Laney Brooks seems to be living the American Dream. A beautiful house with two gorgeous children inside and a supportive husband who'll do anything for her. But even this isn't enough to fade the black cloud that continues to hang over her. She is powerless to her own erratic and uninhibited behaviour, losing herself to drug addiction, drinking away each night and spending the night with strangers on a regular basis. Even despite this, she's more scared than your average person might be of losing everything she has, but is reluctant to keep taking her medication and goes against her husband's insistence. She has more personal problems affecting her too, with her estranged father coming back into her life, but this is a demon that she has to battle alone - she just hopes she doesn't lose her family in the meantime.
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Terry Kinney, Randy Graff, Frank Wood, Michael Oberholtzer, Maddie Corman, Julie Halston, Josh Radnor and Leslie Bibb - New York Stage and Film and Vassar's 30th Anniversary Powerhouse Season Media Day held at Pearl Studios - Arrivals. - New York, New York, United States - Tuesday 3rd June 2014
Steve Butler is a successful businessman as part of a natural gas company who wishes to close down failing farming communities in order to obtain resources. He and his business partner Sue Thomason go to visit a particular town that is suffering a lot in the economic crisis in the hope that it will be easy to get drilling rights for the farmers' land in order to gain important resources through hydraulic fracturing, more commonly known as 'fracking'. Things do seem easy at first, with his proposition providing some hope of economic relief for many members of the community, however he is soon challenged when a highly regarded teacher from the school and a determined grassroots campaigner object to the proposal and go about trying to get the rest of the town to vote against it.
'Promised Land' is a particularly appropriate film for the current economic climate and raises important issues that are of real concern to many. It has been directed by Gus Van Sant ('Good Will Hunting', 'Milk', 'Paris, je t'aime'), written by the movie's stars John Krasinski and Oscar winner Matt Damon (writer of 'Good Will Hunting') and based on a story by Dave Eggers ('Away We Go', 'Where the Wild Things Are') and is set to hit screens in the UK next year on April 19th 2013.
Directed by: Gus Van Sant
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Chris Eigeman makes an impressive debut as writer/director of Turn the River, ably abetted by an intense, edgy star turn from Famke Janssen as a pool hustler who wants to grab her abused son away from his weak, alcoholic father and get the hell out of town fast.
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Save the Last Dance is the story of a spunky white girl named Sara (Julia Stiles, State and Main) who has a gift for ballet. When her mother dies in a car crash on her way to one of Sara's dance auditions, Sara is not only devastated; she also fails the audition. With her mother gone, she is forced to move in order to live with her jazzman father in a seedy Chicago neighborhood where spunky white girls are an extremely rare find. Soon, however, she is hitting the dance floor once again -- trading in her ballet slippers for a thick-soled pair of hip hop sneakers. And it doesn't take long before the romance begins.
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As is always the case with compilation discs, some of the eight vignettes are good/great, and some are barely watchable. The headlining short, "Laud Weiner," makes up for its obvious title with a dead-on portrayal by Pierce of an egomaniac power broker. Just four minutes long, don't expect a lot of nuance, but it's funny to see the normally mild-mannered Pierce yell at interns.
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Welcome then to The House of Mirth, a period piece which bears little happiness for those within. Or, ultimately, for those in the audience.
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In case you missed the movie's trailer, which provides a nice plot synopsis, Fly Away Home is about a teenage girl (Paquin) from New Zealand who moves in with her Canadian father (Jeff Daniels) after her mother dies. The young girl is utterly bored and lonely until she finds a family of young goose eggs (eventually geese) to take care of. After she becomes the geese's mother, she finds happiness, and the whole family bands together to figure out how to take care of the geese. This ultimately leads to the decision to have young Anna fly the geese down south for the winter.
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This is sad, sad "horror" at its inexplicable worst, an absolutely dreadful attempt at the type of thriller that never really shows the face of the bad guy. The idea is that when one girl's sister falls to her death, the survivor (Megan Ward) becomes afraid of heights and seeks help from an aggressive therapy group. But when the group's members start falling to their deaths (hmmmmmm...), she wonders, geez, do those ghosts of the dead I keep seeing have anything to do with it?
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Director Terrence Davies took a chance casting "The X-Files'" Gillian Anderson as the devastated heroine in his adaptation of "The House of Mirth," Edith Wharton's corset opera of turn-of-the-Century social politics.
But in her first 20 seconds on screen -- speaking in deliciously eloquent dialogue and looking stunning in plumed hats with veils, fur collared dresses, brooches and a parasol -- she erases any and all memory of Agent Scully, the TV alter-ego you probably thought would haunt the actress for the rest of her career.
A drawing room drama about the whispered politics and wily business of marriage in New York high society, the film is about a beautiful young socialite whose life becomes hampered with scandal, in part because she can't reconcile her heart with the fact that she must marry well to maintain her station.
Continue reading: The House Of Mirth Review
Laney Brooks seems to be living the American Dream. A beautiful house with two gorgeous...
Steve Butler is a successful businessman as part of a natural gas company who wishes...
Draw near and bear witness to Gillian Anderson, a very successful television actress (The X...
A finger-snapping swing soundtrack and the Manhattan skyline are accompanied by the sarcastic voice-over of...
Director Terrence Davies took a chance casting "The X-Files'" Gillian Anderson as the devastated heroine...