Just look at the poster (or DVD cover). It's got a giant blue guy, his head hung low, standing in the middle of a highway in the middle of nowhere. Consider as well the title. No way is anything good going to happen to anyone in this film.
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As a debut, it did exactly what it needed to do: It announced the director's intentions in film. The Farrelly brothers wanted inspired vulgarity, laughs mixed equally with disgust. And for awhile there, they had it; Dumb & Dumber, Kingpin, and There's Something About Mary were pioneering efforts in the history of gross-out cinema. Lately, however, the Farrelly Brothers have become tame and inoffensive, bothering themselves with misguided causes (Shallow Hal) and dull remakes (Fever Pitch). Peter, Bobby, we need you back, and in a hurry.
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Based on a comic/graphic novel by Daniel Clowes (who co-wrote the screenplay adaptation with Zwigoff), Ghost World provides the point-of-view of young Enid, just out of high school, and aimless in both direction and identity. In the able hands of Thora Birch, who's already suffered the ennui of suburbia in American Beauty, Enid is a caustic, sarcastic, yet charming, sweetie. Birch is in practically every scene of the film, and anchors it with perfect tone.
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By the end, Paul is on the run from an angry mob who thinks he's a burglar, fleeing in fear for his life. Will he escape? Well, rest assured that After Hours is actually a comedy. It's also one of my favorite Martin Scorsese movies (and a massive departure from his grittier fare), fresh every time you see it and full of little touches that you catch more of with each subsequent viewing. Check out the rows of Aqua Net in Garr's apartment. Or the "tie" she's wearing.
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Before Tootsie, Hoffman had been known more for his dramatic appearances in such films as All the President's Men and The Graduate. He hadn't been involved with all-out comedy yet, whether for lack of industry faith or blind luck. So Tootsie was his first venture into this more mainstream audience area, and he more than filled the part. Which brings us to one of the greatest role-reversal movies of the 1980's, for which Hoffman was nominated by the Academy again (though he didn't win).
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The two are spotted in the White House by a gaurd who originally saw the girls at Watergate the night of the burglary. The two are taken to the infamous "West Wing" where they meet and fall in love with President Richard "Dick" Nixon, played by Dan Hedaya, and very well I might add. Unfortunetly Hedaya's very entertaining performance of Dick couldn't save this already ill-fated non-comedy.
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It's been seven years since director Terry Zwigoff impressed moviegoers with his documentary Crumb, an...
In this new 70s comedy opening just in time for the anniversary of Woodstock, we...