Nathan (Bender) is a new kid in a rural town, living with his deeply religious parents (Scarwid and Ryan). He catches the eye of his neighbour Roy (Roeg), a classmate who helps him adjust to his new school, and while doing homework together they discover a mutual attraction, which they of course have to keep hidden in such a church-going community. And there are other issues in Nathan's life, including parental abuse and bullying from two of Roy's friends (Wayne and Beckman).
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Claire Dolan (Katrin Cartlidge, Naked) is a high priced prostitute, so down on her luck she phones her johns from a pay phone. "I miss you. I want to see you. I really want you inside me. I can be there in ten minutes." All her human interaction is reduced to a minimalist bargaining of her goods for exchange.
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Harry (Bryce Johnson) and Max (Cole Williams) obviously come from a family with issues, the least of which is their mother (Michelle Phillips of the Mamas and the Papas), who has made them into bubblegum pop icons. Harry is, at 23 years old, over the hill for a boy band superstar, and trying to figure out what to do during that risky post-band/pre-solo career/Justin Timberlake phase. Right now, he's a borderline alcoholic with the requisitely distant and bitchy girlfriend, slouching towards tabloid self-destruction. Sixteen-year-old Max is the new apple of their mother's eye, his career just getting underway, due more to his cherub-like good looks than any singing ability. Harry is (to say the least) baffled by his sexuality, a blurred sort of bisexual whose identity has long been confused by all the times that he and Max fooled around when they were much younger. Max, on the other hand, is fully out of the closet, a precociously self-satisfied teen who vacillates between wanting to solve all his brother's problems and wanting to stay far away.
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So what is Spring Forward? Simply put, Spring Forward is unique. It is not unique in the sense of Being John Malkovich or Spectres of the Spectrum (a uniqueness tainted with the surreal), but instead unique in the point of fact that it a movie that has no plot, that has no centralized point or purpose... that has nothing but characters. The characters are Murph (Ned Beatty) and Paul (Schreiber), two city parks department workers in Connecticut who spend one year talking while on the job.
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