The film is a sloppy pastiche of four portraits of depressed souls in dire circumstances. Jessica Biel plays a stripper who leaves sweet phone messages on her comatose young son's hospital room phone. Ick. She is essentially one of those indie-chic characters who talks fast, snorts coke, and talks nonsensical platitudes to herself in a mirror. Ray Liotta is a guy who walks around town in a dirty suit and rides the bus a lot. From what must be intended as a clumsy flashback (hard to tell, since the movie is so stylistically bankrupt), we know that he is dying, so that gives him license to be as morose as possible for the entire movie. Eddie Redmayne is a mortician who can't get a girlfriend so he bonds with dead people. He looks like he's 12 but is intended to be about 30 from the way the film has him act. Oscar-winner Forest Whitaker fills in the final quadrant, playing a character with absolutely no relation to the others, except for that he is depressed and wants to kill himself. Rather, he wants to give someone else $50,000 to shoot him in the heart. Why? Because it's quirky.
Continue reading: Powder Blue Review
Helming the project are brothers Timothy Lihn Bui (director/screenwriter) and Tony Bui (story/producer), previously responsible for the Harvey Keitel film Three Seasons. For Green Dragon, the film uses a refugee camp as purgatory for the Vietnamese people and constructs a vivid backdrop for examining the attitudes and actions of a displaced people forging new lives.
Continue reading: Green Dragon Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...