A familiar face joins the cast for series 4.
A new villain has been announced for 'Sherlock' season 4, which opens on New Year's Day. Toby Jones has been cast to appear in the new series alongside Benedict Cumberbatch and Martin Freeman, though it's still not known which of Sir. Arthur Conan Doyle's many evil characters he will portray.
Toby Jones joins the cast of 'Sherlock'
Toby Jones, to a lot of people, is one of those actors whose name might not necessarily ring a bell, but you've definitely seen him before. Probably many times. Even so, there's probably a lot you still don't know about him.
Continue reading: Everything You Need To Know About New 'Sherlock' Villain Toby Jones
What new nemesis is Sherlock forced to face next?
More information regarding the upcoming fourth series of 'Sherlock' has finally been announced, with a new villain in tow to be portrayed by the highly underrated British actor Toby Jones. We'll always have a soft spot for Moriarty, of course, but Jones' character could just be the brand new nemesis that this BBC series needs.
Toby Jones is the new Sherlock villain
Best known for his supporting roles in blockbusters the likes of 'The Hunger Games', 'Captain America', 'Tinker Tailor Soldier Spy' and St. Trinians', Toby Jones is the latest new cast member announced for the forthcoming season of the detective series which will bring back Benedict Cumberbatch, Martin Freeman and Mark Gatiss among others.
Continue reading: Toby Jones To Play New 'Sherlock' Villain In Series 4
As Alice is once again taken into the magical and mysterious world that she's somehow connected to, Alice finds herself with her friends on the other side of the looking glass. Through Alice doesn't really know why, she's attached to the peculiar world and its inhabitants but her latest visit will put the young girl in grave danger.
The Red Queen has gained a dangerous new ally who is out to find the young blonde haired girl. As the clock ticks and tocks, the game of kings becomes a whole new reality and Alice must find a way to beat her opponents.
Alice in Wonderland: Through the Looking Glass is based on the characters from Lewis Carroll's novel and is produced by Tim Burton. The Muppets director James Bobin directs the feature film.
The movie is set to hit theatres in February.
Stars arrived in droves yesterday for the UK premiere of British comedy 'Dad's Army'; the big screen movie re-boot of the 70s series of the same name which sees the World War II Home Guard embarking on some home soil adventures of their own while the conflict remains constant overseas.
Catherine Zeta-Jones plays the glamorous Rose Winters in 'Dad's Army'
The premiere came to the Odeon Leicester Square, London last night (January 26th 2016), and while director Oliver Parker ('St. Trinian's') was one of the many people involved in the movie who were snapped on the red carpet, we also saw the creator of the original TV series Jimmy Perry. He appeared alongside some of the other still living 'Dad's Army' veterans, such as Ian Lavender, who returned in the film as Brigadier Pritchard, and Frank Williams who reprised his role as the Reverend Timothy Farthing.
The newly emerged episode comes ahead of the upcoming feature film.
Ahead of the release of the big screen adaptation of 'Dad's Army', the BBC will unveil a special animated episode of a missing story entitled 'A Stripe for Frazer', following the discovery of an audio recording that was thought to be lost with various other 60s shows.
'Dad's Army' comes alongside original lost episode
The original episode aired one time only in 1969 but, along with a variety of other recordings, it disappeared; it was thought to have been scrapped or taped over. However, the audio recently resurfaced, with the quality so good that the BBC decided to recreate it as an animation to be made available to viewers in the BBC online store.
Jennifer Lawrence and Bradley Cooper shot 'Serena' before 'Silver Linings Playbook' - so what took so long?
Filmed in the Czech Republic more than two years ago, the American Depression-era drama 'Serena' took a long time to get to the big screen, during which time its stars Bradley Cooper and Jennifer Lawrence were nominated for Oscars in two other films together: 'Silver Linings Playbook' (for which Lawrence won Best Actress) and American Hustle.
