Thomas Wheatley

Thomas Wheatley

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Death At A Funeral Review


Very Good
Frank Oz, better known as the voice of Yoda and Miss Piggy, has settled into the director's chair quite frequently in his career, even dabbling in comedy on occasion. At the helm of Dirty Rotten Scoundrels, he paired Steve Martin and Michael Caine to comedic effect, ditto Martin and Eddie Murphy in Bowfinger. Death at a Funeral sees him working without stars, but the comedy doesn't really seem to suffer.

The film begins with a very funny gag involving the opening of a casket, not the easiest moment in life from which to wring humor. With it, we are introduced to Daniel (Matthew MacFayden), who is about to bury his father. With the aid of his wife Jane (Keeley Hawes) he must accommodate a gaggle of guests pre-loaded with neuroses.

Continue reading: Death At A Funeral Review

Where Angels Fear To Tread Review


Weak
Insanely overwrought British period drama (based on E.M. Forster's first novel) has corset-ready standbys like Rupert Graves, Helena Bonham Carter, Judy Davis, and Helen Mirren headed to turn-of-last-century Italy. The story gets off to a promising start as the wealthy Mirren decides to marry an Italian of low status (Guidelli), finding a culture clash that only gets worse with the pronouncement that she is pregnant. Unfortunately, Mirren's character dies during childbirth, launching the movie into its primary plotline -- the war over the child, fought by her family and her no-Ingles husband. Sadly, this plot is melodramatic, incredibly phony, and nearly unwatchable. Unless you've just got a thing for corsets and petticoats, give this one a pass.

Where Angels Fear To Tread Review


Weak
Insanely overwrought British period drama (based on E.M. Forster's first novel) has corset-ready standbys like Rupert Graves, Helena Bonham Carter, Judy Davis, and Helen Mirren headed to turn-of-last-century Italy. The story gets off to a promising start as the wealthy Mirren decides to marry an Italian of low status (Guidelli), finding a culture clash that only gets worse with the pronouncement that she is pregnant. Unfortunately, Mirren's character dies during childbirth, launching the movie into its primary plotline -- the war over the child, fought by her family and her no-Ingles husband. Sadly, this plot is melodramatic, incredibly phony, and nearly unwatchable. Unless you've just got a thing for corsets and petticoats, give this one a pass.
Thomas Wheatley

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