An old-school caper comedy, this goofy romp struggles to surmount its badly contrived screenplay. Fortunately writer-director Joel Hopkins also has gorgeous locations and a cast of pros who are unafraid to make complete idiots of themselves. They keep us chuckling even when things turn far too silly.
It starts with a hostile corporate takeover in Britain that costs Richard (Pierce Brosnan) and his ex-wife Kate (Emma Thompson) their income and pensions. Still feuding years after their marriage fell apart, they decide to team up, head to Paris and confront new owner Vincent (Laurent Lafitte) about their predicament, as well as the sudden poverty of all of Richard's employees. But Vincent cruelly dismisses them, noting that he liquidated Richard's company to help pay for his extravagant wedding to trophy wide Manon (Louise Bourgoin), who now sports a $10m diamond. So Richard and Kate impulsively decide to crash the marriage and steal the diamond with some help from their old pals Penelope and Jerry (Celia Imrie and Timothy Spall) and their computer-expert son Matt (Jack Wilkinson) back in Britain.
The idea is so preposterous that we just have to go with it, but Hopkins' script never bothers to fill in the gaping plot holes, merely charging into each corny set-piece with gusto. Thomson gets all the needed information about the wedding by joining in on the hen weekend. Spall has a series of dark-horse skills up his sleeve. Wilkinson seems able to do all manner of technical wizardry except the one thing that forces our four heroes to scuba-dive across the bay and scale a cliff, James Bond-style.
Continue reading: The Love Punch Review
Lance Clayton (Williams) is a high school teacher raising his surly, not-too-deep 15-year-old Kyle (Sabara) on his own. He's seeing the frisky art teacher Claire (Gilmore), who wants to keep their relationship a secret and seems to have eyes for another rather too-sexy teacher (Simmons). But Lance's main problem is that he feels he's settling for a mediocre life, having never had any of his writing published. Then a freak accident presents him with an opportunity for the fame that's eluded him. If only he can suppress his conscience.
Continue reading: World's Greatest Dad Review
After she catches her husband cheating, 40-year-old Sandy (Zeta-Jones) takes her two kids (Gould and Cherry) and moves into Manhattan. She finds an entry-level job and a flat above a coffee shop, where recently divorced 25-year-old barista Aram (Bartha) is happy to watch the kids. Meanwhile, Sandy's pal Daphne (Grant) urges her to get back out on the dating scene, but after a few disastrous nights the babysitter starts to look like a possibility.
But can they overcome their age difference and recover from their bad past relationships?
Continue reading: The Rebound Review
The Hallmark-ready story begins with Harvey Shine (Dustin Hoffman), a borderline jerk of a guy who appears to have shut down on life by the time we find him. A jingle writer who once hoped for greater things musically, he's on his way to London where his daughter is marrying into a family that seems to have a greater affinity for his ex-wife's new husband than himself.
Continue reading: Last Chance Harvey Review
Walken plays Victor Kelly, an ex-con turned auto mechanic struggling to be a responsible man, earning an honest living in the hopes of redeeming himself for the lifetime of trouble he has brought down on his small, fractured family. Add to the mix a young man named Michael (Peter McDonald) who appears at his doorstep, claiming to be a cousin from Ireland. Ironically, Michael has come to America to learn from the man he believes is a successful mobster - as legend back home tells it. What he actually finds in Vic is completely different. Vic is a proud man with some heavy financial headaches. Too bullheaded to accept help from his girlfriend (Cyndi Lauper). Vic soon realizes his skills as a mechanic are not nearly as marketable as his safe-cracking skills, and he reluctantly finds himself risking everything for one last shot to save his business and his family.
Continue reading: The Opportunists Review
Cal (Crudup) is a Manhattan architect with a wife and 3-year old son who, for a largely unexplained reason, is discontent. His interior landscape is entirely his own, as he revels in the brooding inner drive that propels him to abandon his family and set out on the road. To help convey the mental anguish he's experiencing, the film employs hallucinatory images, flashbacks, time phase cuts, and other borrowings from films like the successful Memento, though without the consistency or effectiveness of that fine work.
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