The movie, shot at Austin City Limits, will make an impact at the city's other big event.
The new music drama from Terrence Malick, 'Song To Song' starring Michael Fassbender, is set to premiere on the opening night of the 2017 SXSW Festival this weekend, celebrating the Austin music aesthetic that the movie is all about and setting the course for a phenomenal event.
Austin, Texas is one of the greatest cities for music in the world, playing host to two major music festivals each year; SXSW and Austin City Limits. It so happens that filmmaker Terrence Malick shot his latest movie 'Song To Song' at the latter in 2012, and they are bringing it back to Austin with a screening at the 24th edition of SXSW today (March 10th 2017).
Continue reading: 'Song To Song' Returns To Austin With SXSW 2017 Premiere
Terrence Malick is set to release his latest movie 'Song to Song'; a musical drama that was partially shot at Austin City Limits musical festival back in 2012. Producers Sarah Green and Ken Kao, music supervisor Lauren Marie Mikus, Cole Alexander from Black Lips, singer-songwriter Lykke Li, and stars Natalie Portman and Michael Fassbender open up about getting to work on extraordinary film at an even more extraordinary festival in a short featurette.
Continue: Song To Song - Featurette and Clip
The music scene of Austin, Texas becomes tainted by lust and illict desires as two aspiring songwriters named Faye (Rooney Mara) and BV (Ryan Gosling) become entwined in two overlapping love triangles with a major player in the music business named Cook (Michael Fassbender) - who encourages them to take their music careers further - and a charming waitress (Natalie Portman). As much as their lives are about making it in the industry and becoming world renowned successes, their lives get more complicated by disloyalty, temptation and infatuation with each other, pushing all of them ultimately further away. Can love last when betrayal lies at every corner?
Continue: Song To Song Trailer
Rick is one of the hottest screenwriters in Hollywood but after the death of his brother he finds himself becoming absorbed into a world of parties, drinking and excess. Parties are part of the norm for Rick but after the loss of his brother he finds himself evaluating his life and what it all means.
Spiralling uncontrollably his only real solace comes from short lived relationships with women, but each relationship actually brings Rick a little closer to the closure he seeks.
Knight Of Cups is the new film from Terrence Malick (The Tree of Life & The Thin Red Line)
The French Oscar-winner replaces Natalie Portman, who was initially cast as Lady MacBeth, and will star alongside Michael Fassbender.
Marion Cotillard has been chosen to bring some Gallic glamour to one of Scotland's most malevolent (fictional) characters in the latest big screen adaption of William Shakespeare's MacBeth. The Oscar-winning actress is set to star along German/Irish actor Michael Fassbender, who will be taking on the titular role, under the direction of Snowtown's Justin Kurzel, The Hollywood Reporter first revealed.
Marion Cotillard will replace fellow Oscar-winner Natalie Portman in the latest adaption of 'The Scottish Play'
Distributed through StudioCanal and Film4, the latest rendition of the classic Shakespearean tragedy is being produced by The King's Speech backers Iain Canning and Emile Sherman, who run the production house See Saw. Which happens to be the same company that worked on the Fassbender-starring Shame. No further details of the film have been released just yet, so it is still unknown who Cotillard and Fassbender will be starring alongside when filming begins in January 2014.
To The Wonder is Terrence Malick's latest effort, though some critics are beginning to tire.
Ahead of its full U.S. release, a full theatrical trailer has been released for Terrence Malick's latest movie 'To The Wonder', about a couple from Oklahoma who run into problems after moving to Mont Saint-Michel - an rocky tidal island near Normandy, France.
Marina, played by Olga Kurylenko meets a priest and fellow exile (Javier Bardem) who is struggling with his vocation, while Neil, played by Ben Affleck, renews ties with childhood friend Jane (Rachel McAdams). Let us not beat around the bush here: critics hated Terrence Malick's latest effort and the reclusive filmmaker is probably beginning to divide critics more than even he would like. Tim Robey of the Daily Telegraph said, "The movie wants to explore looming crises of faith, but for Malick fans it's in serious danger of entailing one." Time Out said, "There's a phoniness to the film's people and places that keeps us at a fatal distance from the big ideas with which 'To the Wonder' seeks to engage us." There's a huge problem here. Malick presumably chose Mont Saint-Michel as its considered one of the most mythical and intriguing places on the planet. If it appears phony on-screen then 'To The Wonder' is done for.
