RT @MINT2B_Brittney: Use your past as a place of reference not a place of residence. Stop going back to your old ways and expecting new out…
Timbaland (born Timothy Z. Mosley 10.3.1971)
Timbaland is a hugely popular record producer, also known for his song composition and vocal skills. He has been responsible for a huge number of hit songs and albums for a range of artists, primarily in the urban pop genre.
Timbaland: The Early Years
Raised in Norfolk, Virginia, Timbaland was initially known as a disc jockey, DJ Timmy Tim or DJ Tiny Tim. He started off on his production path by making beats on his Casio keyboard. Missy Elliott, the rapper, heard his work and instantly expressed an interest in working with him.
DeVante, a producer and member of Jodeci (a popular R&B act) invited Missy's R&B group, Sista, along with DJ Timmy Tim to New York, where his Swing Mob label was based. It was DeVante who nicknamed Mosley Timbaland, after the Timberland construction boots that were popular in the hip-hop scene at the time.
Along with DeVantes' new Swing Mob signings, collectively known as 'Da Bassment Crew', Timbaland worked on several projects, such as Jodeci's 1995 album, The Show, The After-Party, The Hotel. He later joined a production crew called S.B.I. (Surrounded By Idiots) that featured Pharrell Williams.
Timbaland continued to collaborate with Missy Elliott, Ginuwine and Playa on their solo projects. His first major production credit was as remixer of 702's 'Steelo', written by Missy Elliott.
In 19996, Ginuwine's debut album was released, produced by Timbaland. Ginuwine.the Bachelor was a commercial and critical success. The lead single from the album, 'Pony' became the first example of the trademark Timbaland sound. On many of the album tracks, Timbaland's heavily vocoded voice can be heard in the background, providing ad-libs.
Aaliyah contacted Missy Elliott and Timbaland whilst work was being done on Ginuwine's debut. The R&B artist wanted the pair to write and produce her second album, One in a Million. All three of them became superstars after the release of the album, which sold over 11 million copies around the world.
By the end of the 1990s, Timbaland and Missy Elliott had become one of the most highly regarded production and writing teams in the world. Their skills can be found in the work of SWV, Destiny's Child, Jay-Z and Nas, to name but a few.
Timbaland: Commercial success
Between the years 2000-2, Timbaland worked on songs by Ludacris, Beck and Limp Bizkit's remix album. He also carried out further work on Aaliyah's self-titled third album. Aaliyah's death in a plane crash in August 2001 had a hugely detrimental impact on Timbaland, who stated in interviews that he lost his creativity when he lost Aaliyah.
Tweet's debut album, Southern Hummingbird featured three tracks produced by Timbaland and Missy Elliott's fourth and fifth albums were also largely produced by him. Lil' Kim also benefited from his production touch, as did former N*SYNC singer, Justin Timberlake. Timberlake's 'Cry Me A River' was a massive worldwide hit and the song brought new levels of achievement and success to both producer and performer.
In 2004, Timbaland produced tracks by LL Col J, Xibit, Jay-Z and Brandy. His mainstream credentials expanded when he was chosen to work with Jennifer Lopez on her track 'He'll Be Back'.
Mosley Music Group was the label started by Timbaland, releasing music by the likes of Nelly Furtado and rapper D.O.E.
In 2006, Furtado and Timberlake were jointly responsible for helping to provide Timbaland with seven songs that achieved massive airplay. The producer also appeared in most of the songs' promotional videos.
The next year, Timbaland was heavily involved in a highly publicized new album by Bjork, as well as new work by Ashlee Simpson, Duran Duran, Mary J. Blige and M.I.A.
Tiimbaland - Rapper and Record Producer Timbaland Kicks Off Valentine's Day Weekend with Drai's LIVE Debut at Drai's Nightclub Las Vegas at Drai's Nightclub - Las Vegas, Nevada, United States - Friday 12th February 2016
Empire, the Fox drama series with a storyline surrounding a hip-hop entertainment company (Empire Entertainment), is one of the most talked about shows in the States. This soundtrack, as well as the Season 1 disc which was released earlier this year, is comprised of songs performed on the show, by the actors/musicians themselves. The production is handled entirely by Virginia producer Timbaland, who has worked with pretty much everyone in hip-hop you can think of. Jussie Smollett, Yazz and Bre-Z make up a significant amount of the tracks on here, as well as Terrence Howard and Petey Pablo's collaboration Snitch Bitch, which was one of the main draws to giving this a listen.
