Its dialogue like that that makes Payback the first great film of 1999. Everybody likes to watch jerks on screen. They walk around with a cockiness and lack of respect for anything and everyone that you can't help but love to watch them. In this movie, I think everybody falls into this category.
Continue reading: Payback Review
Let's face it, Mad Max Beyond Thunderdome isn't terribly memorable aside from its to-the-death cage battles, with Mel Gibson's road warrior doing a little battle for Bartertown (headed by a ridiculously over the top Tina Turner). It will all end as expected -- with a bunch of crazy car (and train!) stunts, but why subject us to Mad Max becoming a hero to a bunch of urchin children living out in the boonies? As Turner herself said, we don't need another hero.
Based on a series of comic books, From Hell actually focuses on an investigator named Abberline (Johnny Depp), who works the lower-class Whitechapel district of London in 1888. Abberline, in keeping with the presumably sacred rule that any character Depp embodies must be a nutjob, is a Laudanum addict, drinks Absinthe, and has bizarre visions in his sleep that portend Jack's next victim. If only he'd been born a century later, he could have had his own 1-900 number.
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Continue reading: The Road Warrior Review
As the thrill-packed trailer might already have cued you, this is an action-filled mountaineering movie, with Chris O'Donnell as Peter Garrett, the unlikely hero trying to save his stranded sister Annie (Robin Tunney) from certain death atop K2, the second-highest place on earth. How'd she get there? Glad you asked... three years after a family tragedy sends Annie on a perpetual climbing quest and Peter grounded on earth, the siblings meet up again at the base of K2, where a Texas billionaire (Bill Paxton) is ascending the peak as a publicity stunt with Annie in tow. Naturally, we learn you can't mess with Mother Nature for profit, and the climbing team ends up stuck in a crevasse only a few hundred feet from the summit -- beaten up, but alive. Barely.
Continue reading: Vertical Limit Review
This staple of late-night cable is as bad as its title could ever suggest, a micro-budget horror production that somehow found minor distribution back in 1989, probably due to its supposed "Christian values" and its anti-adultery message.
Continue reading: Flesh Eating Mothers Review
The film is almost half an hour longer than 'The Force Awakens'.
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