Take Ron Howard's adaptations of Dan Brown's riveting bestsellers. Both The Da Vinci Code and its sequel, Angels & Demons, are competently made, commendably acted historical thrillers set against picturesque international backdrops. Yet for some reason, neither comes close to duplicating the urgent pacing of Brown's crackling source material.
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When Hanks reached the oft-maligned Bonfire of the Vanities, he speculated on the reasons Brian De Palma's adaptation of Tom Wolfe's celebrated novel failed. The actor admitted, among other things, that he "wasn't the right guy" to play that particular part. "Plus," Hanks went on to say, "it's hard to make a movie out of something that entered into the national consciousness as strongly as (Wolfe's) book."
Continue reading: The Da Vinci Code Review
American audiences adore underdog stories, particularly those tied to sports. From Rocky to Seabiscuit, we devour worthy longshots given a chance to reclaim such precious commodities as pride, significance, or the undying love of family. That, and anything with Darth Vader in it.
Continue reading: Cinderella Man Review