The opening track Born To Love You features some pretty smooth, tasteful R&B vocals from Smollett, and the trap-influenced chorus is a nice switch up that is successfully executed. Snitch Bitch was exciting for me because of Petey Pablo's return. He is on the show (apparently because Terrence Howard owed him $200, and getting Pablo a part in Empire was his way of repaying the debt), and it's good to see him back in any capacity. Petey's first album, 2001s Diary Of A Sinner: 1st Entry, is an under-rated LP with some fantastic Timbaland production, but without a proper release since 2004s Still Writing In My Diary I was unsure if we'd ever get to hear more music from the North Carolina MC. This track is a collaboration between Pablo and Howard, and although it's not terrible, it falls a little flat; the repetitive production and auto-tuned chorus fell way short of my expectations. Perhaps they were unrealistically high.
Bout To Blow is a guilty pleasure for me to be honest. Throw it on at 2 AM after a few too many and you might catch me off guard on the dancefloor. The beat creates an instant vibe, and it's proof that Timbaland still knows how to craft energetic, well-structured club-bangers. Terrence Howard and Bre-Z's Boom Boom Boom Boom is another highlight. The menacing, tribal production finds the two artists delivering aggressive lyrics over a sinister, piano-laced beat. The percussion in the hook is classic Timbaland, and the sitar line is a great addition to the simple but effective chorus. Bre-Z's appearance is very impressive; her powerful, savage delivery and consistent flow sets her apart from many of the other artists that appear on the soundtrack.
Continue reading: Empire Season 2 Part 1 Official Soundtrack - Album Review
The 1999 single 'Big Pimpin' is the subject of an enormously lengthy court case regarding a sample from a 1957 Egyptian love ballad.
Jay Z has testified in a Los Angeles courtroom that he does not believe he infringed the copyright of an Egyptian love ballad in order to create the hook for his 1999 single ‘Big Pimpin’.
The rap megastar, whose real name is Shawn Carter, spent an hour and a half explaining about the inspirations from his life and the creative process he and his producer Timbaland undertook in making the hit single, which became one of the biggest of his career at that point.
He and Timbaland are both being sued by the estate of Egyptian singer Baligh Hamdi, who made the 1957 hit song ‘Khosara Khosara’, the melodic flute flourish of which is accused of being unlawfully used as the catchy hook from ‘Big Pimpin’.
Continue reading: Jay Z Denies Copyright Infringement Over 'Big Pimpin' Sample
Now that that's all clear... can we all collectively move on?
So apparently, Timbaland (along with the rest of the world) isn’t thrilled with Lifetime’s depiction of Aaliyah’s life. The producer, who mentored Aaliyah through her rapid rise to fame has spoken out on the film, which hit cinemas on Saturday.
Alexandra Shipp plays the title role in the barely watchable movie.
Like any self-respecting artist these days, Timbo voiced his opinion via Twitter and Instagram, through several pictures, messages and video. First he shared a photo of the movie's poster, writing, "Hope yall not watching this!!!!!!!!"
Continue reading: Timbaland Vs. Lifetime's Aaliyah Biopic: It's On.
Let's take a look at some of the worst grammar-offenders in music.
Everybody loves a good pop song, but sometimes you can’t help but cringe when the lyrics are just bad beyond comprehension. Pop obviously isn't exactly known for its strengths in the lyric department, but it’s hard to ignore when lyrics aren’t just bad - they’re grammatically incorrect, too.
Ariana Grande and Max Martin fought over grammatically incorrect lyrics in 'Break Free'
Believe it or not, the actual artists behind the songs may feel the same way, too. Ariana Grande recently spoke about the arguments in the studio that she had with producer Max Martin while recording her new album, My Everything. The issue? Some of the lyrics to her recent single, ‘Break Free,’ made no sense at all. “I fought him on it the whole time,” Grande said to Time. “‘I am not going to sing a grammatically incorrect lyric, help me, God!’ Max was like, ‘It’s funny — just do it!’” Grande eventually gave in to Martin’s demands, singing lines like “Now that I’ve become who I really are,” and “I only wanna die alive.”
Continue reading: Six Of The Worst Grammatically Incorrect Song Lyrics
The cast of the film is shaping up.
Lifetime’s Aaliyah biopic is moving full-speed ahead after the announcement of the lead actress. Despite lack of support from the family, the film will be made without any delays. According to The Hollywood Reporter, two more roles in the film have been cast – and they’re pretty big ones too.
Lifetime has followed its established practice of hiring relative unknowns and chosen Chattrisse Dolabaille and Izaak Smith for the roles of Aaliyah’s collaborators Missy Elliott and Timbaland. The rappers/producers were instrumental in helping Aaliyah’s career. They worked closely with the singer on her 1996 album One in a Million and she had practically become their protégé by the time her self-titled sophomore album was released in 2001. Aaliyah tragically and infamously died in a plane crash later that same year.
We've heard 'Bang Bang,' but what are some of the other best pop songs with three artists?
The only thing better than one pop star on a song is three, right? How about a combination of Jessie J, Ariana Grande, and Nicki Minaj - ALL on one track? It's what we got with the newly released 'Bang Bang' single, and it's proving that songs like these need to be happen more often.
