Cops Jimmy and Paul (Willis and Morgan) have been partners for nine years but, after a chase goes horribly wrong, they're suspended for a month. While Paul suspects his wife (Jones) of infidelity, Jimmy's daughter (Trachtenberg) is planning an extravagant wedding. To pay for it, Jimmy decides to sell a valuable baseball card, which is promptly stolen by a low-life goon (Scott) and passed on to a murderous gangster (Diaz). So Jimmy calls Paul to help him get it back. It's not like they have anything better to do.
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Bolt is a super-dog! He’s got his own TV show and his life on camera is full of adventure, the reality is of course that he’s not a super dog, he’s just a normal pup who happens to be on TV, so when he accidentally finds himself in New York city, trying to distinguish between on screen stunts and real life situations becomes pretty hard! Along the way Bolt makes some friends who help him find his way back home to owner and co-star Penny!
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Disney's computer-animated mutt (voiced by John Travolta) defends his beloved owner, Penny (Miley Cyrus), from the evil forces of Dr. Calico (Malcolm McDowell) by head-butting semi-trucks, dangling from speeding locomotives, catapulting over military helicopters, and shooting laser beams from his eyes.
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A boring, all-you-can-regurgitate buffet of buddy-movie/cop-movie banality, "The Man" would collapse under the weight of its own generic stupidity if it weren't for the screen presence of Samuel L. Jackson and Eugene Levy.
Continuity-blind director Lee Mayfield ("Blue Streak") asks very little of these two entertaining actors -- just that Jackson rehash his hotheaded, wise-cracking tough-guy persona for the umpteenth time and Levy do the same with his familiar babbling, middle-aged suburban dork character. But such familiarity is the only comfort in a flick so feeble it actually depends on its plot holes to advance the story.
Levy is a dental equipment salesman who inadvertently stumbles into a one-man illegal-arms sting being run by Jackson, a leather-clad, corn-row cool, loose-cannon federal agent forced to prove his innocence after his crooked partner is killed. Shopworn odd-couple antics and idiot-reliant misunderstandings ensue, along with lots of routine bad-cop behavior from Jackson. While loquacious Levy frets and stammers, Jackson beats up informants, threatens witnesses, borrows $500,000 from an evidence locker (what could possibly go wrong?), and endangers civilians -- all of which is played for laughs without any hint of success.
Continue reading: The Man Review