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Titus Welliver

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Picture - Titus Welliver and Jose Stemkens... Los Angeles California United States, Sunday 1st March 2015

Titus Welliver and Jose Stemkens - Los Angeles premiere of Disney's 'Cinderella' at at the El Capitan Theatre - Arrivals at El Capitan Theatre, Disney - Los Angeles, California, United States - Sunday 1st March 2015

Picture - Titus Welliver - Shots of... Los Angeles California United States, Tuesday 3rd February 2015

Titus Welliver - Shots of a variety of stars as they attended a Screening Of Amazon's first Original Drama Series 'Bosch' which was held at the ArcLight Theater in Hollywood, Los Angeles, California, United States - Tuesday 3rd February 2015

Poker Night Review


This dark thriller is so relentlessly stylish that it's distracting. Refusing to settle down to focus on its intriguing central story, filmmaker Greg Francis whirls around through a series of whizzy flashbacks that layer in all kinds of subtext and interest. But it's so fragmented that the film never quite builds any suspense, instead becoming a grotesque horror movie featuring a slasher who tortures and kills with Saw-like maniacal glee.

It centres on young rookie Detective Jeter (Beau Mirchoff), whose recent bust has elevated him to the ranks of the elite cops (Ron Perlman, Titus Welliver, Giancarlo Esposito, Ron Eldard and Corey Large) who meet for a weekly poker game. At his first night with them, each recounts his most iconic case, and afterwards Jeter staggers out a bit tipsy, running into his underaged girlfriend Amy (Halston Sage) who is being menaced by a man (Michael Eklund) in a terrifying mask. Next thing Jeter knows, he's drugged, tied up and being held by this self-proclaimed paedophile who clearly has some sort of agenda here. Jeter can hear Amy in the next room, but every time he tries to escape their captor seems to be one step ahead of him.

All of this plays out of sequence, constantly interrupted by the other five cops' stories and even the masked man's own past, all played out in with flashy visuals and a clever integration of Jeter into past events as he watches them unfold. Sometimes the film also goes into his mind as he plays out a scene hypothetically. All of these fragments weave into the central story in some way, but filmmaker Francis never quite brings it into any sense of focus. It's so hyperactive that all the audience can do is sit back and enjoy the inventive visuals and up-for-it cast, while being horrified and/or entertained by the brutal violence.

Continue reading: Poker Night Review

Transformers: Age of Extinction Review


With each film in the Transformer saga, Michael Bay makes it clear that all he's interested in are massive metallic special effects bashing into each other and usually exploding. Because otherwise this is a vacuous thriller without any characters to speak of, no sense of plot coherence and an appallingly simplistic sense of geography. There's plenty in this franchise to enjoy (just watch the original 2007 film again), but Bay takes everything so seriously that only die-hard fans will have any fun this time.

The story picks up five years after the cataclysmic Transformers' battle in Chicago, as Texas inventor and overprotective single dad Cade (Mark Wahlberg) builds gadgets in his rural barn, oblivious to the fact that his 17-year-old daughter Tessa (Nicola Peltz) is secretly seeing 20-year-old Shane (Jack Reynor). Luckily, Shane is a race driver, so he's handy to have around when black ops agents commanded by shadowy CIA director Attinger (Kelsey Grammer) raid Cade's farm looking for an old truck that turns out to actually be Optimus Prime in hiding. This sparks a return to Chicago for more mayhem, followed by a hop to Beijing and Hong Kong, where Optimus Prime and a handful of remaining good-guy Autobots take on the villainous Lockdown. Helped of course by Cade, Tessa and Shane, plus billionaire inventor Joshua (Stanley Tucci).

The new gimmick this time is dinosaurs, building on a prologue showing the real reason they went extinct. This comes back in the climactic battle in the form of Dinobots, ancient Transformers that will have fanboys squirming in their seats with joy while everyone else yawns and looks at their watches, astounded that Bay has somehow managed to stretch this paper-thin story out over nearly three hours of metal-on-metal chaos. As in the earlier films, the action is quite literally cartoonish, purely animated mayhem that's not easy to decipher. At least the humans help keep it vaguely approachable, as they provide running commentary in their dialogue and bounce through the air like plastic action figures who never get hurt.

Continue reading: Transformers: Age of Extinction Review

Picture - Titus Welliver - New York... New York City New York United States, Wednesday 25th June 2014

Titus Welliver - New York premiere of 'Transformers: Age Of Extinction' at the Ziegfeld Theatre - New York City, New York, United States - Wednesday 25th June 2014

Transformers: Age Of Extinction


Picture - Titus Welliver and Guest -... Los Angeles California United States, Wednesday 28th May 2014

Titus Welliver and Guest - World Premiere of Disney's 'Maleficent' held at the El Capitan Theatre - Arrivals - Los Angeles, California, United States - Wednesday 28th May 2014

Titus Welliver:
News Pictures Video Film

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