Taylor Hackford - A variety of stars were photographed as they arrived at the 2015 Roundabout Theatre Company Spring Gala which was held at the Waldorf Astoria Hotel in New York City, New York, United States - Monday 2nd March 2015
Helen Mirren wore a gorgeous blue lace dress at the New York premiere for her new movie 'The Hundred-Foot Journey' held at the Ziegfeld Theater. Helen stars as the formidable Madame Mallory in the movie, the owner of a Michelin star French restaurant in competition with a neighbouring family run Indian eatery. The movie comes out in September 2014.
Various members of the cast and other famous faces were snapped on their arrival at the New York premiere of action comedy 'Red 2'. Among the cast arrivals were 'The Queen' star Helen Mirren with her director husband Taylor Hackford, 'Die Hard' star Bruce Willis with his wife Emma Heming and 'Chicago' actress Catherine Zeta-Jones.
Far better made than it has any right to be, this cheesy 70s-style thriller is given a thoroughly engaging kick by veteran filmmaker Hackford working outside his usual dramatic genre. It's predictable and far too long, but Hackford grounds everything in gritty reality, avoiding obnoxious effects work while indulging in entertaining innuendo and riotously nasty action sequences.
None of this is much of a stretch for the cast, and Statham's Parker is essentially the same character he always plays: a ruthlessly efficient, indestructible criminal with a conscience. After a gang of thugs (including Chiklis and Collins) betrays him following a fairgrounds heist, Parker miraculously recovers from his hideous injuries and heads to Florida to get revenge. He uses local estate agent Leslie (Lopez) to find the gang's lair, and she's instantly attracted to the way he fills out his designer suit. Living with her soap-addict mum (LuPone), Leslie is looking for a wealthy man to rescue her. And she's already too involved when she realises that Parker isn't who he seems to be.
There isn't much to the plot, which is packed with contrived twists and turns and never follows through the intriguing possibilities along the way. At least the film avoids the usual action cliches, as Hackford sharply orchestrates each fight sequence to make it both lucid and startlingly brutal. This earthy approach keeps things relatively believable, until Parker emerges with yet another serious injury that doesn't slow him down at all. Meanwhile, Hackford injects plenty of eyebrow-raising flirtation that keeps us smiling. Statham and Lopez may not be stretching themselves as actors, but they clearly have a lot of fun circling around each other like dogs on heat.
Continue reading: Parker Review
Parker is a skilled thief with a very specific moral code; never kill anyone who doesn't deserve it and never steal from those with little money. Other than that, he is brutal, doing anything it takes to seize his target along with his so-called loyal team. However, one day he finds that his accomplices are not the people he thought they were when they stab him in the back and leave him to die. As single-minded as ever, Parker assumes the new name and identity of Texas guy Daniel Parmitt and sets out to destroy his former allies for what they did to him seeking an unusual partnership with Leslie: a local resident of Palm Beach who has inside information on Parker's targets and agrees to help him despite having reservations about his plan to murder every last one of them and take the loot from their latest robbery.
'Parker' is a crime thriller based on the novel 'Flashfire' by Donald E. Westlake. It has been directed by the Oscar winner that is Taylor Hackford ('An Officer and a Gentleman', 'The Devil's Advocate') and written by John J. McLaughlin ('Black Swan', 'Hitchcock') and will be released in cinemas across the UK from March 8th 2013.
Director: Taylor Hackford
Continue: Parker Trailer
For a movie about a wild man, Born into This is awfully tame. Director John Dullaghan does a commendable job of chronicling his subject's life, using Bukowski's various novels and poems as portals into his life experiences, but Dullaghan never challenges the audience to determine exactly what to make of Bukowski, either as a human or as a writer. Was he a misogynist or a sage? Is it possible to be both? What is his literary legacy? Why don't universities typically teach Bukowski? Do English professors know something the rest of us don't?
Continue reading: Bukowski: Born Into This Review
Set on a depressed and perpetually wet island off the coast of Maine, Dolores Claiborne (Bates) is the focus of the film. Looming in her past is a secret: she may or may not have killed her abusive husband (played in flashbacks by David Strathairn). In the present, Dolores has apparently been driven to madness by her husband and her employer Vera, the elderly woman for whom Dolores nursemaids. At the film's opening, we are presented with what appears to be Vera's death by Dolores's weathered hands.
Continue reading: Dolores Claiborne Review
Everybody's All-American stars Dennis Quaid and Jessica Lange, who first meet at Louisiana State University. He's Gavin Grey, an earnest football star who can do no wrong; she's Babs, the beauty queen who sees them as a couple and nothing else. They marry. He gets drafted to play in the National Football League and they build a life together. They have lots of kids, start a business and try to maintain the glowing example they set for an adoring campus.
Continue reading: Everybody's All-American Review
Consider the strange coincidence of Russell Crowe's character in Proof of Life making the moves on a distraught wife played by Meg Ryan's character in the film -- all while the real Russell Crowe was hitching up with married woman Meg Ryan in the outside world. I haven't seen this much chemistry between actors since McQueen and MacGraw teamed up in Peckinpah's masterpiece, The Getaway.
Continue reading: Proof Of Life Review
Foxx's tribute, solidified whenever he breaks into Charles' signature grin, goes beyond mimicry to find the soul of one of America's most gifted songwriters. You'll undoubtedly leave Ray talking about Foxx's career performance. The discussion may continue right up until Oscar night.
Continue reading: Ray Review