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Terrence Howard Claims He Was "Pushed Out" Of "Iron Man" Franchise By The Man Himself


Terrence Howard Robert Downey Jr

While promoting his new movie, Terrence Howard appeared on Watch What Happens Live and he said some things that may or may not have sounded a tiny bit bitter. According to The Hollywood Reporter, Howards explained that he had initially signed a three picture deal with Marvel to play James Rhodes in the Iron Man series.

Terrence Howard, The Best Man Holiday Premiere
Howard only played Rhodey for one film, instead of the initially agreed upon three.

 

Continue reading: Terrence Howard Claims He Was "Pushed Out" Of "Iron Man" Franchise By The Man Himself

Terrence Howard: Robert Downey Jr "Pushed Me Out" Of 'Iron Man'


Robert Downey Jr Terrence Howard

Terrence Howard explained why he did not appear in the second and third instalments of the Iron Man franchise. Howard played Lieutenant Colonel James 'Rhodey' Rhodes in the 2008 Iron Man film.

Terrence Howard
Terrence Howard discussed what happened with Iron Man producers on a chat show.

At the time it was reported that he had left the franchise owing to drastic pay cuts of up to fifty percent, on Thursday (15th November) Howard explained what really happened behind the scenes.

Continue reading: Terrence Howard: Robert Downey Jr "Pushed Me Out" Of 'Iron Man'

'Lee Daniels' The Butler' Beats 'Kick-Ass 2' And 'Jobs' In US Weekend Box Office


Oprah Winfrey Forest Whitaker Terrence Howard Cuba Gooding Junior Alan Rickman John Cusack James Marsden Chloe Moretz Aaron Johnson Christopher Mintz-Plasse Minka Kelly Robin Williams Jane Fonda Mariah Carey Lee Daniels

Lee Daniels' The Butler has defeated other newcomers Kick-Ass 2 and Jobs in the US Weekend Box Office. The Butler has headed straight to number one whilst Kick-Ass 2 and Jobs have respectively gained 4th and 7th place.

Forest WhitakerForest Whitaker and Oprah Winfrey who star in Lee Daniels' The Butler as Cecil and Gloria Gaines at the L.A. premiere.

The Butler has made $25 million in its opening weekend and has gained critical praise. The historical epic is inspired by the true story of Cecil Gaines, a black butler who whilst serving at the White House, saw the offices of eight presidents. His life and family form a touchstone for the audience when addressing such historical events as the Civil Rights Movement and the rise of Black Power in the US. 

Continue reading: 'Lee Daniels' The Butler' Beats 'Kick-Ass 2' And 'Jobs' In US Weekend Box Office

After A Long And Bumpy Production, 'Winnie Mandela' Is Due Out This Year [Trailer + Stills]


Jennifer Hudson Nelson Mandela Terrence Howard

This year will see the release of a full-blown Nelson Mandela biopic, but before that, another film will focus on a crucial character in the Mandela story – Winnie Mandela, the woman, who stood by her husband and became a tireless activist in her own right. The trailer for Winnie Mandela has just been released and, despite some controversy around Jennifer Hudson playing the part of Mandela, the preview seems every bit as grandiose and inspirational as you’d expect.

Watch the Winnie Mandela trailer below.

Continue reading: After A Long And Bumpy Production, 'Winnie Mandela' Is Due Out This Year [Trailer + Stills]

A Week In Movies: Ford Joins The Expendables, Thor Strikes Back, And Get Ready For The Biopics


Harrison Ford Sylvester Stallone Bruce Willis Chris Hemsworth Natalie Portman Tom Hiddleston Anthony Hopkins Idris Elba Stellan Skarsgard Naomi Watts Naveen Andrews Ashton Kutcher Lee Daniels Forest Whitaker Jane Fonda Oprah Winfrey John Cusack Terrence Howard Ricky Gervais Ty Burrell Tina Fey

Harrison Ford

The big news this week was that Harrison Ford will join the Expendables for their third film adventure. Sylvester Stallone tweeted the announcement, then went on to mention that Bruce Willis won't be around this time, apparently because he asked for too much money. Stallone was also caught on camera poking fun at Arnold Schwarzenegger's "big ego". Before they re-team for the next Expendables movie, they're costarring in the prison-break thriller Escape Plan. Watch Sly talking about Arnie at Comic Con here.

