Tatiana Abracos

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The Girl From Monday Review


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"Let's fuck and increase our market value," urges Cecile (Sabrina Lloyd) in director Hal Hartley's latest curiosity, an interesting yet static look at a consumerist tomorrow. In Hartley's flat satiric world, every citizen's worth is determined by his ability to conform and spend -- making Cecile's forceful suggestion selfish yet logical.

Described in the credits as "science fiction" (a pretty loose use of the term), The Girl From Monday represents another genre leap for Hartley, following his 2001 Beauty and the Beast fantasy, No Such Thing. Well, if you're a typical sci-fi fan, be forewarned: There are no special effects -- minus thugs in funny helmets -- and there's really nothing terribly innovative in the storyline department.

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