While Bullet in the Head is set in Vietnam during the war, Blood Brothers takes us back to the glamorous nightclubs of Shanghai in the '30s. Feng (Daniel Wu), Kang (Liu Ye), and Kang's brother Hu (Tony Yang) decide to leave their poor village and venture into town to see what they can make of themselves. It's rough going at first, with the guys taking on menial and humiliating jobs such as rickshaw pulling, but Hu lucks out by landing work as a waiter at the gorgeous Paradise Club, where all of haute Shanghai comes to party and to pay homage to the crime bosses who run it. The star of the show: Lulu (Shi Qi), who's the plaything of the big boss but is secretly in love with Mark (Chang Chen), one of his bodyguards.
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A schizoid doppelganger mind-bender wrapped around your standard ticking-bomb scenario (it's hidden somewhere in Los Angeles and could take out the whole basin if detonated -- or something), Face/Off is an utterly lunatic film in the best possible way. Originally a futuristic thriller, the script was retooled for a modern-day setting, keeping several of its sci-fi elements but focusing more intently on its personality-shifting aspects which seemed to come straight out of Woo's international breakthrough, The Killer. An FBI agent, Sean Archer (John Travolta) has been hunting jet-set super-criminal Castor Troy (Nicolas Cage) for years. For Archer, it's gone beyond personal to haunted obsession, particularly after Troy tried to shoot Archer but missed and killed his son instead. After a gonzo opening sequence involving a Humvee/private jet showdown on a runway and about ten thousand expended rounds (mostly fired by people flying sideways in slo-mo, of course), Archer's team brings down Troy.
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"My life is nothing but highlights," confesses Mike Jennings (Affleck), a genius computer hacker who trades big cash for small chunks of his own memory. Jennings gets rich by dissecting massive programs and passing the goods onto rival companies - at which point, all recent activity is erased from his brain.
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During the war, the Japanese were masters at stealing and translating the codes used by U.S. troops to communicate messages to and from the front lines. There was a huge loss of life as a result of these interceptions. In response, the Marines recruited Navajos to act as code talkers, and used their intricate tribal language as a new, unbreakable code. Woo's Windtalkers is an intense and emotional look at the critical role the Navajos played in the United States' success in the war.
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