RT @JordanUhl: Anthony Torres was mocked online after he was recorded shaving at his seat on a commuter train headed out of New York City s…
Spark is a teenage monkey living in an underground bunker on the virtually destroyed planet Bana, alongside his best friends Chunk and Vix - a pig mechanic and a fox warrior respectively. Once upon a time, the planet was an incredible place to live, but with the arrival of the ruthless General Zhong thirteen years ago, it has become a wasteland. It's a dangerous world out there, but Spark wants to go out on missions with the other survivors and prove that he has what it takes to aid them in taking their planet back. But rescuing the Queen and his own parents from Zhong's prison-like rule is much harder than he ever could have anticipated.
Continue: Spark Trailer
Sarandon spoke ahead of the New York primary this week, which was won by Hillary Clinton.
Susan Sarandon weighed into ongoing battle for the Democratic presidential nomination earlier this week, saying that it is “sexist” for Hillary Clinton campaigners to argue that women must vote for their candidate simply because they are women.
Last month, the actress was forced to calm a Twitter storm when she clarified that she would not be voting for Donald Trump if her favoured candidate, Bernie Sanders, ended up losing the Democratic nomination to Hillary Clinton.
In an interview with Entertainment Weekly just ahead of the New York primary earlier this week, 69 year old Sarandon, a devoted supporter of the left-wing candidate Sanders, was asked whether it was sexist to believe that women should automatically vote for Clinton out of feminist solidarity.
Susan Sarandon - CinemaCon Bi Screen Achievement Awards held at Caesars Palace Hotel & Casino in Las Vegas, Nv on April 14, 2016 at Caesars Palace - Las Vegas, Nevada, United States - Thursday 14th April 2016
Marnie Minervini recently lost her husband. The couple were very much in love and did everything together but her loss isn't going to stop Marnie getting on with her life. She moves from New Jersey to LA to be closer to her daughter and purchases a new flat near The Grove and a new iPhone which she won't let get the better of her.
Continue: The Meddler Trailer
The ludicrous Jezebel article was dismissed by Neeson's reps as "stupid".
Liam Neeson’s revelation a few weeks ago that he’s been dating an “incredibly famous” mystery woman has had the internet blazing with speculation, including one piece which claimed that it might be Twilight actress Kristen Stewart.
However, the North Irish actor’s representatives have moved to dismiss that rumour, telling Gossip Cop on Thursday (February 11th) that even though the original Jezebel article admitted that it was based on “almost nothing” except that they were in the same New York restaurant one night, it was indeed “meaningless speculation”.
Liam Neeson is NOT dating Kristen Stewart
Continue reading: Liam Neeson's Mystery Woman Is NOT Kristen Stewart
Susan Sarandon - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Susan Sarandon , Eva Amurri Martino - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at The Shrine Expo Hall, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Hedy Lamarr would have been 101 on November 9th and left a lasting legacy on screen and with modern technology.
Susan Sarandon has announced she’s making a documentary on actress and inventor Hedy Lamarr in conjunction with Reframed Pictures, American Masters and Submarine. The legendary film star would have turned 101 yesterday (November 9th) and her birthday was marked with a special Google Doodle, honouring her unique legacy.
Susan Sarandon is making a documentary about Hedy Lamarr.
Announcing the doc, which has the working title Hedy: The Untold Story of Actress and Inventor Hedy Lamarr, Sarandon said: “This is the story of a Hollywood actress, defined by her appearance, who is secretly a brilliant inventor and changes the course of history.”
Kelli Garner and Susan Sarandon - A variety of celebrities were snapped as they attended Lifetime's Miniseries "The Secret Life Of Marilyn Monroe" Special Screening And Panel Inside which was held at the Theatre At The Ace Hotel in Los Angeles, California, United States - Monday 11th May 2015
Susan Sarandon - A variety of celebrities were snapped as they attended Lifetime's Miniseries "The Secret Life Of Marilyn Monroe" Special Screening And Panel Inside which was held at the Theatre At The Ace Hotel in Los Angeles, California, United States - Tuesday 12th May 2015
The actress was not at home at the time, but her son was housesitting.