The next big superhero blockbuster will be Thor: The Dark World, and we got a more detailed look at the film in a new trailer this week. Pretty much everyone is back, including Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Idris Elba and Stellan Skarsgard. The movie looks like a huge-scale action adventure with a sense of humour about it. It opens in October. Watch the trailer for Thor: The Dark World here.

Continue reading: A Week In Movies: Ford Joins The Expendables, Thor Strikes Back, And Get Ready For The Biopics

Terrence Howard - Lee Daniel's The Butler - new York, NY, United States - Tuesday 6th August 2013

Terrence Howard
Terrence Howard

Terrence Howard, Harold Perrineau, Nia Long, Sanaa Lathan, Regina Hall, moMelissa De Sousa, Monica Calhoun and Morris Chestnut - The 2013 BET Awards held at Nokia Theatre - Inside - Los Angeles, California, United States - Sunday 30th June 2013

Terrence Howard, Harold Perrineau, Nia Long, Sanaa Lathan, Regina Hall, Momelissa De Sousa, Monica Calhoun and Morris Chestnut
Terrence Howard, Harold Perrineau, Nia Long, Sanaa Lathan, Regina Hall, Momelissa De Sousa, Monica Calhoun and Morris Chestnut
Terrence Howard, Morris Chestnut and Nicki Minaj
Terrence Howard, Morris Chestnut and Nicki Minaj

Terrence Howard - The 2013 BET Awards held at Nokia Theatre - Arrivals - Los Angeles, California, United States - Sunday 30th June 2013

Terrence Howard
Terrence Howard
Terrence Howard

Terrence Howard - Celebrities appear on BET's 106 & Park - New York City, New York , United Kingdom - Thursday 7th March 2013

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Terrence Howard
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Terrence Howard
Terrence Howard

Terrence Howard, Noomi Rapace and Colin Farrell - The Premiere of FilmDistrict's 'Dead Man Down' at ArcLight Hollywood - Arrivals - Hollywood, California, United States - Tuesday 26th February 2013

Terrence Howard, Noomi Rapace and Colin Farrell
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard

On The Road Trailer


Sal Paradise is an ambitious young writer trying to find his place in the world. After his father passes away, he decides to seek out new experiences desperate to stay away from the mundaneness of everyday life. In New York, he meets ex-convict Dean Moriarty - an embodiment of the Beat Generation who fascinates him and ends up drawing him into his dangerous world of women, drugs and societal deviance. They hit the road alongside Dean's new, teenage wife Marylou doing anything and everything to ensure that new experiences never end and seek out their own freedom. Along the way they find who they really are, who their friends are and the meaning of being free.

Continue: On The Road Trailer

Terrence Howard and Da Silva - Wade Barrett, Terrence Howard and Luis Da Silva Monday 7th May 2012 on the set of 'Dead Man Down'

Terrence Howard and Da Silva
Terrence Howard

Terrence Howard and Da Silva - Terrence Howard, Luis Da Silva Jr. and Wade Barrett Thursday 3rd May 2012 on the set of 'Dead Man Down' on Walnut Street. The film tells the story of a crime lord's right-hand man who is seduced by one of his boss's victims, a woman seeking retribution.

Terrence Howard and Da Silva
Terrence Howard
Terrence Howard
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Terrence Howard

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Terrence Howard

Terrence Howard and Da Silva - Terrence Howard and Luis Da Silva Jr. Wednesday 2nd May 2012 on the set of 'Dead Man Down' on Walnut Street. The film tells the story of a crime lord's right-hand man who is seduced by one of his boss's victims, a woman seeking retribution.

