Next weekend, Contactmusic will be heading to the Brecon Beacons in South Wales for the 14th edition of Green Man.
Having first opened its doors in 2003, the festival has grown from housing just 300 people at its inaugural event to the 20,000 that will experience this year's sold out extravaganza. While music undeniably takes centre stage, it also boasts ten different areas where various activities from Babbling Tongues' spoken word line-up to Einstein's Gardens' scientific pursuit can be encountered by all and sundry. Also, its diverse range of locally sourced, mostly organic food and drink makes a distinct change from your average festival standard fare of burger and chips with a pint of warm Carling.
Taking place from Thursday 18th to Sunday 21st August, the musical bill is also as diverse as one would expect from a festival that prides itself on being one of the least corporate and commercial events on the calendar. Indeed, looking through the line-up from top to bottom it's difficult to envisage a better one at any UK event this summer.
Continue reading: Green Man 2016 - Preview
In principle, the decision to release a live Tindersticks album is a puzzling one, especially one that is merely a mirror to their latest release. Should you choose not to dismiss it simply as cashing in, the recording of their set deep in the Basque country and distribution as a compliment to a repackaged version of this year's The Something Rain and also as a short-run vinyl release seems peculiar for a band with the style and sound of Tindersticks. Yes, The Something Rain is their strongest full-length by far since their reformation in 2006 and a contender for their strongest in the two decades since their formation, but it isn't an album with a lot of room for manoeuvre, and as those who have seen Stuart Staples' world-weary collective live will attest to, they aren't the kind of band to rewrite the script on stage.
Yet Live In... is a worthy purchase. Rewrite the script they may not, but there are sufficient tangents to ensure it does not feel like a mere photocopy, particularly on pacier moments such as album highlight 'This Fire Of Autumn'. Here it adopts more of a disco vibe, if only said disco was full of paranoid and self-conscious patrons more focused on drinking than dancing; Stuart's crooning vocals are backed throughout by slapped guitars and snappy drums and the falsetto of its chorus no longer sounds like a sore thumb.
The horns that coat The Something Rain are given more prominence also, which is certainly a good thing. They positively swing on 'Slipping Shoes', marrying up to Korg waltzes and walking basslines that offer nods to soul, blues and jazz and close penultimate track 'Come Inside' with the most self-indulgent trumpet solos put down on tape over the past God knows how many decades. That such shamelessly 'smooth' playing does not sound sickly or schmaltzy is perhaps the biggest indicator of the strength of Stuart Staples' song-writing.
Continue reading: Tindersticks - Live In San Sebastian 2012 Album Review
In a not too distant parallel universe the term 'Tindersticks' is used to describe something that does "exactly what is said on the tin". The now Berlin based sextet have covered more ground than ever on the two albums since their return from semi hiatus, with the rockier (relatively) 'Hungry Saw' full-length and the (again relatively) experimental 'Falling Down A Mountain', but these have been mere sidesteps rather than journeys into brave new territories.
Continue reading: Tindersticks, The Something Rain Album Review