Susan Sarandon fell victim to residential burglary over the weekend, when her New York home was broken into on Saturday night. The stolen items include a laptop, a camera and several pieces of jewelry, as well as some “papers”, according to Page Six.
Sarandon was out of town when the burglary happened.
At the time of the burglary, 67-year-old Sarandon was out of town. Her son, 22-year-old Miles Robbins, was at the house on Saturday. According to the police report, he stepped out of the Manhattan home between 8pm and 9pm, providing the burglar with ample opportunity. The burglar apparently used a ladder to hop from the roof next door to the top of the actress’ nine-story brick building. Authorities suspect that he/she entered the home through a terrace window or door.
Were all the best 'Tammy' lines used up in the trailer?
It's nearly July 4th which means at least one thing: Melissa McCarthy's new comedy Tammy is being released this weekend. The hilarious trailer for the movie gives a glimpse into the hijinks of McCarthy's titular "heroine" as she is forced to turn to crime to get herself out of a pickle.
The Bridesmaids actress finally takes centre stage in her own comedy, which is directed by her husband Ben Falcone. After somehow managing to pull off an unlikely robbery at a fast foopd restaurant, the now-fugitive Tammy hits the road with her grandmother (Susan Sarandon) and heads to Niagara Falls. However, the pair must work hard to evade the police, getting caught up in many hilariously outrageous situations along the way.
Early critics have had chance to mull over the movie, and unfortunately for Melissa, Tammy hasn't been given a clean bill of health. Describing the film as an "unfortunate, though ambitious and intermittently enjoyable, misfire," the AP's Jocelyn Noveck fails to be immersed in the movie structure of Tammy, saying "Other recent comedies have been described as elongated "Saturday Night Live" skits, but it's especially apt here.
Melissa McCarthy finally gets her own movie.
The trailer has been released for the new comedy from Melissa McCarthy, Tammy. The actress, who is known for her side-splitting roles in comedies like Bridesmaids and The Heat, stages centre-stage in her own comedy, which she wrote and is directed by her husband, Ben Falcone.
Melissa McCarthy Is The Star Of The Show In New Comedy, 'Tammy.'
The new film sees the 43 year-old actress team up with Susan Sarandon, who plays her grandmother, Pearl. The trailer shows McCarthy as Tammy gearing up to rob a fast food restaurant by pulling gangster poses and expressions to the sound of Coolio's 'Gangster Paradise' to get her pumped up for the crime.
Continue reading: 'Tammy': Melissa McCarthy Turns To Crime In Hilarious Summer Comedy
Susan Sarandon revealed her method of enduring the countless award shows she has attended over the years...by smoking pot prior to hitting the red carpet.
Susan Sarandon reveals how she keeps herself amused at the many award shows she has attended over the years.
In the 'Plead th Fifth' segment, where guests are allowed to not answer a question, she was asked, "name one major Hollywood even that you showed up to stoned."
Continue reading: Susan Sarandon Reveals Being Stoned At "Almost All" Award Shows
The screen icon admitted to getting high at most awards show, but not the Oscars
Susan Sarandon has found a way to make the tedium of the seemingly never-ending award season go by without even noticing: by getting stoned for every one. Well, almost everyone, Sue does like to stay sober for the Oscars at least, as she explained in a recent interview.
Sarandon appeared on Bravo's Watch What Happens Live on Wednesday (11 Dec.) night where she spoke openly about her marijuana use at so many public appearance, as she revealed that even the actors and actresses being honoured find the whole awards show thing a bit dreary. She was casual and frank as she told host Andy Cohen about her penchant for smoking a joint or two before taking her seat or hitting the red carpet, probably because it has become such a regular occurrence for her.
After briefly discussing pot use, Cohen asked the 67-year-old to name one major Hollywood event she has shown up to stoned, Sarandon replied "Only one?" as the two shared a hearty laugh. She then told the host, "I would say almost all except the Oscars."
Continue reading: Susan Sarandon Admits She Gets Stoned At "Almost All" Awards Shows
When Melissa McCarthy fires an extra, she must have done something dreadfully wrong, right?