Terrence Howard and Da Silva
Terrence Howard and Da Silva
Terrence Howard and Dominic Cooper
Terrence Howard
Terrence Howard
Terrence Howard

Terrence Howard and Independent Spirit Awards Saturday 25th February 2012 27th Annual Independent Spirit Awards at Santa Monica Beach - Arrivals

Terrence Howard and Independent Spirit Awards
Terrence Howard and Independent Spirit Awards
Terrence Howard and Independent Spirit Awards
Terrence Howard and Independent Spirit Awards
Terrence Howard and Independent Spirit Awards

Video - Terrence Howard: 'David Oyelowo Is Really From Alabama'


Actor Terrence Howard (Iron Man; Crash; The Brave One) and David Oyelowo (The Last King Of Scotland; The Help; Rise Of The Planet Of The Apes) attend a press junket for their new movie "Red Tails" at the London Hotel in New York. The interviewer expressed surprise at David's accent, saying she didn't know he was English, to which Terrence quips that he's really from Alabama.

David explains how he liked researching the Tuskegee Airmen but was shocked at how many Americans didn't know the story of the airmen, who became the first African American US military pilots

Terrence Howard and People's Choice Awards Wednesday 11th January 2012 2012 People's Choice Awards - Arrivals held at the Nokia Theatre L.A. Live

Terrence Howard and People's Choice Awards

Terrence Howard Sunday 14th August 2011 2011Do Something Awards held at the Hollywood Palladium - Arrivals Hollywood, California

Terrence Howard
Terrence Howard

Terrence Howard - Terrence Howard, San Francisco, California - at the SF Jazz 2011 Gala held at Bimbo's 365 Friday 6th May 2011

Terrence Howard
Terrence Howard

Terrence Howard, Independent Spirit Awards and Spirit Awards Saturday 26th February 2011 The 2011

Terrence Howard, Independent Spirit Awards and Spirit Awards
Terrence Howard, Independent Spirit Awards and Spirit Awards
Terrence Howard, Independent Spirit Awards and Spirit Awards
Terrence Howard, Independent Spirit Awards and Spirit Awards

Terrence Howard, Independent Spirit Awards and Spirit Awards Saturday 26th February 2011 The 2011

Terrence Howard, Independent Spirit Awards and Spirit Awards
Terrence Howard, Independent Spirit Awards and Spirit Awards
Terrence Howard, Independent Spirit Awards and Spirit Awards

Terrence Howard Thursday 10th February 2011 wearing Birkenstock sandals with socks while shopping in Hollywood Los Angeles, California

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Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard

Terrence Howard - Wolf Blitzer, Taraj P. Henson, Terrence Howard Atlanta, Georga - Soul Train Awards held at the Cobb Energy Performing Arts Center - Show Wednesday 10th November 2010

Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard

Terrence Howard - Terrence Howard and Michele Howard Los Angeles, California - 'Law & Order: Los Angeles' Premiere Party at W Hollywood Hotel Monday 27th September 2010

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Terrence Howard
Terrence Howard
Terrence Howard

The Princess And The Frog Review


Excellent
Gorgeous imagery and an energetic story make this one of Disney's most enjoyable animated features. And the fact that the studio has returned to an eye-catching hand-drawn style is very good news for an industry that's in a visual rut.

In 1940s New Orleans, Tiana (voiced by Rose) has grown up with a dream to have her own jazz joint. But as a young black woman she has to work two jobs to make ends meet. One day the sinister Facilier (David) turns a visitor, Prince Naveen (Campos), into a frog as part of an elaborate plot to take over the city. But things don't go as expected Tiana reluctantly kisses the frog, and soon they're lost in the bayou with only a trumpet-playing gator (Wooley) and a lovelorn firefly (Cummings) to help them.

Continue reading: The Princess And The Frog Review

Terrence Howard - Saturday 21st November 2009 at Kodak Theatre Hollywood, California

Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
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Terrence Howard

Terrence Howard and Walt Disney - Thursday 15th October 2009 at Disney Burbank, Caifornia

Terrence Howard and Walt Disney
Terrence Howard and Walt Disney
Terrence Howard and Walt Disney
Terrence Howard and Walt Disney

Terrence Howard Friday 12th June 2009 sells lemonade outside of the Ritz-Carlton to raise money for the child cancer charity, Alex's Lemonade Stand Foundation Philadelphia, Pennsylvania

Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard
Terrence Howard

Fighting Review


Good
There is something abnormally aggressive and conversational being deployed in the street-fight drama Fighting. It's the second film directed and co-written by New York native Dito Montiel and, like his nostalgic debut A Guide to Recognizing Your Saints, it has a great love for NYC location shooting.

