On the board between Mexico and the United States, something big is brewing. A war between the police force and Cartel drug-runners is ready to explode into something cataclysmic. When concert violinist Jacob (Anton Yelchin) returns to his family's home with his fiancé to see his brother, Buddy (Chris Marquette), spirits are high. Buddy is unable to attend the upcoming wedding, but has invited his brother down to see the new ranch he has built. Things don't add up, however, as there is no way that Buddy would ever have been able to afford to pay for all of the work that has been done. Slowly, the plot begins to unravel, and it turns out that Buddy isn't all that he seems.
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There's an unusual honesty to this film, which is an odyssey into the inner life of a teen girl. Gregg Araki has made a career out of understanding the often tortured inner workings of the adolescent mind, and this is one of his most beautifully crafted films yet, artfully circling around a central mystery while digging deeply into each of the characters. And while it seems a bit straightforward for an Araki movie, it's packed with his usual darker corners, especially in the surprising final act.
It's set in the autumn of 1988, when Kat (Shailene Woodley) feels her life fall apart. She's just 17, on the verge of womanhood when her mother (Eva Green) inexplicably vanishes, leaving her dad (Christopher Meloni) struggling to help her through puberty. Her best pals (Mark Indelicato and Gabourey Sidibe) are some help, but at the same time she begins to feel a growing distance from her boyfriend Phil (Shiloh Fernandez). Is all of this connected, or is this because of Phil's own family issues? As she plays through the various clues in her mind, the answers are also eluding the local tough-guy detective (Thomas Jane). A few years later, Kat returns home from her studies at Berkeley to visit her dad. And maybe this time she'll finally find out what happened.
The film is a beautiful depiction of the awkwardness of being a teenager, when everything seems wrong but feelings are so strong. Araki fills the screen with sumptuous imagery including dreamy sequences set in a snowy landscape where Kat mentally searches for her mother. And flashbacks offer more earthy glimpses into this difficult mother-daughter relationship, especially as Kat and her once-glamorous mother begin to shift in their roles. Clearly, Kat suspects that her mother ran away after seducing Phil, but the truth isn't quite this obvious.
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Imagine a world where all your deepest darkest fantasies can be played out with no repercussions. That's exactly what Julian Michaels' new resort Vice offers; a glimpse into the lawless world of crime and illicit sex for the usual casual observers, but where everything is reset at the end of their vacation. Populating the resort are artificially intelligent androids, whose memories are wiped at the end of each day. Heavily against the idea of allowing people to indulge in their most depraved desires is Roy; a vigilante who crashes the resort and meets Kelly - a robot who it appears has become slightly damaged after experiencing a series of flashbacks. As she is taken away for repairs, she escapes the facility and ends up teaming with her designer in a bid to save humanity from destroying itself.
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It is a time for sexual awakening for Kat Connors (Shailene Woodley). The 17-year-old is born again into a new world of desire and pleasure when all of a sudden, out of nowhere, her mother, Eve (Eva Green) mysteriously vanishes. Kat tries to ignore it, and continue enjoying the moment that she has created for herself, although she steadily discovers that her mother's disappearance has affected her more deeply than she originally thought. Thinking that her mother, a stunningly beautiful yet clearly haunted woman, left the family to pursue an affair, Kat finds herself seducing her way to the truth, in an attempt to find out if her mother is still out there, somewhere.
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When reclusive former football coach, Teddy Raymond (Tom Berenger) releases a self-help book entitled 'Reach Me' it is picked up by millions of people. Collette (Kyra Sedgwick) is a former inmate who reads the book and uses it to try to start her life anew. Hip hop star E-Ruption (Cornell 'Nelly' Haynes) finds that the book has completely reinvigorated his personal image. Wolfie (Thomas Jane), a gun-slinging policeman uses it to justify his actions in the face of right and wrong. Dominic (David O'Hare) is a career thief who annoys his partner by preaching the book, until deciding that he no longer wants to take part in this life of crime. And then there's Roger (Kevin Connolly) , a journalist who has been tasked with finding the mysterious Teddy Raymond by his editor Gerald (Sylvester Stallone). In the end, it turns out the actions of one man have the power to unite many.
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The pawn shop is the last resort for most broke people; the place where the impoverished and the desperate sell off their most prized valuables in exchange for an obscenely disproportionate amount of money. In 'Hustlers', it's where three dramatic stories begin; first, a pair of newlyweds find themselves in the shop where, as fate would have it, the groom finds the ring of his first wife who has been missing for some time. While he decides to seek out her kidnapper, a pair of small time criminals are concocting a plan to rob their meth dealer - though their armed robbery plan is inhibited when one of them pawns his shotgun. Meanwhile, one serious-minded Elvis Presley impersonator wishes to pawn his alleged gold Elvis memorabilia as he moves into the town hoping to land a new job in a fairground.
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Jonathan; Ron; Richard and Tim met at college 25 years ago and have been friends ever since. Jonathan is a doctor; Ron is a banker and Richard is a English teacher at a high school. This year is no different from any other year: the four men leave their families and careers to rent a beach house in California for a week, which is spent partying with college girls and an extortionate amount of booze and drugs.
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Thomas Jane - Thomas Jane walking barefoot Los Angeles, California - Celebrities at The Grove to film an appearance for the entertainment television news programme 'Extra' Thursday 22nd September 2011
Good movies about baseball make the game look like a lot of fun, sharing the enthusiasm and energy of the players. 61* doesn't do that. It does contain intense sequences of ball playing, but the main goal here is examining the overworked life a ballplayer must live in order to receive his short 15 minutes of fame. This movie allows us to take part in that experience, both positive and negative.
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I can just see the lowest common denominator-minded suits at Warner Bros. salivating over the pitch for "Deep Blue Sea."
"Hey everybody," someone said, "why don't we combine 'Jaws,' 'Alien,' 'The Abyss' and 'Titanic' into some kind of mindless summer blockbuster?" The suits licked their chops. This thing is going to make so much money, they thought.
What I would give to live in a world without these guys. But this isn't that world, so here comes "Deep Blue Sea," something akin to "Jaws 4" on steroids.
Continue reading: Deep Blue Sea Review
On the board between Mexico and the United States, something big is brewing. A war...
There's an unusual honesty to this film, which is an odyssey into the inner life...
It is a time for sexual awakening for Kat Connors (Shailene Woodley). The 17-year-old is...
When reclusive former football coach, Teddy Raymond (Tom Berenger) releases a self-help book entitled 'Reach...
The pawn shop is the last resort for most broke people; the place where the...
Jonathan; Ron; Richard and Tim met at college 25 years ago and have been friends...
Over the course of two hours, the Punisher, Marvel Comics' black-clad antihero (played by Thomas...