Quite the best thing Verhoeven has going for him is his fantastic Dutch cast, headed up by Carice van Houten in a relentlessly fearless performance as the singer Rachel Stein, who is forced into one morally compromising position after another. The film starts in 1944, when Stein has been in hiding for years, but is sent on the run after an errant Allied bomb destroys her hideout. As a former singer, she's able to take on new personas with great ease, but there's always a tough brightness about her, the statuesque ease of someone who's accustomed to being stared at and fought over.
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