This film tells a very familiar tale of a talented fighter discovered by an opportunistic but ultimately good-hearted manager/trainer and shoved into a world of money, greed, and empty glory that he may not be prepared for. But Never Back Down, this is not. The moment Shawn (Channing Tatum) enters the screen, it's obvious he is not wise nor even very intelligent for that matter. He's lean and muscular but he doesn't have it over on anyone, and this is partially how he comes under the wing of Harvey Boarden (Terrence Howard), a street hustler who has connections to the world of private boxing. There's a hint of imperialism in the way the very white Shawn squares-off against four fighters, beginning with a brawny Eastern European type and ending with Evan (Brian J. White), a black, brutal fighter who Shawn's father taught and loved more than his son.

Continue reading: Fighting Review

Terrence Howard Monday 20th April 2009 at the premiere of 'Fighting' at the Regal Union Square Stadium 14 - Arrivals New York City, USA

Terrence Howard
Terrence Howard
Terrence Howard

Terrence Howard Saturday 17th January 2009 at the BET Honors Second Annual Black Entertainment awards held at the Warner Theatre Washington DC, USA

Terrence Howard

Terrence Howard Tuesday 2nd December 2008 18th Annual Gotham Independent Film Awards - Arrivals New York City, USA

Terrence Howard
Terrence Howard
Terrence Howard

Terence Howard - Saturday 1st November 2008 at Washington Convention Center Washington DC, USA

Terence Howard
Terence Howard
Terence Howard
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Terence Howard
Terence Howard

Iron Man Review


Very Good
The summer movie season arrives with a clang as Iron Man, a second-tier superhero from the mighty Marvel Comics universe, receives a first-rate film adaptation courtesy of director Jon Favreau (Elf, Zathura) and his perfectly-cast leading man, Robert Downey Jr.

A standard origin story, Iron Man stays faithful to its comic-book roots while making necessary upgrades that enhance the characters rich history. Favreau and his screenwriters follow shortcuts instituted by the superior Batman Begins and the inferior Spider-Man. The first half establishes our hero outside of his costume. The second half ramps up the action as it confronts a central villain and lays groundwork for potential sequels.

Continue reading: Iron Man Review

The Hunting Party Review


OK
Despite the Western genre's resurgence -- and Hollywood's willingness to remake already acceptable examples of the classic format -- Richard Shepard's The Hunting Party has nothing to do with Don Medford's smoldering love-triangle-on-the-pioneer-trail from 1971 that carries the same name. Instead of a brilliant stand-off between Gene Hackman and Oliver Reed, we get the versatile Terrence Howard and a dependable (but unremarkable) Richard Gere sprinting through a ripped-from-the-headlines satire of our nation's ongoing military turmoil overseas.

Simon Hunt (Gere) has had enough. After years spent covering the atrocities of war with fearless cameraman Duck (Howard) in tow, Hunt lets his wearied emotions get the better of him during a live segment. His meltdown doesn't approach Howard Beale's "mad as hell" level, but it's enough to pull the plug on Hunt's career for the time being.

Continue reading: The Hunting Party Review

The Brave One Review


OK
Violence is inherent. Brought on by fear, anger, despair or ignorance, it's a side of humanity we'd rather forget -- until it rips into our lives and forces us to change. It comes without warning and violates our way of life, our hope. And still, our culture is obsessed with it. Violence moves merchandise and sells movie tickets. Instead of exploring this dichotomy, The Brave One sensationalizes and embraces the violence that should drive its themes rather than its box office appeal.

