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Spark Trailer


Spark is a teenage monkey living in an underground bunker on the virtually destroyed planet Bana, alongside his best friends Chunk and Vix - a pig mechanic and a fox warrior respectively. Once upon a time, the planet was an incredible place to live, but with the arrival of the ruthless General Zhong thirteen years ago, it has become a wasteland. It's a dangerous world out there, but Spark wants to go out on missions with the other survivors and prove that he has what it takes to aid them in taking their planet back. But rescuing the Queen and his own parents from Zhong's prison-like rule is much harder than he ever could have anticipated.

Continue: Spark Trailer

Susan Sarandon - 69th Cannes Film Festival - Opening Night Gala & 'Cafe Society' Premiere - Arrivals at Cannes Film Festival - Cannes, France - Wednesday 11th May 2016

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Susan Sarandon - The Gala Opening Ceremony of the 69th Cannes Film Festival at Palais de Festivals, Cannes Film Festival - Cannes, France - Wednesday 11th May 2016

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Susan Sarandon Says It's "Sexist" To Argue Women Have To Vote For Hillary Clinton


Susan Sarandon

Susan Sarandon weighed into ongoing battle for the Democratic presidential nomination earlier this week, saying that it is “sexist” for Hillary Clinton campaigners to argue that women must vote for their candidate simply because they are women.

Last month, the actress was forced to calm a Twitter storm when she clarified that she would not be voting for Donald Trump if her favoured candidate, Bernie Sanders, ended up losing the Democratic nomination to Hillary Clinton.

In an interview with Entertainment Weekly just ahead of the New York primary earlier this week, 69 year old Sarandon, a devoted supporter of the left-wing candidate Sanders, was asked whether it was sexist to believe that women should automatically vote for Clinton out of feminist solidarity.

Continue reading: Susan Sarandon Says It's "Sexist" To Argue Women Have To Vote For Hillary Clinton

Susan Sarandon - 2016 Tribeca Film Festival - 'The Meddler' - Premiere at Tribeca Film Festival - New York, New York, United States - Tuesday 19th April 2016

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Susan Sarandon - 2016 Tribeca Film Festival - 'The Meddler' - Premiere at Tribeca Film Festival - New York, United States - Tuesday 19th April 2016

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Susan Sarandon - 2016 Tribeca Film Festival - 'The Meddler' - Red Carpet Arrivals at Tribeca Film Festival - New York, New York, United States - Wednesday 20th April 2016

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Susan Sarandon - CinemaCon Bi Screen Achievement Awards held at Caesars Palace Hotel & Casino in Las Vegas, Nv on April 14, 2016 at Caesars Palace - Las Vegas, Nevada, United States - Thursday 14th April 2016

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Susan Sarandon - CinemaCon Big Screen Achievement Awards at Caesars Palace Resort and Casino at Omnia Nightclub, Caesars Palace - Las Vegas, Nevada, United States - Friday 15th April 2016

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The Meddler Trailer


Marnie Minervini recently lost her husband. The couple were very much in love and did everything together but her loss isn't going to stop Marnie getting on with her life. She moves from New Jersey to LA to be closer to her daughter and purchases a new flat near The Grove and a new iPhone which she won't let get the better of her. 

Continue: The Meddler Trailer

Liam Neeson's Mystery Woman Is NOT Kristen Stewart


Liam Neeson Kristen Stewart Susan Sarandon

Liam Neeson’s revelation a few weeks ago that he’s been dating an “incredibly famous” mystery woman has had the internet blazing with speculation, including one piece which claimed that it might be Twilight actress Kristen Stewart.

However, the North Irish actor’s representatives have moved to dismiss that rumour, telling Gossip Cop on Thursday (February 11th) that even though the original Jezebel article admitted that it was based on “almost nothing” except that they were in the same New York restaurant one night, it was indeed “meaningless speculation”.