Jennifer Lawrence and Bradley Cooper re-unite on screen with 'Serena'
Directed by Oscar-winning Danish filmmaker Susanne Bier ('In a Better World'), the film is a sweeping romance set in the wilds of Carolina's Smoky Mountains, based on the novel by Ron Rash. It's a complicated story with plenty of subtle textures that are ideally suited to Bradley Cooper and Jennifer Lawrence, as well as fine supporting players like Toby Jones, Rhys Ifans and Sean Harris. But the film's postponed release has sparked some bad buzz, as people wondered about the delay, which usually indicates some significant tinkering by the studios. And that's rarely a good thing.
Continue reading: Lawrence And Cooper's 'Serena' Takes Its Time Getting To The Screen
With the incredible ramifications of the end of the yearly ritualistic sacrificial televised Hunger Games, the world is thrown into disarray when the supposed saviour of the underprivileged working class travels to District 13 to help with the revolution she inadvertently started. Katniss Everdeen (Jennifer Lawrence) is the last hope and symbol of resistance against the capitol that seeks to keep her and her people as poverty-stricken slaves, and after surviving the aforementioned Hunger Games twice, Katniss must learn that 'it is the things we love most that destroy us.' Now, with an army at her back, Katniss must change the course of history and bring freedom to the masses through a global armed revolution.
The Emmy Award nominations were revealed yesterday (Thursday 11th July). Breaking Bad; House of Cards; Modern Family; Game of Thrones and Mad Men all received multiple nominations. Netflix made history by becoming the first internet network to be nominated for a number of awards.
The Primetime Emmy Award nominations were announced yesterday (Thursday 18th July). The nomination ceremony was presented by Kate Mara and Aaron Paul via a live video stream on the Emmy's website.
Kate Mara at the Vanity Fair and Juicy Couture's Celebration of 2013 in L.A.
Netflix has managed to triumph with nominations for their shows: House of Cards; Hemlock Grove and Arrested Development. The company are developing this aspect of their business, which is proving hugely popular and profitable. The future does seem bright for the company which announced it was expanding into its 64th country. It also seems likely their awards over the next few years will increase especially with recent praise of Orange is the New Black.
Continue reading: Primetime Emmy Awards 2013: How Accurate Were Nomination Predictions?
Skyfall is one of the biggest films to ever come out of Britain, and James Bond is one of its most iconic characters. It's fitting, then, for it to win plenty of awards, especially given that it was largely snubbed by the Oscars. Having won both Film of the Year and Blockbuster of the Year at the Evening Standard Awards, it seems it is finally getting the recognition it deserves.
As the Guardian reports, the Evening Standard editor, Sarah Sands said: "Thanks in part to the extraordinary success of Skyfall - a truly big British movie, delivered with a panache Hollywood could envy - 2012 also highlighted the creativity, vision and talent of a new generation of British film-makers, actors and actresses."
Taking over a billion dollars worldwide, as well as over £100m domestically, Skyfall wasn't always a sure-fire success, particularly given that the last feature Sam Mendes had directed was Away We Go (a far, far cry from the fast paced, slick style of a Bond movie). However, the combination of Mendes, a Daniel Craig Bond, a Javier Bardem baddy and its title song from woman of the moment, Adele, seems to have been the recipe for success.
Continue reading: Skyfall Wins Big Twice At The Evening Standard Awards
“Who on earth releases an album in the first week of January?” we hear you cry, rocking with laughter that we are even attempting this round-up this week. Well, you have a point. There aren’t that many people releasing new albums of any note. There are a few notable releases though, just don’t expect them to be epic chart-botherers. They most likely won’t be.
First up, the soundtrack to Berbarian Sound Studios, 2012’s indie horror movie that is still gaining momentum through word-of-mouth support. Starring Toby Jones and Antonio Mancino, the film tells the story of Gilderoy (Jones), a 1970s British sound technician brought to Italy to work on the sound effects for an Italian horror movie. The experience is a testing one for Gilderoy, who finds the nightmare task taking over his own psyche.