When Melissa McCarthy fires an extra from a movie set, things must have gone very, very wrong. The bubbly Bridesmaids star gave a young woman her marching orders on the set of her and husband Ben Falcone's new movie Tammy for a frankly bizarre reason, reports TMZ.com.
The extra - a woman in her 20s - had brought along her child to the set for a daylong shoot by a lake. She was being paid $58. However, witnesses say the extra had been struggling to keep her kid occupied all morning and was constantly harping on the child to "stop it" and quiet down, loudly disrupting production apparently.
Sources say the last straw came when the young mother harshly jerked the child up in the air by the wrist and McCarthy saw the whole thing. The director immediately had assistants eject the woman from the set saying she wouldn't tolerate such abuse on her set. The woman's identity was not disclosed and representatives for McCarthy made no immediate comment on the incident.
Continue reading: Melissa McCarthy Fires Extra From 'Tammy' Set For Bizarre Reason
Richard Gere delivers such a charming, layered performance that he overcomes a contrived plot that piles too many financial and personal crises on the central character. But Gere is magnetic, and the film's themes resonate at a time of economic difficulty, most notably in the idea that all major world events revolve around money.
Gere plays 60-year-old financial mogul Robert, who lives the high life with a private jet, glamorous philanthropist wife Ellen (Sarandon) and sexy French art-dealer mistress Julie (Casta). He seduces the press with his intelligent wit, and has managed to conceal the fact that he's in severe money trouble. Everything hinges on selling his company, but the buyers are dragging their feet. Then he is involved in a fatal car crash that could undo everything. He turns to an estranged friend (Parker) for help, but a tenacious police detective (Roth) is beginning to piece it all together.
Having Gere in the central role makes all the difference here, because he is able to add the subtext and moral ambiguity that's lacking in the script and direction. Otherwise, it's shot like a too-obvious TV movie with close-up camerawork, a bland Cliff Martinez score and constant moralising about family values. By contrast, Gere is a shady character who is up to all kinds of unethical things and yet holds our sympathies because we can see that he's not all bad. Even so, the script puts him through the wringer, with a never-ending stream of personal and professional problems.
Continue reading: Arbitrage Review
Mad geniuses Tom Tykwer (Perfume) and the Wachowski siblings (The Matrix) boldly take on David Mitchell's layered epic novel, which connects six generations through the power of storytelling. The film takes so many huge risks that it's breathtaking to watch even when it stumbles. And as each tale is passed on to the next generation, the swirling themes get under the skin.
The six stories are interlinked in a variety of ways, transcending time to find common themes. On a ship in 1849, a seriously ill American lawyer (Sturgess) shows kindness to a stowaway ex-slave (Gyasi). In 1936 Edinburgh, a great composer (Broadbent) hires a musician (Whishaw) to transcribe his work, then tries to steal the young man's magnificent Cloud Atlas symphony. In 1973 San Francisco, a Latina journalist (Berry) gets a tip about dodgy goings on in a local nuclear power plant. In present-day London, a publisher (Broadbent) is trapped in a nursing home by his brother (Grant) and plots a daring escape. In 2144 Neo Soul, an official (D'Arcy) interrogates a replicant (Bae) who started a rebellion alongside a notorious rebel (Sturgess). And in a distant stone-age future, an island goatherd (Hanks) teams up with an off-worlder (Berry) when they're attacked by a warlord (Grant).
While the themes in this film are eerily involving, what makes this film unmissable is the way the entire cast turns up in each of the six story strands, changing age, race and gender along the way. Even so, they're essential variations on each other. Weaving is always a nemesis, whether he's a hitman, a demon or a nasty nurse. Hanks' characters are always strong-willed and often badly misguided. Grant goes against type to play sinister baddies. And D'Arcy is the only actor who plays the same character in two segments, as Whishaw's 1930s young lover and Berry's 1970s elderly informant. Meanwhile, each segment plays with a different genre: seafaring epic, twisted drama, political mystery, action comedy, sci-fi thriller and gritty adventure.
