Escaping the deepest and darkest realms of hell, Milton returns to Earth in a bid to save his baby grand daughter from death. Milton's daughter was murdered by a cult days earlier and now Milton has three days before the cult leader sacrifices the baby in an attempt to unleash hell on earth.
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For a long time, a cult has centered around one of the era's most talked about titles: My Bloody Valentine. With most of its violence cut out and a "blue collar" perspective on the carnage, it remains for many a good time guilty pleasure. Now Lionsgate has seen fit to remake the movie, using an old '50s gimmick as a selling point -- and you know what, it works like a blood-spattered charm.
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Alan is a hopeful young man in a hopeless situation. After years estranged from his father Doug (Tom Atkins), he heads to San Diego for a long overdue reunion with the hope of starting anew. But as soon as he arrives, he sees that things are different in this late-1950s household. His new stepmother Ronnie (Lindsay Crouse), is warm and welcoming, but the house is already full and brimming with conflict.
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That's exciting enough, but Carpenter also calculates in a ticking time bomb narrative device. Air Force One is hijacked by some socialist radicals who crash-land the plane into the heart of "this inhuman dungeon of [an] imperialist prison." The President (Donald Pleasence) manages to escape in a safety pod, only to be captured by none other than the leader of a ferocious band of gypsies who control the island, the self-proclaimed Duke of New York (Isaac Hayes).
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Romero hasn't been able to get a feature film off the ground since 1993's The Dark Half, which is really too bad. He's one of the more distinctive filmmakers working within the horror genre, having made his start with the black-and-white classic Night of the Living Dead in 1968. That was a pioneer for modern horror as gruesome satire, followed up by the arguably superior Dawn of the Dead (where the zombie invasion was set against the backdrop of a shopping mall). Fans of Romero will be pleased to see him back to his old preoccupations. Bruiser could be viewed as an extension of the identity crisis in Martin, Romero's ambivalent portrait of a young man who may or may not be a vampire.
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The film finds us in rural Pennsylvania, where angsty twentysomething Cole Malby (Tyler Christopher) and his quiet brother Patrick (Jason Widener) butcher meat and fix electronics in order to pay for a life filled with beer drinking and hell raising. What's with all the hair tearing? Their father died in a mine explosion 13 years in the past. An accident? Or does Cole remember veiled threats and a gunshot when he visited his pop on that fateful day? Even worse was when the young Cole took a shot at his abusive old man, hitting mom (Sally Kirkland) instead.
Continue reading: Out Of The Black Review
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