Liam NeesonLiam Neeson is NOT dating Kristen Stewart

Continue reading: Liam Neeson's Mystery Woman Is NOT Kristen Stewart

Miles Robbins , Susan Sarandon - 'Zoolander 2' World Premiere at Alice Tully Hall - Arrivals - New York, New York, United States - Tuesday 9th February 2016

Miles Robbins and Susan Sarandon
Miles Robbins and Susan Sarandon
Miles Robbins and Susan Sarandon
Miles Robbins and Susan Sarandon

Susan Sarandon - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016

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Susan Sarandon , Eva Amurri Martino - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at The Shrine Expo Hall, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016

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Susan Sarandon and Eva Amurri Martino
Susan Sarandon and Eva Amurri Martino
Susan Sarandon and Eva Amurri Martino
Susan Sarandon and Eva Amurri Martino

Susan Sarandon To Make Hedy Lamarr Documentary, As Google Honours The Actress And Inventor


Hedy Lamarr Susan Sarandon

Susan Sarandon has announced she’s making a documentary on actress and inventor Hedy Lamarr in conjunction with Reframed Pictures, American Masters and Submarine. The legendary film star would have turned 101 yesterday (November 9th) and her birthday was marked with a special Google Doodle, honouring her unique legacy.

Susan SarandonSusan Sarandon is making a documentary about Hedy Lamarr.

Announcing the doc, which has the working title Hedy: The Untold Story of Actress and Inventor Hedy Lamarr, Sarandon said: “This is the story of a Hollywood actress, defined by her appearance, who is secretly a brilliant inventor and changes the course of history.”

Continue reading: Susan Sarandon To Make Hedy Lamarr Documentary, As Google Honours The Actress And Inventor

Susan Sarandon - The Meddler premiere at the Princess of Wales Theatre during the 2015 Toronto International Film Festival. - Toronto, Canada - Monday 14th September 2015

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Susan Sarandon - Susan Sarandon greets fans departing her appearance on Jimmy Kimmel Live! at jimmy Kimmel Studios - Los Angeles, California, United States - Wednesday 9th September 2015

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Susan Sarandon - The Trevor Project Annual TrevorLIVE New York - Red Carpet Arrivals at Marriot Marquis Hotel - New York City, New York, United States - Monday 15th June 2015

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Susan Sarandon - New York premiere of 'Spy' at AMC Loews Lincoln Square - Red Carpet Arrivals - New York City, New York, United States - Tuesday 2nd June 2015

Susan Sarandon - New York premiere of 'Spy' at AMC Loews Lincoln Square - Red Carpet Arrivals - New York City, New York, United States - Monday 1st June 2015

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Susan Sarandon - Screening of 'The Secret Life of Marilyn Monroe' - Arrivals at The Theatre at The Ace Hotel - Los Angeles, California, United States - Monday 11th May 2015

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Kelli Garner and Susan Sarandon - A variety of celebrities were snapped as they attended Lifetime's Miniseries "The Secret Life Of Marilyn Monroe" Special Screening And Panel Inside which was held at the Theatre At The Ace Hotel in Los Angeles, California, United States - Monday 11th May 2015

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Susan Sarandon - A variety of celebrities were snapped as they attended Lifetime's Miniseries "The Secret Life Of Marilyn Monroe" Special Screening And Panel Inside which was held at the Theatre At The Ace Hotel in Los Angeles, California, United States - Tuesday 12th May 2015

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Susan Sarandon - Shots of a host of stars as they arrive for the annual German Goldene Kamera Awards 2015 which were held at Messehallen in Hamburg, Germany - Saturday 28th February 2015

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Susan Sarandon - Shots of a host of stars as they arrive for the annual German Goldene Kamera Awards 2015 which were held at Messehallen in Hamburg, Germany - Friday 27th February 2015

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Susan Sarandon Loses Laptop, Jewelry In Residential Burglary In Manhattan


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Susan Sarandon fell victim to residential burglary over the weekend, when her New York home was broken into on Saturday night. The stolen items include a laptop, a camera and several pieces of jewelry, as well as some “papers”, according to Page Six.

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Sarandon was out of town when the burglary happened.

At the time of the burglary, 67-year-old Sarandon was out of town. Her son, 22-year-old Miles Robbins, was at the house on Saturday. According to the police report, he stepped out of the Manhattan home between 8pm and 9pm, providing the burglar with ample opportunity. The burglar apparently used a ladder to hop from the roof next door to the top of the actress’ nine-story brick building. Authorities suspect that he/she entered the home through a terrace window or door.

Continue reading: Susan Sarandon Loses Laptop, Jewelry In Residential Burglary In Manhattan

‘Tammy’ Has All The Makings Of A Hilarious Hit, So Why Aren’t Critics Impressed?


Melissa McCarthy Ben Falcone Susan Sarandon

It's nearly July 4th which means at least one thing: Melissa McCarthy's new comedy Tammy is being released this weekend. The hilarious trailer for the movie gives a glimpse into the hijinks of McCarthy's titular "heroine" as she is forced to turn to crime to get herself out of a pickle.