Continue reading: Cloud Atlas Review
Frank is former burglar suffering from increasingly worsening dementia. His lawyer son Hunter notices his condition deteriorating and decides to introduce him to a robot caretaker programmed to take care of him and assist him in his daily tasks such as gardening. He is at first extremely mistrustful of the machine but soon begins to become fond of it as it cannot tell the difference between legal and illegal actions. The pair decide to commit a huge jewellery heist to win the heart of the local librarian Jennifer's library which is about to close down. His daughter Madison, meanwhile, tries to persuade him to get rid of the robot due to her own uncertainties but Frank insists that it is his friend. However, with his dementia becoming worse and worse, there looks to be only so many things that the robot is able to help him with.
This heartwarming comedy drama is set in the near future and has been directed by Jake Schreier in his feature film directorial debut and written by Christopher D. Ford ('The Scariest Show on Television', 'The Fuzz'). The robot it based on the Japanese humanoid creation called Asimo which was introduced in 2000. 'Robot & Frank' is set for release on March 8th 2013.
Director: Jake Schreier
Continue: Robot & Frank Trailer
She's nudging 66 but Susan Sarandon's still got it. The veteran actress put in a star turn at the annual CNN Heroes All Star Tribute in Los Angeles last night (December 2) and, as our pictures show, she possessed a physique that many of her younger cohorts would kill for, not to mention an enduring taste in fashion that ensured she was one of the stand out red carpet walkers of the night.
When a young man named Jason accidentally and unwittingly gets caught up in drug dealing with a gang, he faces a mandatory minimum sentence of up to 10 years after being wrongly arrested for the crime. His father is a strong believer of his innocence and will do everything in his power to have his son let off. He visits a lawyer who says that he can be granted his liberty if he acts as an informant in the gang and help the police make arrests. However, Jason is too frightened after his ordeal and his father asks instead if he can be the one to go undercover. He does so and uses his construction business to find a manual labourer who may have contacts to the criminal world and be able to offer him an introduction. With the offer of help, he is soon ranked highly in the mob which increases his chances of collecting information, but puts his own life and the lives of his wife and young child at immense risk. Just how far will he go to protect his son from wrongful imprisonment?
'Snitch' is based on the PBS Frontline documentary of the same name which details the increase in the use of informants to reduce prison sentences. It has been directed by Ric Roman Waugh ('In the Shadows', 'Felon') who co-wrote it with Justin Haythe ('The Clearing', 'Revolutionary Road') and is set for release on February 22nd 2013.
Director: Ric Roman Waugh
Continue: Snitch Trailer
Robert Miller is billionaire hedge fund businessman who at first glance seems to have the perfect life; successful, plenty of money, a supportive wife and a daughter/ business partner willing to take on the company when he retires. However, something much darker is going on underneath as he is struggling to cover up many years of fraudulent activities while trying to sell away his business to a bank. Not only this, but he has also embarked on an illicit affair with the young and beautiful Julie Cote who he attempts to whisk away with him for a while. As fate would have it, Robert finds himself drifting off to sleep in the car as they drive out of town and subsequently fails to prevent a crash that instantly kills Julie. As he attempts to cover his tracks by setting fire to the vehicle, his whole life is on the line with suspicious police officers, a mistrustful wife and a daughter with an unfortunate eye for detail threatening to collapse the empire he has worked so hard for.
This gripping thriller drama premiered in the US in September 2012 and serves as the full-length feature directorial debut of Nicholas Jarecki ('The Informers' screenwriter) who was also responsible for writing the fantastic screenplay.
Starring: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta, Nate Parker, Stuart Margolin, Chris Eigeman, Graydon Carter, Bruce Altman, Larry Pine, Curtiss Cook, Reg E. Cathey, Felix Solis, Monica Raymund, Gabrielle Lazure, Shawn Elliott, Maria Bartiromo, David Faber, Josh Pais, Alyssa Sutherland, Paula Devicq, Zack Robidas & Betsy Aidem.