Continue reading: Can Oscar Darling Ben Affleck Save Malick's To The Wonder? (Trailer)
Neil is the subject of a cautionary tale about the dangers of falling in love. He thinks he has met the woman of his dreams when the European Marina flies over to the States to be with him. However, as beautiful and as perfect as their love seems, Neil can't stop seeing Jane; an old flame from the town he grew up in; as a spark is ignited between them once more. He becomes doubtful of his love life, and struggles to make sense of it while Father Quintana is equally struggling with his faith, unable to see past the pain and suffering in the world. Neil must understand that love is not perfect, nor is it easy in execution; you are at constant risk of failure, of betrayal and ultimately heartbreak. But love in its many forms is nonetheless a beauty, even if it can be unpredictable.
Continue: To The Wonder Trailer
Frankly, a bad Terrence Malick film is better than 90 percent of movies released in cinemas: but if you thought The Tree of Life was indulgent and overly kaleidoscopic, you should avoid this like the plague. Because this film is even looser and more internalised, taking an impressionistic approach to plot and characters that gives us very few specifics. It also leaves the cast to play mere hints of people who are having crises of faith and love.
After a lushly romantic trip to Paris and Mont Saint-Michel, Neil (Affleck) brings his French girlfriend Marina (Kurylenko) and her 10-year-old daughter Tatiana (Chiline) home to Oklahoma to live. The geography and culture are a shock to both of them, but Marina tells Neil, "If you love me, I'm OK here." So they begin to bond as a family, and Marina turns to local Catholic priest Quintana (Bardem) for support. But he's having a crisis of faith, and she's wondering if she's made a terrible mistake. So when her visa expires, she takes Tatiana and returns to France. In confusion, Neil then turns to his old flame Jane (McAdams). But as their rekindled romance begins to get serious, she realises that he's still in love with Marina.
Malick tells this story with snippets of ideas and feelings. Emmanuel Lubezki's sumptuous cinematography finds raw beauty everywhere, including in Malick's trademark sun-dappled leaves, waving wheat fields and rippling water. But there's also raw beauty in the actors' faces, and we understand their thoughts through breathy voiceovers that offer philosophical musings and biblical texts. As a result, only Marina emerges as a properly defined character with passion and yearnings; everyone else is sketchy and vague. Even Affleck and Bardem, who have strong on-screen presence, never quite register here.
Continue reading: To The Wonder Review
Make no mistake: Amazing Grace is not a complex movie. The good guys are good and the bad guys aren't so much bad as they are yet to become good. Such a simple and optimistic moral vision may seem antiquated to some, but Amazing Grace doesn't apologize for its old-fashioned piety. As the action starts, Wilberforce (Ioan Gruffudd) undergoes a religious conversion. His long-abandoned childhood faith has once again stirred his heart and moved him to commit to doing whatever he can to improve the world. Already a member of Parliament, he asks several of his friends -- including the clergyman John Newton (Albert Finney), who wrote the hymn "Amazing Grace" -- if he should continue his political career or move on to a more spiritual pursuit. At all of his friends' urging, Wilberforce chooses politics and not long after takes an unpopular stand on the issue that will dominate his political career thereafter: the slave trade.
Continue reading: Amazing Grace Review
The same could be said for Undertow, a richly filmed human drama of two boys being raised by single father John (Dermot Mulroney). Chris (Jamie Bell), being the stronger teen, is forced to do much of the labor around their small rural farm while little brother Tim (Devon Alan) eats poorly due to stomach problems. John's brother Deel (Josh Lucas) comes to stay after being released from prison to exact revenge for losing his woman and his inheritance to John, and Chris must forget his illusions of leaving familial obligations to ensure his and Tim's survival.
Continue reading: Undertow Review
Date of birth
30th November, 1943
After the spin-off Han Solo movie was hit by the loss of its directors earlier this week, LucasFilm and Disney have acted quickly to fill the gap...
The singer introduced "the next generation" in Iceland.
The music scene of Austin, Texas becomes tainted by lust and illict desires as two...
Rick is one of the hottest screenwriters in Hollywood but after the death of his...
Neil is the subject of a cautionary tale about the dangers of falling in love....
Frankly, a bad Terrence Malick film is better than 90 percent of movies released in...
Malick takes a bold, intensely personal approach to this big story about life, the universe...
Watch the trailer for The Tree of LifeThe Tree Of Life is Terrance Malick's first...
For a film with all the stylistic panache of a BBC period yawner and all...
Is there a more frustrating living director than Terrence Malick? It's hard to imagine another...
War is hell. I think.Terrence Malick's long-awaited and severely overhyped Line is plenty red,...
It's getting harder to appreciate an immigrant saga like The Beautiful Country in which audiences...