The Bridesmaids actress finally takes centre stage in her own comedy, which is directed by her husband Ben Falcone. After somehow managing to pull off an unlikely robbery at a fast foopd restaurant, the now-fugitive Tammy hits the road with her grandmother (Susan Sarandon) and heads to Niagara Falls. However, the pair must work hard to evade the police, getting caught up in many hilariously outrageous situations along the way.

Early critics have had chance to mull over the movie, and unfortunately for Melissa, Tammy hasn't been given a clean bill of health. Describing the film as an "unfortunate, though ambitious and intermittently enjoyable, misfire," the AP's Jocelyn Noveck fails to be immersed in the movie structure of Tammy, saying "Other recent comedies have been described as elongated "Saturday Night Live" skits, but it's especially apt here.

Continue reading: ‘Tammy’ Has All The Makings Of A Hilarious Hit, So Why Aren’t Critics Impressed?

'Tammy': Melissa McCarthy Turns To Crime In Hilarious Summer Comedy


Melissa McCarthy Susan Sarandon Ben Falcone

The trailer has been released for the new comedy from Melissa McCarthy, Tammy. The actress, who is known for her side-splitting roles in comedies like Bridesmaids and The Heat, stages centre-stage in her own comedy, which she wrote and is directed by her husband, Ben Falcone.

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Melissa McCarthy Is The Star Of The Show In New Comedy, 'Tammy.'

The new film sees the 43 year-old actress team up with Susan Sarandon, who plays her grandmother, Pearl. The trailer shows McCarthy as Tammy gearing up to rob a fast food restaurant by pulling gangster poses and expressions to the sound of Coolio's 'Gangster Paradise' to get her pumped up for the crime.

Continue reading: 'Tammy': Melissa McCarthy Turns To Crime In Hilarious Summer Comedy

Susan Sarandon Reveals Being Stoned At "Almost All" Award Shows


Susan Sarandon

Susan Sarandon reveals how she keeps herself amused at the many award shows she has attended over the years.

The 67 year-old appeared on Bravo's 'Watch What Happens Live' on Wednesday's episode (Dec 11th) and revealed to host, Andy Cohen, about her pot-smoking antics.

In the 'Plead th Fifth' segment, where guests are allowed to not answer a question, she was asked, "name one major Hollywood even that you showed up to stoned."

Continue reading: Susan Sarandon Reveals Being Stoned At "Almost All" Award Shows

Susan Sarandon Admits She Gets Stoned At "Almost All" Awards Shows


Susan Sarandon

Susan Sarandon has found a way to make the tedium of the seemingly never-ending award season go by without even noticing: by getting stoned for every one. Well, almost everyone, Sue does like to stay sober for the Oscars at least, as she explained in a recent interview.

Sarandon appeared on Bravo's Watch What Happens Live on Wednesday (11 Dec.) night where she spoke openly about her marijuana use at so many public appearance, as she revealed that even the actors and actresses being honoured find the whole awards show thing a bit dreary. She was casual and frank as she told host Andy Cohen about her penchant for smoking a joint or two before taking her seat or hitting the red carpet, probably because it has become such a regular occurrence for her.

After briefly discussing pot use, Cohen asked the 67-year-old to name one major Hollywood event she has shown up to stoned, Sarandon replied "Only one?" as the two shared a hearty laugh. She then told the host, "I would say almost all except the Oscars."

Continue reading: Susan Sarandon Admits She Gets Stoned At "Almost All" Awards Shows

Melissa McCarthy Fires Extra From 'Tammy' Set For Bizarre Reason


Melissa McCarthy Ben Falcone Susan Sarandon Dan Aykroyd

When Melissa McCarthy fires an extra from a movie set, things must have gone very, very wrong. The bubbly Bridesmaids star gave a young woman her marching orders on the set of her and husband Ben Falcone's new movie Tammy for a frankly bizarre reason, reports TMZ.com.

The extra - a woman in her 20s - had brought along her child to the set for a daylong shoot by a lake. She was being paid $58. However, witnesses say the extra had been struggling to keep her kid occupied all morning and was constantly harping on the child to "stop it" and quiet down, loudly disrupting production apparently. 

Sources say the last straw came when the young mother harshly jerked the child up in the air by the wrist and McCarthy saw the whole thing. The director immediately had assistants eject the woman from the set saying she wouldn't tolerate such abuse on her set. The woman's identity was not disclosed and representatives for McCarthy made no immediate comment on the incident.