The story is oddly familiar. Erica (Jodie Foster) and David (Naveen Andrews) are a young, engaged couple looking forward to their wedding. As the epitome of happiness, the two are a borderline self-parody right off the bat. Of course, the motiveless thugs who brutally beat them are every inch their thematic foils -- hard-drinking, foul-mouthed ingrates who revel in and even videotape the trashing. Three weeks later, Erica awakes in a hospital bed to find out that her fiancée is dead, and she fights her emotional losses by dealing out her own brand of justice. All she is missing is Batman's cape and cool gadgets.

Continue reading: The Brave One Review

Crash (2005) Review


Excellent
In Crash, a simple car accident forms an unyielding foundation for the complex exploration of race and prejudice. Thoroughly repulsive throughout, but incredibly thought provoking long after, Paul Haggis' breathtaking directorial debut succeeds in bringing to the forefront the behaviors that many people keep under their skin. And by thrusting these attitudes toward us with a highly calculated, reckless abandon, Haggis puts racism on the highest pedestal for our review.

There is no better place for this examination than the culturally diverse melting pot of modern-day Los Angeles. In just over 24 hours, Crash brings together people from all walks of life. Two philosophizing black men (Ludacris and Larenz Tate) steal the expensive SUV belonging to the white, L.A. District Attorney (Brendan Fraser), and his high-strung wife (Sandra Bullock). A similar vehicle belonging to a wealthy black television director (Terrence Howard) and his wife (Thandie Newton) is later pulled over by a racist cop (Matt Dillon) and his partner (Ryan Phillippe). Soon, many of these people get mixed up with a Latino locksmith (Michael Peña), a Persian storekeeper (Shaun Toub), and two ethnically diverse, dating police detectives (Don Cheadle and Jennifer Esposito).

Continue reading: Crash (2005) Review

Get Rich Or Die Tryin' Review


Very Good
Curtis "50 Cent" Jackson's meteoric rise to superstardom has been attributed to many different things; one could name check Eminem or Dr. Dre or point to changing hip-hop tastes. But 50 Cent's monopoly on rap culture has less to do with who produced his last album than the life that actually produced him.

A thinly veiled biopic of 50 Cent's road to gangsta rap success, Get Rich or Die Tryin' is at times a wildly successful portrait of human perseverance and at others a weakly plotted study in cinematic cliché.

Continue reading: Get Rich Or Die Tryin' Review

Hart's War Review


Extraordinary
I must admit I had preconceived notions regarding Hart's War. I was expecting to see a blood-and-guts WWII P.O.W. flick with Bruce Willis kicking Nazi butt, just like Audie Murphy. Instead, I was pleasantly surprised by this strange mixture of The Verdict and The Great Escape that delivers on all fronts, with a cunning script, great acting, and subtle directing.

The story resembles one of those studio pictures of the 1940s and 1950s made famous by the likes of William Holden and Gary Cooper. Willis plays Col. William McNamara, the highest-ranking officer in German prisoner camp Stalag IV during the tail end of the WWII. McNamara retains the dignity of his fellow American soldiers held captive and silently plans to strike back against the enemy under the suspicious eyes of German Col. Werner Visser (Marcel Iures). When a murder occurs in the camp, McNamara sets in motion a plan of attack against his German counterparts by orchestrating a court martial headed by Lt. Tommy Hart (Colin Farrell), an Army desk jockey with a senator for a father who was recently captured in Belgium. As the tensions mount and sides are taken, both friend and foe uncover duplicities within their own ranks, values of lives are weighed against the duties of soldiers, and the question of honor versus freedom plays out to the final whopper of an ending.

Continue reading: Hart's War Review

Big Momma's House Review


Weak
Oh, to have been a fly on the wall when Big Momma's House was cooked up.... Dress funnyman Martin Lawrence up as a 350-pound Georgia grandmother, spin him around, and let him do his thang. Beat Eddie Murphy at his own game (Nutty Professor II hits theaters later this year), shoot it for cheap with no other real stars, and grab some good grosses.

Sure enough, Big Momma's House is a comic crowd-pleaser that should score well with audiences that refuse to tire of incessant fat jokes, slapstick, and, well, more fat jokes.