The soundtrack is recorded by Broadcast; the perfect band for such a job, as their sound has always been very much rooted in nostalgia. This soundtrack marks the final release for the band, whose member Trish Keenan died of pneumonia in January 2011. They were working on the soundtrack when Keenan passed away. In a review by The Guardian, Alexis Petridis notes “It's a very Broadcast kind of film: set in the early 70s, depicting a Dorking sound engineer's descent into madness when he stops working on natural history documentaries and starts on an Italian giallo horror film, it's packed with shots of vintage electronic and recording equipment, obsessed with the evocative, sinister effects of sound.” The soundtrack was finished by Trish’s partner and fellow Broadcast member James Cargill; a fitting tribute to her life and work, though her vocals are – for the most part – sadly absent.
Tom (Murphy) is a physicist who works with psychologist Margaret (Weaver) to expose fake psychics. They don't believe that the supernatural exists, much to the annoyance of psychic studies proferssor Paul (Jones). Assisted by students Sally and Ben (Olsen and Roberts), Tom and Margaret debunk noted mentalist Palladino (Sbaraglia) by looking for "red lights", anything that seems suspicious. But when Margaret's old nemesis Simon (De Niro) makes a comeback, she backs down from going after the famed blind showman. And Tom's secret investigation takes some bizarre turns.
Continue reading: Red Lights Review
Two sceptics, psychologist Dr. Margaret Matheson and physicist Dr. Tom Buckley, are partners in investigating the paranormal. Having exposed a mass of so-called psychics, mediums, faith healers and ghost hunters throughout their career by discovering 'red lights' (clues to how the deceptions are engineered), Buckley wants to turn his attention to the most celebrated psychic of all time, the blind and mystifying Simon Silver, when he comes out of his 30 year retirement. Matheson is quick to dismiss Buckley's case telling him that he doesn't need to be investigated as he was already investigated prior to his retirement. However, the real reason is that she suspects he was behind the death of his most notable critic all those years ago. Buckley ignores Matheson's warnings and enlists his talented student Sally to help him with his investigations, but soon things start to take a sinister turn as Silver becomes increasingly angered at the people questioning his mysterious powers.
Continue: Red Lights Trailer
So it's a shame the story and characters aren't stronger.
When intrepid young journalist Tintin (Bell) buys a model ship called The Unicorn, he's suddenly launched into a mystery. Pursued by the relentless treasure-hunting Sakharine (Craig) and quizzed by the blustery detectives Thompson and Thompson (Pegg and Frost), Tintin and his faithful dog Snowy try to unlock The Unicorn's secret. This involves tracking down Captain Haddock (Serkis) on the high seas, then teaming up for a breathless chase through a North African desert to a bustling market town.
Continue reading: The Adventures Of Tintin: The Secret Of The Unicorn Review
But as "Captain America" he's just a propaganda tool until he gets a chance to prove himself on the front line as a key weapon against the deeply evil Nazi Schmidt (Weaving).Shot more like a rollicking adventure than a typical superhero movie, the script spends just about enough time on the origin story to grab our attention, including nifty effects that render Evans as a 90-pound weakling. Then the action kicks off, powering through one set piece after another. Refreshingly, it never bothers to deepen the story with random sideplots, superfluous characters or knowing winks. So it's a lot of fun to watch.
The action sequences are thrilling without being too suspenseful and, for the most part, the filmmakers keep the stunts and explosions within believable proportions. In fact, the film has a wonderfully dishevelled look, combining more rough-and-ready filmmaking touches with the slick 1940s clothes and architecture. Which almost makes it feel like one of the propaganda films it so cleverly recreates.
Continue reading: Captain America: The First Avenger Review
Steve Rogers is a sickly young man who has always been bullied in the streets of 1940's Brooklyn because of his weight. He applies for World War II military duty in an attempt to toughen up but is rejected as 'unfit for duty' because of his frailness. Steve isn't put off, however and attempts to enlist again, despite dissuasion from his friend, 'Bucky' Barnes.