'Bang Bang' was released on July 29
Released this week, the single featuring Jessie, Nicki, and Ari is an easy frontrunner for "Song of the Summer," and hell, maybe even pop song of the year. It'll be included on Jessie J's upcoming album this fall, as well as in the deluxe edition of Grande's new record, My Everything, so 'Bang Bang' isn't going away anytime soon. But what makes it so great? A mix of all the unique qualities in the girls - Jessie's explosive vocals, Grande's sassy croon, and Minaj's signature fierce rap verse makes for a track that only gets better with every listen. Coupled with the glossy production of mastermind producer Max Martin, 'Bang Bang' simply can't not be a hit. It's even being touted as 'Lady Marmalade 2.0' - the juggernaut number one smash in 2004 that featured Christina Aguilera, Lil' Kim, Mya, and Pink. Arguably, 'Bang Bang' outshines that track in every way possible, and having three vs. four is just easier to listen to. With that said, which songs are the best triple threats in pop music over the past couple of years?
Continue reading: After 'Bang Bang,' What Are Some Of The Best Triple Threat Pop Songs?
Who will usher in a new era of pop? Here are ten artists likely to make the most impact in the near future.
A facet of popular culture that frequently is at the receiving end of derision of ‘indie’ or ‘underground’ circles, pop music is in actual fact often the site of technological and stylistic innovation- channelling the sounds of the underground and disseminating them to the masses.
Timbaland’s fresh production techniques completely altered the pop landscape of the early naughties, whilst recently, professional egotist and sometimes rapper Kanye West’s ‘Yeezus’ injected the stark and abrasive sounds of experimental hip hop into a mainstream context. It’s a continuous and cyclical process of obsolescence and fresh ideas that has sped up as the instantaneous nature of the internet becomes the central tool in the transportation of the cultural to-and-fro.
But who will usher in a new era of pop in 2014? Which artist will emerge brimming with new ideas, or even just provide fresh spins on existing concepts? Here is a list of the ten most likely candidates:
Continue reading: Chloe Howl, Banks, Jungle: The Future Of Pop In 10 Artists
The late pop star's latest posthumous release falls under critics' gaze.
Michael Jackson's Xscape may not be released until next month but the new posthumous release from the late pop star has already fallen into the hands of critics who have given the brand new collection of songs a first listen verdict. Featuring eight previously unreleased songs, the new album will be released in May, announced the executive producer L.A. Reid.
Michael Jackson's Latest Posthumous Album, 'Xscape,' Will Be Released On The 13th May.
"Michael left behind some musical performances that we take great pride in presenting through the vision of music producers that he either worked directly with or expressed strong desire to work with," the former US X Factor judge said in a statement, via Billboard. "We are extremely proud and honored to present this music to the world."
Michael Jackson's new album XSCAPE hits in May.
A new Michael Jackson album featuring eight previously unheard recordings will be released on May 13 through Epic Records. The posthumous record, titled XSCAPE is produced by Timbaland, Rodney Jerkins, Stargate, Jerome Harmon and John McClain.
Michael Jackson at the 15th Annual American Music Awards
According to a statement, the combination of Jackson's material with revamped contemporary production adds a "fresh sound" that retains Jackson's essence and integrity. Epic Records Chairman L.A Reid was reportedly granted unlimited access to the four decades of Jackson's vocal only material. He then teamed up with Timbaland and other producers to "contemporize" the songs
Continue reading: XSCAPE: New Michael Jackson, Produced By Timbaland, Set For May 13
Justin Timberlake's latest single was released this week with just days to go until the full album drops.
After many teasers in the form of tweets and videos, Justin Timberlake’s new single, TKO, is finally here. This is the second single of Justin’s newest album, or rather, the deluxe edition of The 20/20 Experience, 2 of 2. The album features vocals from Drake and Jay Z, the latter of whom Timberlake recently collaborated with on a summer tour, as well as several tracks on both his 20/20 and Jay Z’s Magna Carta Holy Grail.
This is the second release off 20/20 part 2.
The track, released via Timberlake’s youtube channel, is a 7-minute ode to a former flame of Timberlake’s. It’s an impressive, rather upbeat electronic mix of sound and, like all tracks on 2 of 2, it was originally intended to go on the first release, but just didn’t make the cut. In an interview with Ryan Seacrest recently, the singer explained that the sheer bulk of songs made it impossible to fit everything on to the first album, but that he wanted to release all the songs none the less and that was how The 20/20 Experience 2 of 2 came about. The album’s release date – September 30, is fast approaching.
Date of birth
10th March, 1972
RT @MINT2B_Brittney: Use your past as a place of reference not a place of residence. Stop going back to your old ways and expecting new out…
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