Continue reading: Melissa McCarthy Fires Extra From 'Tammy' Set For Bizarre Reason

Cloud Atlas Review


Excellent

Mad geniuses Tom Tykwer (Perfume) and the Wachowski siblings (The Matrix) boldly take on David Mitchell's layered epic novel, which connects six generations through the power of storytelling. The film takes so many huge risks that it's breathtaking to watch even when it stumbles. And as each tale is passed on to the next generation, the swirling themes get under the skin.

The six stories are interlinked in a variety of ways, transcending time to find common themes. On a ship in 1849, a seriously ill American lawyer (Sturgess) shows kindness to a stowaway ex-slave (Gyasi). In 1936 Edinburgh, a great composer (Broadbent) hires a musician (Whishaw) to transcribe his work, then tries to steal the young man's magnificent Cloud Atlas symphony. In 1973 San Francisco, a Latina journalist (Berry) gets a tip about dodgy goings on in a local nuclear power plant. In present-day London, a publisher (Broadbent) is trapped in a nursing home by his brother (Grant) and plots a daring escape. In 2144 Neo Soul, an official (D'Arcy) interrogates a replicant (Bae) who started a rebellion alongside a notorious rebel (Sturgess). And in a distant stone-age future, an island goatherd (Hanks) teams up with an off-worlder (Berry) when they're attacked by a warlord (Grant).

While the themes in this film are eerily involving, what makes this film unmissable is the way the entire cast turns up in each of the six story strands, changing age, race and gender along the way. Even so, they're essential variations on each other. Weaving is always a nemesis, whether he's a hitman, a demon or a nasty nurse. Hanks' characters are always strong-willed and often badly misguided. Grant goes against type to play sinister baddies. And D'Arcy is the only actor who plays the same character in two segments, as Whishaw's 1930s young lover and Berry's 1970s elderly informant. Meanwhile, each segment plays with a different genre: seafaring epic, twisted drama, political mystery, action comedy, sci-fi thriller and gritty adventure.

Continue reading: Cloud Atlas Review

Robot & Frank Trailer


Frank is former burglar suffering from increasingly worsening dementia. His lawyer son Hunter notices his condition deteriorating and decides to introduce him to a robot caretaker programmed to take care of him and assist him in his daily tasks such as gardening. He is at first extremely mistrustful of the machine but soon begins to become fond of it as it cannot tell the difference between legal and illegal actions. The pair decide to commit a huge jewellery heist to win the heart of the local librarian Jennifer's library which is about to close down. His daughter Madison, meanwhile, tries to persuade him to get rid of the robot due to her own uncertainties but Frank insists that it is his friend. However, with his dementia becoming worse and worse, there looks to be only so many things that the robot is able to help him with. 

This heartwarming comedy drama is set in the near future and has been directed by Jake Schreier in his feature film directorial debut and written by Christopher D. Ford ('The Scariest Show on Television', 'The Fuzz'). The robot it based on the Japanese humanoid creation called Asimo which was introduced in 2000. 'Robot & Frank' is set for release on March 8th 2013.

Director: Jake Schreier

Continue: Robot & Frank Trailer

Pictures: 66 Year-Old Susan Sarandon Looks Stunning At CNN Heroes All Star Tribute


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Susan Sarandon at CNN Heroes

Susan Sarandon gets one over the young bucks with a glamorous appearance at the CNN Heroes bash

She's nudging 66 but Susan Sarandon's still got it. The veteran actress put in a star turn at the annual CNN Heroes All Star Tribute in Los Angeles last night (December 2) and, as our pictures show, she possessed a physique that many of her younger cohorts would kill for, not to mention an enduring taste in fashion that ensured she was one of the stand out red carpet walkers of the night. 

Continue reading: Pictures: 66 Year-Old Susan Sarandon Looks Stunning At CNN Heroes All Star Tribute

Snitch Trailer


When a young man named Jason accidentally and unwittingly gets caught up in drug dealing with a gang, he faces a mandatory minimum sentence of up to 10 years after being wrongly arrested for the crime. His father is a strong believer of his innocence and will do everything in his power to have his son let off. He visits a lawyer who says that he can be granted his liberty if he acts as an informant in the gang and help the police make arrests. However, Jason is too frightened after his ordeal and his father asks instead if he can be the one to go undercover. He does so and uses his construction business to find a manual labourer who may have contacts to the criminal world and be able to offer him an introduction. With the offer of help, he is soon ranked highly in the mob which increases his chances of collecting information, but puts his own life and the lives of his wife and young child at immense risk. Just how far will he go to protect his son from wrongful imprisonment?