Continue: Arbitrage Trailer
Don and Ellie have been divorced for a long time but when their adopted son Alejandro and his fiancé Missy decide to get married, it looks to be time for a family reunion. If things weren't awkward enough with Ellie seeing that her best friend Bebe from years ago is now married to her ex-husband, Alejandro's biological mother has also decided to fly over from Columbia for the occasion. However, she happens to be an extremely devout catholic with the belief that divorce is a sin so the family's only resolution to appease her and make her feel that giving away her son was the right decision is for Don and Ellie to pretend that they are still married on the big day, to Bebe's resentment. As expected, things are not as straight forward as they planned and the days leading up to the nuptials couldn't possibly be more tense and disastrous for this unusual family.
This ridiculous though rather touching comedy has been based on the French movie 'Mon Frère Se Marie' written by Jean-Stéphane Bron and Karine Sudan and is the wonderful story of how broken families can mend or, at least, unite for their mutual relatives when it is a matter of importance. It has been directed and written by Justin Zackham ('Going Greek', 'The Bucket List') and is set to be released on May 31st 2013 in the UK.
Starring: Robert De Niro, Susan Sarandon, Diane Keaton, Katherine Heigl, Amanda Seyfried, Topher Grace, Robin Williams, Ben Barnes, Megan Ketch, Greg Paul, Christa Campbell, David Rasche, Christine Ebersole, Kyle Bornheimer,
USA today says that film had a budget of $100m which reflects the complexity of its production, and the reason behind its star-saturation. The plot of the movie (and book) is a tapestry of six stories, following one soul as it moves from one body to the next, to the next, spanning around 500 years, from 1849 to the 24th century. The premise assumes reincarnation to be true, and really focuses on the unity of the human race. UPI states the official plotline as "the actions and consequences of our lives impact one another throughout the past, present, and future as one soul is shaped from a murderer into a savior and a single act of kindness ripples out for centuries to inspire a revolution."
Speaking about her role, Berry said "You have to say yes to something like this, [I want audiences to] walk away having a dialogue about it. And really realizing the ramifications of all of our actions and all of the choices that we make, and that they do reverberate for generations and generations. Acts of kindness and also acts of cruelty. It really matters." Halle has also revealed that she believes in reincarnation. "I think it's huge and something I believe in; the idea of reincarnation," she said, reported by CNN. "[Next time] I hope [to be] an animal. I'm a little tired of the human being thing; I'd love to come back as an animal next time around."
With his upcoming film, Cloud Atlas ready for release later this month, one of the film’s stars, Tom Hanks, has alluded to the deep plotline that runs through the book adaptation and said that the film is as “risky as Inception” was when it was release in 2010.
Hanks was plugging his new film during a chat with Canadian paper The Montreal Gazette, when he brought up the Christopher Nolan film, suggesting that it was the closest thing to compare to his latest movie outing. Cloud Atlas follows the intertwining lives of a massive cast that drifts between centuries both past and present, examining the impact of fate on good and bad behaviour.
In his discussion, he not only had praises to sing for Brit-director Nolan, but also his three “bold” directors for the upcoming project; Tom Tykwer and Lana and Andy Wachowski. And if three directors were a lot to take on board, then the number of characters the actors have to transform themselves into throughout the film will take some effort to get your heads round too, with Hanks alone taking on 6 different roles.
Continue reading: Cloud Atlas Is As Risky As Inception, Says Tom Hanks
'Cloud Atlas' is the story of how the separate lives of individuals and their actions affect each other through time. It explores a variety of different themes making it difficult to be pigeon-holed into a particular genre; action, romance and drama create the twists and turns that can change a human being from being a violent killer to being a compassionate hero. This tale explores how one act of basic humanity can influence a revolution centuries into the future.
Continue: Cloud Atlas Trailer
At 30, Jeff (Segel) is wasting his life in his mother's basement. Frustrated that he's not more ambitious, like older brother Pat (Helms), Mom (Sarandon) sends him out on an errand. But everything that happens when he's outside reinforces his belief in some sort of cosmic destiny that's guiding his every step. He also gets involved with Pat, who's showing off his new Porsche just as he learns that his wife (Greer) might be cheating on him. Meanwhile, Mom is perplexed by the fact that she has a secret admirer at work.