Continue reading: Big Momma's House Review

Four Brothers Review


Very Good
Whoever heard of a "blaxploitation" movie with a white hero? Now you have: Four Brothers. John Singleton pays homage once again to what is apparently one of his favorite cinematic genres, but this time not quite as overt as with his remake of Shaft. And while Brothers can occasionally come off as cheesy as those '70s flicks that inspired it, it's also as much fun to watch with its zany cast of characters, wild action sequences, and booty-shakin' funk and soul soundtrack.

The story is a balls-out revenge tale, opening with the violent death of kindhearted old mother Evelyn Mercer (Fionnula Flanagan) during a convenience store hold-up. Evelyn's funeral brings home her four adopted sons: mercurial bruiser Bobby (Mark Wahlberg), military man Angel (Tyrese), entrepreneurial Jeremiah (Andre Benjamin aka Outkast's Andre 3000), and semi-famous rocker Jack (Garrett Hedlund). Being back home together brings back memories of the "only woman who ever loved us," but also brings back their thuggish ways, especially when they find out mom's tragic accident may have been murder. That's when the fast-based, Charles Bronson-esque vigilante part of this tale kicks into high gear.

Continue reading: Four Brothers Review

Best Laid Plans Review


Good
Straight-to-video movies usually do so for a reason, but Best Laid Plans just may have gotten a bum rap. Centered around a complicated scheme between Nivola and Witherspoon (fiesty as ever, here) to steal a valuable Civil War artifact in order to pay back the subject of an earlier crime, things get progressively more complicated until the enexorably uninspired conclusion. While it's a relatively tepid thriller, Best Laid Plans actually had me sit up on the edge of my seat once, and any chance to see Witherspoon in handcuffs is certainly an opportunity not to be missed.

Angel Eyes Review


Weak
He's an emotionless, lost soul wandering the streets and helping out strangers while looking for a clean razor and dry cleaner for his dirty overcoat. She's a pissed-off and lonely police chick who sleeps with her bulletproof vest on and enjoys beating up suspects, drinking Budweiser, and despising her abusive father. Together, these two misfits meet through some psychic mumbo-jumbo, learn to face down their inner demons, discover that true love does exist in this cruel world, and blah blah blah.

Jennifer Lopez and James Caviezel trudge with heavy hearts through the muck of suspense/drama/romantic comedy/love story Angel Eyes -- a film with an identity crisis that rivals Plato from Rebel with a Cause.

Continue reading: Angel Eyes Review

Hustle And Flow Review


Very Good
As is duly noted in the chorus of the catchiest of the songs used in Hustle & Flow: It's hard out here for a pimp. Especially when said pimp only has three girls working for him (one pregnant, all with pretty lousy attitudes), his car has no air conditioning, and he's sliding into a mid-life crisis. In Craig Brewer's hot and sticky Memphis homebrew of a film, the pimp is far from what we're used to seeing. He's not a character of impossible swagger or campy ridicule (no fur coats, it's too damn hot). He's just DJay, a guy stuck in his way of life because he came from nothing but has a gift for bullshit that lends itself to the profession. As personified by Terrence Howard, this pimp becomes far more than the sum of the job's cliches, even if the film itself doesn't always know how to be quite as original as its star.

Until recently, Howard has been one of American film's mostly unnoticed gems. A journeyman actor since the early '90s, he came into his own in Malcolm Lee's romantic comedy The Best Man, in which he served as the sleepy-eyed provocateur, wisely watching all the fools who surrounded him, goading them into fury by slyly undercutting their fantasies with his keenly observed truths. It was one of that year's great performances, but being mired in such a conventional work (not to mention being in a black film aimed at black audiences, and thus mostly invisible to the critical establishment), he never received his due. He's worked steadily since then, coming into his own with this year's Crash - turning in an open wound of a performance that stood out even in that film's excellent ensemble. In Hustle & Flow, he's found a role that puts him in the spotlight, and he grabs the role tight with both hands, though never so showily as to make you notice how hard he's really working.

Continue reading: Hustle And Flow Review

Crash Review


Good
A meditation on the often unacknowledged undercurrentsof racism in everyday American city life, "Crash" has the kindof broad appeal that can draw large audiences and the kind of lingeringemotional potency that can lead to serious soul-searching.

