T.k. Carter

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T.K. Carter and MTV Friday 5th September 2008 Jason Boyd's Birthday Celebration and MTV VMA Pre-party held at Boulevard 3 - Arrivals Hollywood, California

T.k. Carter and Mtv

The L.A. Riot Spectacular Review


Weak
A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring, The L.A. Riot Spectacular is a cynical exercise in erstwhile satire that's all the more frustrating for the wasted opportunity it represents.

Like a series of linked MAD TV skits done without regard to network censors - the humor is about that intelligent - the film presents the 1992 Rodney King beating and subsequent riots as a grand comic opera of greed and stupidity, going after everybody involved with equal vigor. One can get a feel for how writer/director Marc Klasfeld intends to approach his subject a few minutes in, when the car chase and police beating of King (T.K. Carter) is done as a jokey game, with a police helicopter pilot serving as the announcer ("and they're off!"), while the cops themselves, having pulled King over, place beats over the ethnicity of the guy inside. Then Snoop Dogg shows up - serving, appropriately enough, as the film's narrator and chorus - to introduce the film proper, while fireworks go off behind him.

Continue reading: The L.A. Riot Spectacular Review

The L.A. Riot Spectacular Review


Weak
A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring, The L.A. Riot Spectacular is a cynical exercise in erstwhile satire that's all the more frustrating for the wasted opportunity it represents.

Like a series of linked MAD TV skits done without regard to network censors - the humor is about that intelligent - the film presents the 1992 Rodney King beating and subsequent riots as a grand comic opera of greed and stupidity, going after everybody involved with equal vigor. One can get a feel for how writer/director Marc Klasfeld intends to approach his subject a few minutes in, when the car chase and police beating of King (T.K. Carter) is done as a jokey game, with a police helicopter pilot serving as the announcer ("and they're off!"), while the cops themselves, having pulled King over, place beats over the ethnicity of the guy inside. Then Snoop Dogg shows up - serving, appropriately enough, as the film's narrator and chorus - to introduce the film proper, while fireworks go off behind him.

Continue reading: The L.A. Riot Spectacular Review

Southern Comfort (1981) Review


Excellent
Curious cross between Deliverance (which came out nine years earlier) and Predator (which came out a lot later) has National Guardsmen on a boring weekend exercise in a Louisiana bayou, only to find themselves under attack from local redneck Cajuns, all due to the troop's own stupidity. The dysfunctional group dynamic is far more compelling than the traps the group will face en route to death or freedom (and there's a lot of the former), with a solid cast of notable faces that eventually add as many corpses to the body count as their attackers. Very intriguing film.

The Thing Review


Very Good
John Carpenter made one of his better films back in 1982 but had the unfortunate bad luck to have to release it two weeks after E.T.: The Extra-Terrestrial came out. Luckily, The Thing endures as a very good horror flick: genuinely scary and full of tension, and populated by one bad-ass monster. Russell does some good work as the star, but it's the supporting cast that set the pace for dozens of trapped-with-a-monster knockoffs to follow over the next 20 years.
T.k. Carter

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