Continue reading: Jeff, Who Lives At Home Review
Jeff could not be more different from his brother Pat. Where Pat is a successful businessman in a happy marriage, Jeff lives in his mother's basement all day, smoking weed and watching his favourite film, Signs. Drawing deep significance from the film, Jeff starts to believe that everything in life has a purpose. This takes its toll on his mother, who is tired of Jeff staying indoors all day. Also becoming irritated by his brother's behaviour is Pat, who has much better things to do than pick up after his brother.
Continue: Jeff, Who Lives At Home Trailer
Jake (LaBeouf) is a rising-star broker working for a Wall Street veteran (Langella). His girlfriend Winnie (Mulligan) is the estranged daughter of the legendary Gordon Gekko (Douglas), who recently completed his prison term for insider trading. But Jake's idea to reunite Winnie and her dad takes a turn when they begin a kind of teacher-student relationship. Jake then takes a job for an archrival investor (Brolin) to orchestrate his downfall. But this is 2008 and banks are starting to collapse around them. And maybe Gekko is up to his old tricks.
Continue reading: Wall Street: Money Never Sleeps Review
23 years after Gordon Gekko's incarceration for insider trading, he finds himself being released into the outside world. He may have no family to meet him but he's ready to once again take his place in the business world. His soon to be son-in-law Jacob contacts Gordon in the hope that together they will reunite father and daughter. Winnie has always been wary of her father, especially his business dealings to which she warns her fiancé but when Jacob finds himself taken under the wing of Gordon, the offer is too good to turn down.
Continue: Wall Street: Money Never Sleeps Trailer
This film is packed with involving performances, even though Jackson takes a bloated approach to what should be a quietly emotional drama. And in the end, the production design is so lush that it swamps the story's themes.
In 1973, Susie (Ronan) is a happy 14-year-old just beginning to blossom. Her crush on a fellow student (Ritchie) is about to culminate in her first kiss, but she's instead brutally murdered by a creepy neighbour (Tucci). Her parents (Wahlberg and Weisz) are distraught, and Grandma (Sarandon) needs to come help care for Susie's younger siblings (McIver and Christian Thomas Ashdale). Susie watches all of this from "my heaven", longing for her parents to recover their balance and aching for some form of revenge.
The central theme is that Susie's yearning for vengeance is preventing her parents from moving on, and it's also keeping her from resting in peace. As the months and years pass, she struggles to let go of her connections to her family and also to dislodge her killer's hold on her. This intriguing idea is more suited to a small-budget filmmaker forced to find subtle, creative ways to depict the interaction between the afterlife and the living world.
Jackson, of course, has no budgetary constraints, and indulges in constant eye-catching effects that are drenched in colour and symbolism. This luxuriant approach seems odd for a story this fatalistic; it's not likely to be a commercial hit no matter how glorious the digital artistry is. While some viewers will connect with the raw emotional tone, concepts of the cruelty of fate and the fragility of life are lost.
Even so, Ronan delivers another knock-out performance packed with nuance and meaning even though many of her scenes only require reaction shots. It's in her eyes that the film comes truly to life, as it were. The other standouts are Sarandon, who brazenly steals scenes in what's essentially a thankless role, and Tucci, who never resorts to stereotype in his portrayal of a sinister loner. Jackson, on the other hand, continually applies cliches around him, from shadowy angles that generate palpable suspense to a ludicrously over-the-top coda that erases any subtlety the film might have.
The movie jumps headfirst into the action without any necessary build-up or labored background. We meet Louise, a headstrong waitress, and her younger, flighty friend Thelma (Geena Davis) as they finalize plans for their road trip. Nothing more or less complicated than that. Where they are going is fairly vague; why they are going is more telling: their explicit purpose in taking a trip is to escape from the men in their lives. Jimmy (Michael Madsen), Louise's longtime casual partner, is a gruff mechanic who loves Louise, but doesn't know how to show it. Darryl (Christopher McDonald), Thelma's husband, is a plain loser, a carpet salesman with a cheesy mustache, bouffant-fro, and a lack of respect for his wife.