An impressive ensemble cast lends strong character to acultural cross-section of Los Angeles denizens who are connected to eachother through crime, corruption, obligation, indignation and chance overa two-day period. The most powerful storyline features Matt Dillon andRyan Phillippe as beat cops -- one jaded and abusive, the other fresh andidealistic -- who pull over and harass (much to Phillippe's dismay) a blackyuppie couple (Terrence Howard and Thandie Newton) because the SUV they'redriving vaguely fits the description of a carjacked vehicle.

Within 24 hours, these characters all cross paths againin separate incidents of incredibly high tension that challenge both theprejudices that have formed between them and the conclusions we've beenled to as an audience.

Although they do not meet again, similarly potent table-turningand judgment-testing events occur in the lives of the actual carjackers(Larenz Tate and rapper Ludacris, whose character is ironically obsessedwith being stereotyped) and their victims, an ambitious district attorneyand his uptight wife (played with depth and conviction by Brendan Fraserand Sandra Bullock).

Continue reading: Crash Review

Glitter Review


Bad

The rise to fame of Billie Frank -- the struggling songstress played by ear-piercing pop diva Mariah Carey in the witless showbiz fairytale "Glitter" -- is so absurdly easy you'd think you're supposed to hate her for it.

After a quickie boo-hoo introduction in which young Billie is abandoned by her bar-singer ghetto mom for no adequately explored reason and put in an orphanage, director Vondie Curtis Hall ("Gridlock'd") fast-forwards to a nightclub scene in 1983 (symbolized by the occasional butt-ugly costume). There our girl, now all grown up curvy, gets offered a gig as a backup singer to a tone-deaf rising star, solely based on the way she wiggles her booty.

During the ensuing recording session, the pimp-daddy producer (Terrence Howard, "Angel Eyes") turns up Billie's microphone and substitutes her voice for his star's. In the next scene an influential DJ called "Dice" (some scruffy-handsome English actor named Max Beesley spouting the most laughable white-boy street lingo ever spoken with a straight face) hears the tape, hears Billie sing, realizes who the real talent is and offers to make her famous.

Continue reading: Glitter Review

The Best Man Review


OK

An ensemble reunion comedy revolving around an approaching wedding, "The Best Man" is a slightly klutzy charmer about friendship and sex-related secrets within a group of former college buddies.

The lethally handsome Taye Diggs stars in the title role, as a soon-to-be-published author whose new novel contains a barely-disguised passage about a clandestine liaison between himself and a character in his story that rather closely resembles the bride.

The plot: Keep the advanced copy of the book -- entitled "Unfinished Business" and now making its way around the clique gathering for the wedding -- from falling into the groom's hands until after his nuptials, because when he reads what's in there he might change his mind.

Continue reading: The Best Man Review

Big Momma's House Review


Bad

There are two jokes in "Big Momma's House," Martin Lawrence's flimsy stab at "Mrs. Doubtfire"-style costume comedy:

1) Lawrence made up in a wig and a fat lady rubber suit.

2) Lawrence made up in a wig and a fat lady rubber suit, staring lustfully at Nia Long's backside and shrieking "Damn!" in a bad falsetto.

Continue reading: Big Momma's House Review

Hart's War Review


Good

One might think that after 60 years of World War II pictures, big budget Hollywood's supply of fresh ideas for such ventures would be fully exhausted. But the court-martial-within-a-POW-escape drama "Hart's War" breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters.

Adapted from a novel by John Katzenbach, the film's recipe combines the prisoners' internal mistrust from "Stalag 17" with the wrongly-accused military trial from "A Few Good Men," leavened with a racial element and accentuated by a tunneling-to-freedom subplot from "The Great Escape" for good measure. Director Gregory Hoblit ("Frequency," "Primal Fear") proves himself a good cook, seamlessly blending these ingredients into a fresh and appetizing dramatic stew.

