Oscar Diggs is a magician in a circus in Kansas who has about as much moral fibre as he has accomplishments to his name; that being none whatsoever. However, all that changes when he is magically transported to the land of Oz after his hot air balloon gets caught in a ferocious storm. He is about to have his ethics and his trickery put to the test after initially seeing the colourful and sparkling new world as a way of gaining the fortune he so longs for. Things change when he meets three beautiful witches Theodora, Evanora and Glinda who doubt his so-called magical powers are genuine but do believe he could still be great and powerful like the rest of Oz believe him to be if he saved the land from the wicked witch and became the righteous man he truly ought to be.
This vibrant Disney adventure has been adapted by director Sam Raimi ('The Evil Dead', the 'Spider-Man' trilogy) and screenwriters Mitchell Kapner ('Romeo Must Die', 'The Whole Ten Yards') and David Lindsay-Abaire ('Robots', 'Inkheart', 'Rise of the Guardians'). It has been based on the 1900 novel 'The Wonderful Wizard of Oz' by L. Frank Baum and serves as the prequel to the 1939 movie 'The Wizard of Oz'. Due for release on March 8th 2013.
Directed by: Sam Raimi
Continue: Oz: The Great And Powerful Trailer
Oscar Diggs is an ethically-challenged circus magician who seeks fortune and recognition for his tricks and illusions. One day he and his top hat are sent away from his home of Kansas in a hot air balloon but are subsequently caught up in a destructive storm which takes them to the magical land of Oz. Oscar is in awe of the dazzling place and mysterious creatures and begins to see Oz as the path to prosperity. He soon discovers that this is not so when he meets three beautiful witches Theodora, Evanora and Glinda who rightfully doubt his competence in the field of magic despite the rest of Oz believing him to be the powerful wizard they have all been waiting for. His awe of Oz is soon diminished as he discovers troubles of huge proportions in the land and finds himself struggling to work out who is on the side of good and who is on the side of evil. He uses his expertise in the art of illusion and showmanship to become the great and honourable Wizard of Oz.
Continue: Oz The Great and Powerful Trailer
The movie's not-at-all-secret weapon is Campbell himself. Here he plays, well, Bruce Campbell, or a comic version of him: a washed-up, drunken lout of a cheeseball actor, slogging his way through the direct-to-DVD likes of Cave Alien 2 (a fake franchise hilariously well-integrated into Campbell's filmography alongside the likes of Maniac Cop and Assault on Dome 4). Around the point that Campbell hits bottom, drinking hooch out of a dog dish in his busted trailer, he's kidnapped by Jeff and taken to the town of Gold Lick. The town is under attack by the ancient Chinese demon Guan-di, and Jeff hopes that his movie idol will be able to provide some monster-exterminating expertise.
Continue reading: My Name Is Bruce Review
In the fine B-movie tradition of stealing rampantly from disparate films, the story also includes healthy portions of All of Me, Campbell's Evil Dead series, and... well, I thought I could come up with a movie where a humanoid robot woman fights a Bulgarian in a wedding dress, but maybe Man with the Screaming Brain does traffic in some originality after all.
Continue reading: Man With The Screaming Brain Review
Continue reading: Evil Dead II Review
By this roundabout logic, Gellar seems a natural fit for The Grudge, Takashi Shimizu's sufficiently creepy remake of his own cult Japanese horror flick Ju-on, a film he's made versions of a shocking five times now. Americanized and aimed squarely at the people who turned The Ring into a surprise hit, Grudge should satisfy audiences seeking a few cheap jolts for their dollar this Halloween season.
Continue reading: The Grudge Review
In their deeply ironic yet habitually impish, beautifully black-and-white 1950s drama "The Man Who Wasn't There," writing-directing brothers Joel and Ethan Coen have revived the dry, laconic spirit of prototypical film noir and applied it to the life of an everyday barber.
True, he's an everyday barber mixed up in the blackmail and murder of his cheating wife's boss and lover. But he's such an obscure, detached shadow of a man that the whole mess feels almost workaday mundane. You see, it's not his wife's affair that motivates the man. "It's a free country," he says in the movie's soporific, quietly sonorous running voice-over. It's the fact that he figures blackmail is a good way to get $10,000 out of the boyfriend so he can invest in some new-fangled invention called dry cleaning.
The barber, named Ed Crane, is played with brilliant reserve by Billy Bob Thornton, who has the most subtly expressive, heavily crevassed film noir face to smoke a dangling cigarette since Humphrey Bogart. He hardly registers a distinguishable emotion in 116 minutes, yet his passive soul fills the screen as Ed's plans go badly awry.
Continue reading: The Man Who Wasn't There Review
Here's why Toby Maguire's Spider-Man is the greatest superhero in movie history:
Maguire so completely embodies the character's unique yinand yang -- the joyous, daredevil confidence of Spidey and the sweet, self-doubtingyoung chump that is Peter Parker -- that the exhilarating action in "Spider-Man2" is less interesting than his inner turmoil at being torn betweendoing what he's compelled to do and having the life he wants.
Continue reading: Spider-Man 2 Review
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