them. This all seems very tangential but so is Freaked. I'm making a point here.) Alex Winter, hot off the success of the Bill and Ted films, decided to take his money and invest it in an off-the-wall comedy about circus freaks and hideous mutants. Makes sense, right?

Thing is, Winter had a great intuition unfortunately neither Hollywood nor the public was in a like mind. Freaked floundered and sank and now, after years of rumors, the gimp is back out of the trunk. And it's a groovy thing.

Continue reading: Freaked Review

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