It's the late 80s and Vicki Maloney is on her way home from a party after sneaking out earlier in the night. Soon she is picked up by a friendly, seemingly normal Australian couple who offer her a life in their car. Little does the teen know, however, that she's about to suffer the most nightmarish experience of her life. The couple, John and Evelyn White, are serial killers who track down young girls to rape and murder them. It seems that John is at the forefront of the abuse, while Evelyn has been manipulated into such a lifestyle from a very young age. It's Vicki's perception of the dynamic of this couple that allows her to try and turn the pair against each other, and ultimately encourage Evelyn to let her go. Meanwhile, her divorcing parents and boyfriend Jason are scouring the neighbourhood for her, armed only with a vague clue left by the victim.
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In 2005, Australian author Tim Winton collected a series of 17 short stories and published them under the title 'The Turning'. The stories revolve around the character Vic Lang (Dougie Baldwin, Richard Roxburgh, Josh McConville, Casey Douglas and Dan Wyllie), with themes involving companionship, sentimentality and drug abuse. The book received multiple awards for the stories, and went on to become a part of the Western Australian English curriculum in schools. In 2013, the book was turned into a movie, nominated for numerous awards at the Australian Academy of Cinema and Television Arts Awards.
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Jimmy (Heath Ledger) works as a doorman at a strip club in the infamous Kings Cross area of Sydney. "The Cross" is the kind of place where trouble of the criminal kind is perfectly unavoidable, and Jimmy has trouble avoiding it. When asked by crime kingpin Pando (Bryan Brown) to deliver $10,000 to a unit in Bondi, Jimmy sees himself moving up in the world. When he loses the money on a disappointingly unromantic errand and it is stolen by a pair of Dickensian street kids, Jimmy knows he is a dead man. His only chance is to hook up with his dead brother's ex-gang and rob a bank to make the money back. As Pando's goons, including Acko (David Field) and Wally (Tom Long), hunt Jimmy down, the film races tensely to a climax that will decide his fate.
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The climactic lightsaber duel in "Star Wars: Episode II -- Attack of the Clones" has to be seen to be believed. It puts the awesome Darth Maul/Obi-Wan fight in "The Phantom Menace" to shame, and it's one of the big pluses in a mixed blessing of a movie that is a vast improvement over its immediate predecessor, but sometimes in fits and starts.
Any fan will have the same reaction to this showdown: As it's about to begin, you'll laugh, because with the characters involved the idea seems almost absurd. Then you'll cheer, because George Lucas knows you're laughing, and plays into it beautifully. Then your mouth will drop open in amazement. How did he pull this off? This is so cool!
Suffice it to say, this scene -- and the huge battle that surrounds it as the fabled Clone War begins -- is worth the price of admission all by itself.
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"The Monkey's Mask" is an old-fashioned film noir murder mystery, complete with a hard-boiled private eye narrator, a pretty young victim, a host of nebulous suspects and a smoky, enigmatic femme fatale.
With whispered intensity, it oozes 21st Century Raymond Chandler ambiance as the detective probes the apparently gruesome strangulation slaying of a tormented poetry student, makes stunning discoveries about her sordid sex life and falls for the girl's voluptuous professor in spite of knowing full well it's a bad idea.
The film is a brilliantly modern homage to everything that was great about the golden era of gritty gumshoe flicks, with two significant twists: 1) its inventive, gorgeously coarse, full-color cityscape cinematography, and 2) the detective...is a woman.
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Take away the stagey but sensational, industrial-hip tap dance numbers, and all that's left of "Bootmen" is cheap, embarrassingly unoriginal, melodramatic-romantic swill.
An Aussie import about Newcastle steel workers who wish they were Broadway hoofers, the movie is nothing but one-dimensional stock characters trudging through a trite retread plot, waiting for the soundtrack to kick in so they can get jiggy.
Boy-band cute Adam Garcia ("Coyote Ugly") is the mildly rebellious son of long-dead mom and an unsupportive, hard-drinking pop (Richard Carter) who thinks his son should give up his aspirations and resign himself to a blue collar life. "You've never even seen me tap!" Garcia whines.
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It's the late 80s and Vicki Maloney is on her way home from a party...
In 2005, Australian author Tim Winton collected a series of 17 short stories and published...
The climactic lightsaber duel in "Star Wars: Episode II -- Attack of the Clones" has...
"The Monkey's Mask" is an old-fashioned film noir murder mystery, complete with a hard-boiled private...