Continue reading: Thelma & Louise Review
Andy and Larry Wachowski, creators of the Matrix trilogy, contradict themselves from the start. The brothers have written and directed a live-action adaptation of the 1960s anime series that fails to keep a foot in reality. Speed Racer doesn't break new ground; it clings to cartoonish boundaries established by Wile E. Coyote as he pursued that pesky Road Runner. If The Matrix taught the pseudo-spiritual Neo that there was no spoon, then Speed Racer posits that there is no camera. Instead, the Wachowskis are free to bend and twist reality as they create their vibrant environments in high-tech computers. The effect imbues Racer with the depth and dramatic significance of a screen saver.
Continue reading: Speed Racer Review
Racing through the final years of Doris's troubled life in typically episodic biopic fashion, the teleplay introduces us to an aging but still feisty woman who doesn't suffer fools gladly and manages her sprawling estate and her finances with an iron fist. When a butler delivers cantaloupe that is chilled incorrectly, Doris fires him on the spot.
Continue reading: Bernard And Doris Review
Giselle lives in the conflation of every single Disney trope ever, in an animated, magical fairy-tale kingdom full of songs of her one true love. The evil queen (who is also a wicked stepmother) can't have some upstart marry the prince and move in on her territory, so she banishes Giselle from animation to reality: New York, to be precise.
Continue reading: Enchanted Review
Pushed back and up for almost a year now, Woodcock comes from a lineage of productions so misguided that studios eventually release them just to wash their hands of them. Originally slated for a late spring/early summer release, the film was tossed back to November to allow for re-shoots and new edits. Ultimately none of it mattered and they pushed it back up to September. The fact that Wedding Crashers ace David Dobkin was brought in for the aforementioned re-shoots makes the absence of even the lightest chuckle even more profound.
Continue reading: Mr. Woodcock Review
Elah is set in late 2004, when previously pro-war segments of the population started seeing cracks in the official flag-waving rhetoric, and ugly rumors started flying about what was actually going on Over There. Haggis' hard-boiled script -- closely based on Mark Boal's harsh, eye-opening article, "Death and Dishonor," published in Playboy in 2004 -- takes the form not of a war film but of a mystery, hiding its disquieting revelations in a familiar structure. Retired military policeman Hank Deerfield (Tommy Lee Jones) finds out that his son Mike (Jonathan Tucker, from Haggis' short-lived TV show The Black Donnellys), currently serving in Iraq, went AWOL not long after coming home on R&R. Having already lost his other son to combat in Afghanistan, and convinced he's getting some sort of runaround from the army, Hank hops in his winded old pickup and heads to Mike's base looking for answers.
Continue reading: In The Valley Of Elah Review
Somewhere in all Turturro's chaos is a story about Nick Murder (James Gandolfini), a blue-collar schlub with a stolid wife, Kitty (Susan Sarandon), and a trio of slightly cracked daughters -- Constance, Baby, and Rosebud (Mary-Louise Parker, Aida Turturro, and Mandy Moore, respectively) -- who function partially as a junior set of Furies but are mostly there to bash out songs in the backyard as part of the three-piece bubblegum garage band they've formed. In short: Nick's a two-timing bastard who's stepping out on the wife with Tula (the previously mentioned Irish hussy), a fact Kitty doesn't take to overly well, and numerous friends and family get dragged into their scuffle and forcing everyone to occasionally bust out in song.
Continue reading: Romance & Cigarettes Review
Cats & Dogs is ridiculous and harmless, a Mission: Impossible for the animal world. For years, a secret high-tech espionage war has been waged between the feline and canine races, right under the noses of ignorant humans. The spark of this high-tech war came about as the result of the dog race overthrowing the then-dominating cat race during ancient Egyptian times (they even ruled the human race). Man's best friend re-established the humans as the dominant race and has protected that balance for years. And a breakthrough for dogs is approaching, as one human, Professor Brody (Jeff Goldblum), is on the verge of discovering an allergy vaccine which will enable all humans and dogs to co-exist in peace. The only problem is that the diabolic Mr. Tinkle (voiced by Sean Hayes), a furry white Persian with the attitude of Richard Grant's character from Hudson Hawk, and his small army of pesky felines have "cat-knapped" the family dog Buddy, who has been guarding the Professor and his family from the tuna-breathed fiends. The bodyguard job then falls on the shoulders of a Beagle pup named Lou (voiced by Toby Maguire) -- who is mistaken as a secret agent dog by an Anatolian Shepard named Butch (voiced by Alec Baldwin).