'Snitch' is based on the PBS Frontline documentary of the same name which details the increase in the use of informants to reduce prison sentences. It has been directed by Ric Roman Waugh ('In the Shadows', 'Felon') who co-wrote it with Justin Haythe ('The Clearing', 'Revolutionary Road') and is set for release on February 22nd 2013.

Director: Ric Roman Waugh

Continue: Snitch Trailer

Arbitrage Trailer


Robert Miller is billionaire hedge fund businessman who at first glance seems to have the perfect life; successful, plenty of money, a supportive wife and a daughter/ business partner willing to take on the company when he retires. However, something much darker is going on underneath as he is struggling to cover up many years of fraudulent activities while trying to sell away his business to a bank. Not only this, but he has also embarked on an illicit affair with the young and beautiful Julie Cote who he attempts to whisk away with him for a while. As fate would have it, Robert finds himself drifting off to sleep in the car as they drive out of town and subsequently fails to prevent a crash that instantly kills Julie. As he attempts to cover his tracks by setting fire to the vehicle, his whole life is on the line with suspicious police officers, a mistrustful wife and a daughter with an unfortunate eye for detail threatening to collapse the empire he has worked so hard for.

This gripping thriller drama premiered in the US in September 2012 and serves as the full-length feature directorial debut of Nicholas Jarecki ('The Informers' screenwriter) who was also responsible for writing the fantastic screenplay.

Starring: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta, Nate Parker, Stuart Margolin, Chris Eigeman, Graydon Carter, Bruce Altman, Larry Pine, Curtiss Cook, Reg E. Cathey, Felix Solis, Monica Raymund, Gabrielle Lazure, Shawn Elliott, Maria Bartiromo, David Faber, Josh Pais, Alyssa Sutherland, Paula Devicq, Zack Robidas & Betsy Aidem.

Continue: Arbitrage Trailer

The Big Wedding Trailer


Don and Ellie have been divorced for a long time but when their adopted son Alejandro and his fiancé Missy decide to get married, it looks to be time for a family reunion. If things weren't awkward enough with Ellie seeing that her best friend Bebe from years ago is now married to her ex-husband, Alejandro's biological mother has also decided to fly over from Columbia for the occasion. However, she happens to be an extremely devout catholic with the belief that divorce is a sin so the family's only resolution to appease her and make her feel that giving away her son was the right decision is for Don and Ellie to pretend that they are still married on the big day, to Bebe's resentment. As expected, things are not as straight forward as they planned and the days leading up to the nuptials couldn't possibly be more tense and disastrous for this unusual family.

This ridiculous though rather touching comedy has been based on the French movie 'Mon Frère Se Marie' written by Jean-Stéphane Bron and Karine Sudan and is the wonderful story of how broken families can mend or, at least, unite for their mutual relatives when it is a matter of importance. It has been directed and written by Justin Zackham ('Going Greek', 'The Bucket List') and is set to be released on May 31st 2013 in the UK.

Starring: Robert De Niro, Susan Sarandon, Diane Keaton, Katherine Heigl, Amanda Seyfried, Topher Grace, Robin Williams, Ben Barnes, Megan Ketch, Greg Paul, Christa Campbell, David Rasche, Christine Ebersole, Kyle Bornheimer,

Cloud Atlas: Halle Berry's Clouds Are Solid Gold, Let Alone The Silver Lining


Halle Berry Tom Hanks Susan Sarandon Jim Broadbent

Cloud Atlas, the new film adapted from David Mitchell's novel of the same name, stars Halle Berry, Tom Hanks, Susan Sarandon and Jim Broadbent, among a plethora of other great stars. 

USA today says that film had a budget of $100m which reflects the complexity of its production, and the reason behind its star-saturation. The plot of the movie (and book) is a tapestry of six stories, following one soul as it moves from one body to the next, to the next, spanning around 500 years, from 1849 to the 24th century. The premise assumes reincarnation to be true, and really focuses on the unity of the human race. UPI states the official plotline as "the actions and consequences of our lives impact one another throughout the past, present, and future as one soul is shaped from a murderer into a savior and a single act of kindness ripples out for centuries to inspire a revolution."

