Pollard has a good sense of comic timing (and the good sense to adapt a novel instead of writing his own original story). His film pans out in Louisville, with frequent visits to the track and other interesting locations. (How many indie romantic comedies are shot in two locations: someone's apartment and a bar!? Ugh.) He even gets actors like Morgan Fairchild and William "This is my other brother Darryl" Sanderson. Pollard obviously spent a lot of money too, shooting on 35mm (if not, he fooled me) and staging some big-budget scenes, including period-piece dream sequences and real-live horse races.
Continue reading: Nice Guys Sleep Alone Review
Body Shots is not that movie.
Continue reading: Body Shots Review
Our protagonist is the restaurant's bartender, Chris Calloway (Adrien Brody - Summer of Sam, Six Ways to Sunday), a struggling playwright weaving his real life problems into his first play -- a work in progress that he can't seem to finish. When he meets the newest waitress Jeanine (Elise Neal - Mission to Mars) and they hit it off, he's faced with his second interracial relationship (the first being Lauryn Hill, who we see mostly as a picture on the refrigerator). Chris can't figure out why he likes black women so much, especially after his Italian father raised him to be a bigot. This dilemma is portrayed in his unfinished play, which is the story of a white man that can't deal with the external pressures of having a black girlfriend, even though he's madly in love. As he tries to make sense of his feelings, he gets caught up in the past when his ex (Hill) shows up at a friend's wedding. Because his relationship with her ended on such a bizarre note, he can't put it behind him, which prevents him from devoting his heart to Jeanine, and finally, thwarts him from finishing the play. Whew!
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Don't be fooled by the marketing campaign for "Body Shots" -- it's not a cool, funny, sexy romp or the defining document of life as a modern, twentysomething hipster, as the advertising has the audacity to proclaim.
In fact, this self-important, superficial ensemble piece opens unpleasantly in the minutes following an alcohol-induced rape, then -- after dropping that one shoe -- rewinds to the night before and makes you wade through an hour of shallow, soap operatic constipation with unbelievably one-dimensional characters before meandering back to this one element of the movie with any emotional hook whatsoever.
The bulk of "Body Shots" revolves around an octet of generically pretty, largely blonde, yuppies-in-training who talk incessantly to the camera, over-analyzing their sex lives and the difference between men and women in some of the most trite monologues in movie history.
Continue reading: Body Shots Review
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Don't be fooled by the marketing campaign for "Body Shots" -- it's not a cool,...