In the 1970's, former spy George Smiley (who is in forced retirement), is called in to investigate the news that there is a Soviet mole of high-ranking within 'the Circus' - the in-house name for MI6 - who has been there for years making him one of George's former colleagues. George manages to narrow his search down to four men, all colleagues of his. His rivalries and friendships with each of the suspects will make it difficult for George to locate the mole who is eroding at the centre of the British government.
Continue: Tinker, Tailor, Soldier, Spy Trailer
Tintin is a young and enthusiastic journalist who is accompanied on his exploits by his pet dog Snowy and Captain Haddock. When Tintin buys a model ship as a present for his good friend Captain Haddock, he doesn't realise just how special his find is. After giving the present to the ex-sailor, he explains that this isn't any normal model ship, it's a replica of The Unicorn, a ship sailed by Haddock's ancestor Sir Francis Haddock.
Thadeous (McBride) is the second son of the King (Dance), living in the shadow of his golden boy big brother Fabious (Franco), who has just returned from a quest with a bride, Belladonna (Deschanel). But on their wedding day, the evil wizard Leezar (Theroux) kidnaps her to complete his nefarious world-conquering plan. So Fabius and his loyal knights, along with Thadeuos and his esquire (Hardiker), set off to rescue her. Along the way they face treachery from within their ranks and team up with the fierce Isabel (Portman).
Continue reading: Your Highness Review
When he's commissioned to paint a local militia group in 1642 Amsterdam, Rembrandt (Freeman) has premonitions of trouble, but goes ahead and creates a fiercely untraditional painting that reveals rather too many secrets about the musketeers depicted in it. While painting it, his sparky wife (Birthistle) gives birth to his son, but becomes seriously ill in the process, eventually causing him to turn to the family nurses (Holmes and May) for company. And when complete, the portrait, The Night Watch, has drastic repercussions on his career.
Continue reading: Nightwatching Review
In the mid-1800s, Charles Darwin (Bettany) faces a huge crisis: struggling after the death of 10-year-old daughter Annie (West), he's at odds with his wife Emma (Connelly) and his own Christian beliefs due to the results of his study of variations in species over time. Paralysed by what this will do to his marriage and his faith, he locks his research into a box. But swirling memories of Annie, encouragement from his friends (Cumberbatch and Jones), physical illness and marital strain force him to confront something he can no longer deny.
Continue reading: Creation Review
Howard's spellbinding adaptation of Peter Morgan's Tony-nominated stage drama understands the politics that manipulate Washington and Hollywood. It comprehends how many interviews are won and lost long before the Q&A begins. It figures out the best way to transition an airtight theatrical production to the roomier silver screen (giving the elements plenty of room to breathe). And -- most importantly -- it illustrates the intimidating power of television, which creates and destroys legacies on a daily basis.
Continue reading: Frost/Nixon Review
Oliver Stone's W. is not that statement.
Continue reading: W. Review
Based on a novella by Stephen King, the worst electrical storm on record has a small coastal Maine town assessing the damages to their homes and businesses. Locals have flocked to the town's only grocery store to stock up on supplies while police, fire, and military personnel blanket the surrounding area. As a result of the storm, everything is out -- power, phones, and radios; the town is cut-off from the rest of the world. Oh, and the storm has also left behind an ominous mist that quickly shrouds the town, trapping those inside the grocery store when it appears that bloodthirsty, inhuman monsters are lurking outside.
Continue reading: The Mist Review
It's hard to keep an open mind when the synopsis - celebrated author Truman Capote heads to Kansas after a quadruple homicide rocks a rural town, where he becomes obsessed with one of the killers as he pens his book In Cold Blood - perfectly describes not only the new release Infamous, but last year's Capote just as well. To try to look at Infamous in a vacuum is disingenuous at best; no one who will see this movie has not at least heard of the other.
Continue reading: Infamous Review
Continue reading: Simon Magus Review
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