Speaking about her role, Berry said "You have to say yes to something like this, [I want audiences to] walk away having a dialogue about it. And really realizing the ramifications of all of our actions and all of the choices that we make, and that they do reverberate for generations and generations. Acts of kindness and also acts of cruelty. It really matters." Halle has also revealed that she believes in reincarnation. "I think it's huge and something I believe in; the idea of reincarnation," she said, reported by CNN. "[Next time] I hope [to be] an animal. I'm a little tired of the human being thing; I'd love to come back as an animal next time around."

Continue reading: Cloud Atlas: Halle Berry's Clouds Are Solid Gold, Let Alone The Silver Lining

Cloud Atlas Is As Risky As Inception, Says Tom Hanks


Tom Hanks Christopher Nolan Lilly Wachowski Halle Berry Jim Broadbent Jim Sturgess Doona Bae Zhou Xun Hugh Grant Hugo Weaving Susan Sarandon

With his upcoming film, Cloud Atlas ready for release later this month, one of the film’s stars, Tom Hanks, has alluded to the deep plotline that runs through the book adaptation and said that the film is as “risky as Inception” was when it was release in 2010.

Hanks was plugging his new film during a chat with Canadian paper The Montreal Gazette, when he brought up the Christopher Nolan film, suggesting that it was the closest thing to compare to his latest movie outing. Cloud Atlas follows the intertwining lives of a massive cast that drifts between centuries both past and present, examining the impact of fate on good and bad behaviour.

In his discussion, he not only had praises to sing for Brit-director Nolan, but also his three “bold” directors for the upcoming project; Tom Tykwer and Lana and Andy Wachowski. And if three directors were a lot to take on board, then the number of characters the actors have to transform themselves into throughout the film will take some effort to get your heads round too, with Hanks alone taking on 6 different roles.

Continue reading: Cloud Atlas Is As Risky As Inception, Says Tom Hanks

Video - Susan Sarandon Shares Thoughts And Fears About Alzheimer's


Actress Susan Sarandon speaks to interviewers at a press junket about the new movie in which she stars 'Robot & Frank' at The Regency Hotel, New York. She reveals that if she had a robot, she would use it to cook and clean toilets and claims that she is 'terrible' with electrical objects and gadgets.

The interviewer brings up the subject that a little girl is placed in the suit to act the part of the robot in the film. Sarandon explains that she was 'sweltering' because of the summer heat and because the suit was so hot. She also discusses her thoughts and feelings on Alzheimer's disease which is an issue that is raised in the film. She describes it as seemingly 'inevitable' and admits she finds it 'really scary'

Cloud Atlas Trailer


'Cloud Atlas' is the story of how the separate lives of individuals and their actions affect each other through time. It explores a variety of different themes making it difficult to be pigeon-holed into a particular genre; action, romance and drama create the twists and turns that can change a human being from being a violent killer to being a compassionate hero. This tale explores how one act of basic humanity can influence a revolution centuries into the future.

Continue: Cloud Atlas Trailer

Jeff, Who Lives At Home Review


Good
While not hugely memorable, this enjoyably ridiculous comedy has moments that are sharp, thoughtful and hilarious. And the filmmakers give their gifted cast the space to create characters who are amusing and resonant.

At 30, Jeff (Segel) is wasting his life in his mother's basement. Frustrated that he's not more ambitious, like older brother Pat (Helms), Mom (Sarandon) sends him out on an errand. But everything that happens when he's outside reinforces his belief in some sort of cosmic destiny that's guiding his every step. He also gets involved with Pat, who's showing off his new Porsche just as he learns that his wife (Greer) might be cheating on him. Meanwhile, Mom is perplexed by the fact that she has a secret admirer at work.

Continue reading: Jeff, Who Lives At Home Review

Jeff, Who Lives At Home Trailer


Jeff could not be more different from his brother Pat. Where Pat is a successful businessman in a happy marriage, Jeff lives in his mother's basement all day, smoking weed and watching his favourite film, Signs. Drawing deep significance from the film, Jeff starts to believe that everything in life has a purpose. This takes its toll on his mother, who is tired of Jeff staying indoors all day. Also becoming irritated by his brother's behaviour is Pat, who has much better things to do than pick up after his brother.

Continue: Jeff, Who Lives At Home Trailer

Wall Street: Money Never Sleeps Review


Very Good
Michael Douglas returns to his most iconic role for this 20-years-later sequel to Oliver Stone's 1987 hit. Of course it couldn't be much more timely, as it dips into the current financial chaos and the drama behind the scenes.

