Brad Peyton, Dwayne Johnson and Toby Emmerich - American actor and WWE wrestler Dwayne 'The Rock' Johnson was photographed as he attended his hand and footprint ceremony which was held in the forecourt of the Chinese Theater and IMAX in Los Angeles, California, United States - Tuesday 19th May 2015
As the countdown to 2012 begins, an executive (Swank) is frazzled about a technical glitch in the iconic Time's Square ball-drop. Meanwhile, a courier (Efron) is trying to help a frumpy secretary (Pfeiffer) achieve her dreams. A chef (Heigl) is catering a glittering event while trying to avoid her rock star ex (Bon Jovi), whose back-up singer (Michele) is stuck in a lift with a lovelorn slacker (Kutcher). A mother (Parker) is worried about her teen daughter (Breslin). And a tuxedoed millionaire (Duhamel) is trying to get to an important event in the city.
Continue reading: New Year's Eve Review
I'm not talking about Vince Vaughn and Reese Witherspoon, who are asked to do what they've done in previous comedies, and happily oblige. Vaughn, in particular, continues to ride that motor-mouthed ego shtick of his with very humorous results. His condescending personality should have worn out its welcome shortly after Wedding Crashers, yet somehow it still manages to entertain.
Continue reading: Four Christmases Review
Director Gavin O'Connor certainly understands the difference between the two. Though Glory lays out a complex yet solvable mystery, it's far more interested in loyalty and the familial bonds that exist among lifetime police officers. It also wears its adoration for the badge -- and those who wear it -- on its sleeve.
Continue reading: Pride And Glory Review
It's 1882, and the intimidating landowner Randall Bragg (Jeremy Irons) casts a long shadow over the New Mexico town of Appaloosa. With three booming gun blasts, the film establishes Bragg's cold-blooded disdain for authority and utter lack of morals. Man, how I wish Appaloosa gave this character more time to breathe, develop, and wreck proper havoc.
Continue reading: Appaloosa Review
Fracture has no excuse to be so lazy, given the actors at its disposal and a setup that should have made this an easy slam-dunk. Hopkins plays Ted Crawford, an aeronautics engineer who's found out that his wife Jennifer (Embeth Davidtz) is having an affair with police detective Rob Nunally (Billy Burke). Confronting her at home, Crawford shoots her in the head and calmly waits for the cops to arrive. When they do, it's with none other than Nunally at the lead, who's shocked and enraged at finding Jennifer in a pool of blood and Crawford standing there as though nothing had happened. After a quickly-interrupted beating from Nunally, Crawford later confesses and even waives his right to a lawyer. When it's all dropped in the lap of assistant district attorney Willy Beachum (Gosling), the case couldn't seem more airtight, which is good since Beachum can't wait to slip the bonds of lowly civil employment for a well-paying private sector job.
Continue reading: Fracture Review
So begins Robert Shaye's pleasant adventure The Last Mimzy, inspired by Lewis Padgett's short story Mimsy Were the Borogoves, which should do for sci-fi exploration what Robert Rodriguez's Spy Kids franchise did for family espionage. The adults in Noah's life -- from his parents (Joely Richardson, Timothy Hutton) to his science teacher (Rainn Wilson) -- are too caught up in their daily routine to notice that the boy is changing. It isn't until Mimzy causes a citywide blackout that the military -- personified by Michael Clarke Duncan -- comes snooping around. The movie, at this point, begins to mimic E.T. without actually becoming its emotional equivalent.
Continue reading: The Last Mimzy Review
Malick ended the silence which followed his fantastic 1970s one-two punch of Badlands and Days of Heaven - airy, wind-swept paeans to wide-open skies and the loneliness that lies like a bruise on the land beneath them - with 1998's star-stuffed adaptation of James Jones' battle epic The Thin Red Line. It would have been the World War II movie to end the century with, but for a little something called Saving Private Ryan, out that same year. Up against Ryan's self-consciously stomach-churning gore and herky-jerky camerawork, not to mention its resolutely action, action, ACTION! pacing, Malick's moony meditation on the thin line (if any) between civilization and savagery couldn't help but come off as impossibly arch. Never mind that Malick's battle scenes were even more vicious and realistic than Spielberg's, given their eschewing of comforting action film tropes in favor of pure hot chaos. A strike (well, several strikes) against Malick was his habit of telling the story via overlapping voiceovers, as each of the characters thinks Big Important Thoughts about life and war and love. By jettisoning Jones' pungent prose, all the characters ended up sounding exactly the same, like Malick just thinking aloud in the sort of white-noise pseudo-philosophical jumble that Godard litters his films with.
Continue reading: The New World Review
Not only is Frequency a good flick, it's fully worthy of a place among one of the best timetwisters ever made.
Continue reading: Frequency Review
Viggo Mortensen (in a welcome return to acting after too much time barking orders in elvish and swinging a broadsword from horseback) plays Tom Stall, a family man who runs a diner in a small Indiana town. He's not originally from the town, but he's been there long enough that everyone has long ago accepted him as one of their own. It's a normal life, Tom's young daughter has nightmares and his geeky teenage son Jack gets picked on at school, but other than that, things are good. Then the killers come into the diner right before closing, and just as they're about to execute a waitress, Tom springs into action, gunning them both down in spectacular fashion. Tom becomes a local celebrity but seems traumatized by the whole affair, wishing it could just be put behind him.
Continue reading: A History Of Violence Review
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