Continue reading: Cats & Dogs Review
Crowe's uncanny knack for turning up the volume has allowed countless scenes to soar to their potential. One problem nagging Elizabethtown, Crowe's most awkward project to date, is that the director is obligated to crank the knob again and again to overcome bland performances and missed emotional connections. He has assembled another astonishing collection of inspirational rock tracks, but for the first time the soundtrack outshines the accompanying movie by a long shot.
Continue reading: Elizabethtown Review
Gere plays Chicago lawyer John Clark, a man in a rut. Day after depressing day, it's the same routine of drawing up a few wills, running a couple miles on the treadmill, and returning home to apathetic wife Beverly (Susan Sarandon) and their two teenage children. The only highlight of his day is the fleeting moment when the "L" train passes by the beautiful but solemn looking woman in the window of Miss Mitzi's Dance School. Drawn to her, John impulsively jumps off the train and into the dance studio where he's confident that lessons will bring happiness back to his life.
Continue reading: Shall We Dance? (2004) Review
Maybe it's just me, but doesn't it seem flagrantly irresponsible to market a cartoon to kids in which a diaper brigade of babies have wonderful adventures when they wander away from their parents and get lost?
I've never seen the "Rugrats" TV show, but the plots of both nerve-grinding movies that the Nickelodeon series has spawned have involved children disappearing, and treated such events as a cornucopia of light-hearted entertainment.
I might be a little sensitive to the subject, but in a cultural climate in which kids seem to get kidnapped (and often murdered) more and more frequently, do we really want G-rated movies giving our little ones the impression that going missing is great fun?
Continue reading: Rugrats In Paris Review
Playing an inveterate womanizer as a sympathetic hero didn't work especially well for Michael Caine in 1966's "Alfie." He was Oscar-nominated for the performance, but his title character was a misogynistic, egomaniacal cad -- taking advantage of vulnerable women, then disposing of them offhandedly. Even when a vague health problem became a plot point meant to turn his life around, there was still nothing redeemable about the jerk.
On the other hand, in this year's "Alfie" remake, the irresistible Jude Law plays a more credibly charismatic and playful playboy whose contented superficiality steadily gives way to emerging self-awareness and perceptible depth -- which surprises even Alfie himself.
As the wily rake admits -- frankly, charmingly and direct-to-camera -- his concurrent affairs with a bevy of Manhattan beauties are a product of good looks, practiced flattery, an upscale metrosexual wardrobe, his English accent and the fact that he drives a limo.
Continue reading: Alfie Review
A wonderfully ambitious, old-school ensemble piece, very much in the can-do spirit of the community to which it pays homage, "Cradle Will Rock" is a politically-undertoned dramedy about theater, censorship, ambition, apprehension, oppression, Orson Welles and the Great Depression.
Written and directed by Tim Robbins -- never one to shy away from cause-fueled entertainment -- this passionate labor of love celebrates and fictionalizes a legendary moment in American theater, when the government shut down the performance of a musical produced by the Works Progress Administration -- and the actors, at the risk of losing their jobs during the bleakest economic season in U.S. history, staged it anyway in a show of inspiring solidarity.
The play was entitled "The Cradle Will Rock" and its story of a greedy industrialist taken down by the organized working man made a lot of federal bureaucrats see red -- as in communism.
Continue reading: Cradle Will Rock Review
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I agree. She was brilliant! https://t.co/8AOHucJuc7
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“The Five Battlefields for Control of the House” via @NYTimes https://t.co/nitl9xOJp5
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