Talented but over-hyped Colin Farrell ("Tigerland," "American Outlaws") stars as Lt. Thomas Hart, a senator's son with no combat experience and a safe desk job in intelligence near the German lines in 1944. Captured in a roadblock ambush while escorting a commander back to the front, he's interrogated by the SS in a series of scenes that let the our imaginations get the worst of us.

Continue reading: Hart's War Review

Angel Eyes Review


Good

"Angel Eyes" is not the cheaply manipulative woman-in-peril thriller it appears to be in its TV ads and trailers. But one can hardly blame Warner Bros. for marketing the film that way because it would be hard to sell, in 30-second spots on MTV, an emotionally layered, grown-up drama about two battered souls finding a blossoming but tentative solace together.

A fulfilling surprise from start to finish, the film stars Jennifer Lopez in her best performance since "Out of Sight" as Sharon Pogue, a tough Chicago beat cop who keeps a man alive until paramedics arrive after a horrible traffic accident in the opening scene.

All in the line of duty, she's forgotten about it a year later when a quiet, eerie stranger saves her life by coming out of the blue to tackle a street thug who ambushed her during a foot chase and was about to blow her head off.

Continue reading: Angel Eyes Review

Ray Review


OK

At the center of any good biographical feature film is a great performance, like Jamie Foxx's body-and-soul channeling of soul music's original ivory-twinkling innovator Ray Charles in "Ray." But a great performance does not make a biopic great. To rise above the kind of "true stories" that are the fodder of several assembly-line TV movies every year, a biopic needs to be like Ray Charles -- departing from formula and daring to be different.

Director Taylor Hackford (who once helmed the Chuck Berry concert film "Hail! Hail! Rock'n'Roll") doesn't manage that in "Ray," a film that feels more like a two-and-a-half-hour highlights reel from Charles' life. But as a primer on that man's life (musical brilliance, adultery, addiction, and lip service to lyrical controversy and segregation struggles) -- and for a film with a prefabricated story arc and little detail (Charles fathered 12 kids, only three or four of which are even mentioned in the film) -- "Ray" could be a lot worse.

At the very least it has a passionately devoted, dead-on lead actor -- Foxx not only nails the blind soul king's swaying jitterbug body language, but also seems to capture his very essence as a man and musician -- and a whole lot of fantastic, toe-tapping, heart-pumping R&B.

Continue reading: Ray Review

Biker Boyz Review


OK

A pair of robust performances from Laurence Fishburne and Derek Luke (the Antwone Fisher of "Antwone Fisher") raise the laughably-titled motorcycle action flick "Biker Boyz" slightly above its veneer as a two-wheel rip-off of "The Fast and the Furious."

Similarly set in the "sideshow" world of illegal street racing, this movie comes minus the ridiculous cops-vs.-smugglers subplot and plus some impressive Western-inspired trick riding. In one scene two bikers speed down the freeway, dismounted to one side of their muscle-cycles with both feet in metal-soled boots, making contact with the road and sending out 20-foot sparks.

But while the plot is utterly predictable -- Kid (Luke), a hot-headed but talented up-and-coming racer, wants to challenge long-time champion Smoke (Fishburne) for his title -- the love-hate relationship between the two (Kid's dad had been Smoke's mechanic) has more depth and dimension than this kind of over-polished B-movie usually musters (see Sylvester Stallone and Kip Pardue in the formulaic, Formula One-themed "Driven").

Continue reading: Biker Boyz Review

Terrence Howard

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Terrence Howard

Date of birth

11th March, 1969

Occupation

Actor

Sex

Male

Height

1.84




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Terrence Howard Movies

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Term Life Trailer

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Sabotage Movie Review

Sabotage Movie Review

Arnold Schwarzenegger gets one of his most complex roles yet in this messy, violent thriller,...

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Sabotage Trailer

Sabotage Trailer

John 'Breacher' Wharton is the head of a DEA Special Operations Team, well-known by authorities...

Sabotage Trailer

Sabotage Trailer

John 'Breacher' Wharton is the leader of a DEA Special Operations Team who, although happen...

The Butler Movie Review

The Butler Movie Review

This is an strangely slushy movie from Lee Daniels, whose last two films (Precious and...

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