Thierry Neuvic

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Hereafter Review


Excellent
Eastwood's skilfully unrushed direction merges with Morgan's astute, thoughtful screenplay to create a thoroughly unusual film that holds our interest with a provocative, beautifully played exploration of mortality.

George (Damon) has a gift: he can see into the afterlife and help people communicate with their lost loved ones. But he feels it's more like a curse.

Meanwhile in Paris, star journalist Marie (De France) has just recovered from a near-death experience. Instead of working on her planned biography of Mitterand, she instead starts investigating why accounts of after-death experiences are so shunned. And in London, pre-teen Marcus is looking for ways to communicate with recently deceased twin (they're played by Frankie and George McLaren).

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Hereafter Trailer


What becomes of the human soul after our time in this life had ended? A lot of people who lose a loved one find themselves asking that very question, and further they wish to know that their loved one is safe in the afterlife.

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Thierry Neuvic - Thursday 11th June 2009 at Monte Carlo Television Festival Monte Carlo, Monaco

Thierry Neuvic
Thierry Neuvic

Code Unknown Review


Good
Austrian bad boy filmmaker Michael Haneke follows up his nihilistic home invasion psychodrama Funny Games with the elusive Code Unknown. Frustrating and seemingly disconnected, Haneke's crafted one of those strange films that, at the time of viewing, inspires reactions ranging from outrage ("What a waste of my time!") to bafflement ("What's the point?"). It's certainly cold, observing an ensemble of characters tied together overtly and incongruously through the opening sequence of street violence.

Following a clearly telegraphed prologue in a classroom for the deaf where no one can figure out what a little girl is miming (theme: miscommunication), Haneke details within a single, unbroken shot four characters -- a young man, his brother's girlfriend, a homeless woman, an angry black schoolteacher -- whose paths cross on a busy Paris street corner. The young man, Jean (Alexandre Hamidi) tosses a crumpled bag into the lap of the homeless woman (Luminita Gheorghiu), a motiveless crime springing from his own insouciance. The black teacher (Ona Lu Yenke) demands the youth apologize, using physical force to make his point. The police break it up, taking the black man away in handcuffs. Race, class, righteousness, and passive observance collide, and each party involved carries the moral baggage.

Continue reading: Code Unknown Review

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Thierry Neuvic Movies

Hereafter Movie Review

Hereafter Movie Review

Eastwood's skilfully unrushed direction merges with Morgan's astute, thoughtful screenplay to create a thoroughly unusual...

Hereafter Trailer

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What becomes of the human soul after our time in this life had ended? A...

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