Jake (LaBeouf) is a rising-star broker working for a Wall Street veteran (Langella). His girlfriend Winnie (Mulligan) is the estranged daughter of the legendary Gordon Gekko (Douglas), who recently completed his prison term for insider trading. But Jake's idea to reunite Winnie and her dad takes a turn when they begin a kind of teacher-student relationship. Jake then takes a job for an archrival investor (Brolin) to orchestrate his downfall. But this is 2008 and banks are starting to collapse around them. And maybe Gekko is up to his old tricks.

Continue reading: Wall Street: Money Never Sleeps Review

Wall Street: Money Never Sleeps Trailer


23 years after Gordon Gekko's incarceration for insider trading, he finds himself being released into the outside world. He may have no family to meet him but he's ready to once again take his place in the business world. His soon to be son-in-law Jacob contacts Gordon in the hope that together they will reunite father and daughter. Winnie has always been wary of her father, especially his business dealings to which she warns her fiancé but when Jacob finds himself taken under the wing of Gordon, the offer is too good to turn down.

Continue: Wall Street: Money Never Sleeps Trailer

The Lovely Bones Review


OK

This film is packed with involving performances, even though Jackson takes a bloated approach to what should be a quietly emotional drama. And in the end, the production design is so lush that it swamps the story's themes.

In 1973, Susie (Ronan) is a happy 14-year-old just beginning to blossom. Her crush on a fellow student (Ritchie) is about to culminate in her first kiss, but she's instead brutally murdered by a creepy neighbour (Tucci). Her parents (Wahlberg and Weisz) are distraught, and Grandma (Sarandon) needs to come help care for Susie's younger siblings (McIver and Christian Thomas Ashdale). Susie watches all of this from "my heaven", longing for her parents to recover their balance and aching for some form of revenge.

The central theme is that Susie's yearning for vengeance is preventing her parents from moving on, and it's also keeping her from resting in peace. As the months and years pass, she struggles to let go of her connections to her family and also to dislodge her killer's hold on her. This intriguing idea is more suited to a small-budget filmmaker forced to find subtle, creative ways to depict the interaction between the afterlife and the living world.

Jackson, of course, has no budgetary constraints, and indulges in constant eye-catching effects that are drenched in colour and symbolism. This luxuriant approach seems odd for a story this fatalistic; it's not likely to be a commercial hit no matter how glorious the digital artistry is. While some viewers will connect with the raw emotional tone, concepts of the cruelty of fate and the fragility of life are lost.

Even so, Ronan delivers another knock-out performance packed with nuance and meaning even though many of her scenes only require reaction shots. It's in her eyes that the film comes truly to life, as it were. The other standouts are Sarandon, who brazenly steals scenes in what's essentially a thankless role, and Tucci, who never resorts to stereotype in his portrayal of a sinister loner. Jackson, on the other hand, continually applies cliches around him, from shadowy angles that generate palpable suspense to a ludicrously over-the-top coda that erases any subtlety the film might have.

Thelma & Louise Review


Essential
Thelma & Louise is a landmark film, one that defines the cinematic terrain for female empowerment and one that effortlessly blends powerful ideas about gender with an endlessly engaging story. The film weaves a story about women in distress, who come from depressed backgrounds and seedy locales, which is not entirely different from any prototypical Lifetime Movie of the Week. The genius of Ridley Scott's direction and Callie Khouri's groundbreaking screenplay is that they allow the film to flirt with standard archetypal conventions, all the while upending conventional notions of women -- particularly women in the sort of situation Thelma and Louise find themselves in.

The movie jumps headfirst into the action without any necessary build-up or labored background. We meet Louise, a headstrong waitress, and her younger, flighty friend Thelma (Geena Davis) as they finalize plans for their road trip. Nothing more or less complicated than that. Where they are going is fairly vague; why they are going is more telling: their explicit purpose in taking a trip is to escape from the men in their lives. Jimmy (Michael Madsen), Louise's longtime casual partner, is a gruff mechanic who loves Louise, but doesn't know how to show it. Darryl (Christopher McDonald), Thelma's husband, is a plain loser, a carpet salesman with a cheesy mustache, bouffant-fro, and a lack of respect for his wife.

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Speed Racer Review


Terrible
Speed Racer currently leads a race it won't want to win. Right now it's the summer's most irrelevant blockbuster, the first missed opportunity of a still-developing season that hasn't yet entered turn one. Even worse, Racer now sits in the pole position for the undesirable title of Year's Goofiest Movie.

