George (Damon) has a gift: he can see into the afterlife and help people communicate with their lost loved ones. But he feels it's more like a curse.
Meanwhile in Paris, star journalist Marie (De France) has just recovered from a near-death experience. Instead of working on her planned biography of Mitterand, she instead starts investigating why accounts of after-death experiences are so shunned. And in London, pre-teen Marcus is looking for ways to communicate with recently deceased twin (they're played by Frankie and George McLaren).
Continue reading: Hereafter Review
Following a clearly telegraphed prologue in a classroom for the deaf where no one can figure out what a little girl is miming (theme: miscommunication), Haneke details within a single, unbroken shot four characters -- a young man, his brother's girlfriend, a homeless woman, an angry black schoolteacher -- whose paths cross on a busy Paris street corner. The young man, Jean (Alexandre Hamidi) tosses a crumpled bag into the lap of the homeless woman (Luminita Gheorghiu), a motiveless crime springing from his own insouciance. The black teacher (Ona Lu Yenke) demands the youth apologize, using physical force to make his point. The police break it up, taking the black man away in handcuffs. Race, class, righteousness, and passive observance collide, and each party involved carries the moral baggage.
Continue reading: Code Unknown Review
Feige thinks a "new thing" could be on the horizon.
The Netflix original series is in hot waters with mental health experts.