Andy and Larry Wachowski, creators of the Matrix trilogy, contradict themselves from the start. The brothers have written and directed a live-action adaptation of the 1960s anime series that fails to keep a foot in reality. Speed Racer doesn't break new ground; it clings to cartoonish boundaries established by Wile E. Coyote as he pursued that pesky Road Runner. If The Matrix taught the pseudo-spiritual Neo that there was no spoon, then Speed Racer posits that there is no camera. Instead, the Wachowskis are free to bend and twist reality as they create their vibrant environments in high-tech computers. The effect imbues Racer with the depth and dramatic significance of a screen saver.

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Bernard And Doris Review


Good
HBO lined up two big stars to tell the story of billionaire tobacco heiress Doris Duke and her loyal yet shady butler Bernard Lafferty. Susan Sarandon and Ralph Fiennes star in Bernard and Doris and give it a go, but the truth is that they are both miscast, Sarandon especially, and that error subverts what is otherwise a witty half drama/half comedy.

Racing through the final years of Doris's troubled life in typically episodic biopic fashion, the teleplay introduces us to an aging but still feisty woman who doesn't suffer fools gladly and manages her sprawling estate and her finances with an iron fist. When a butler delivers cantaloupe that is chilled incorrectly, Doris fires him on the spot.

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Enchanted Review


Very Good
In a fairly surprising move, Disney has come forward and shown it has an actual sense of humor about its patented brand of cheesy, clichéd, and relentless peppiness. Previously, self-reference has been limited to cross marketing between one Disney film and the next; but in Enchanted the message seems to be: Yeah, we know we've got our share of hokey archetypes, but it works for us. It's a refreshing attitude.

Giselle lives in the conflation of every single Disney trope ever, in an animated, magical fairy-tale kingdom full of songs of her one true love. The evil queen (who is also a wicked stepmother) can't have some upstart marry the prince and move in on her territory, so she banishes Giselle from animation to reality: New York, to be precise.

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Mr. Woodcock Review


Bad
For half of the last decade, Billy Bob Thornton has been filling the scumbag/jerk quotient to dwindling effect, culminating in last year's abysmal School for Scoundrels. One half-expected him to try and nab a role in a Catherine Breillat film just to get the taste out of his mouth. It seems this was all wishful thinking: Thornton's latest retread into berating fat kids, retards, and asthma victims, Mr. Woodcock, is at once both completely aimless and without the slightest sense of fun.

Pushed back and up for almost a year now, Woodcock comes from a lineage of productions so misguided that studios eventually release them just to wash their hands of them. Originally slated for a late spring/early summer release, the film was tossed back to November to allow for re-shoots and new edits. Ultimately none of it mattered and they pushed it back up to September. The fact that Wedding Crashers ace David Dobkin was brought in for the aforementioned re-shoots makes the absence of even the lightest chuckle even more profound.

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In The Valley Of Elah Review


Excellent
Although Paul Haggis' gut-punch of a story, In the Valley of Elah, is the first truly great narrative film about the Iraq War, it only spends a total of maybe five minutes there. The rest of the time, Elah is back in the U.S., dealing with all the stomach-churning consequences of what the country has sent young men over the sea to do. For this war story, combat -- that terrifying adrenaline high that changes many soldiers forever -- would be a distraction. The film comes at the war elliptically, immersing viewers in a world of soldiers, veterans, military bases, and civilian hangers-on, where President Bush is always pontificating from a nearby radio or television and everyone gets their check, directly or indirectly, from the Pentagon.

Elah is set in late 2004, when previously pro-war segments of the population started seeing cracks in the official flag-waving rhetoric, and ugly rumors started flying about what was actually going on Over There. Haggis' hard-boiled script -- closely based on Mark Boal's harsh, eye-opening article, "Death and Dishonor," published in Playboy in 2004 -- takes the form not of a war film but of a mystery, hiding its disquieting revelations in a familiar structure. Retired military policeman Hank Deerfield (Tommy Lee Jones) finds out that his son Mike (Jonathan Tucker, from Haggis' short-lived TV show The Black Donnellys), currently serving in Iraq, went AWOL not long after coming home on R&R. Having already lost his other son to combat in Afghanistan, and convinced he's getting some sort of runaround from the army, Hank hops in his winded old pickup and heads to Mike's base looking for answers.

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Romance & Cigarettes Review


Weak
John Turturro's dream project Romance & Cigarettes is a gutter-style jukebox musical with chutzpah to spare and which doesn't know when to quit. It's all here: Singing garbagemen! Catfight in a SoHo lingerie store! Hot-to-trot Kate Winslet as a scorchingly foul-mouthed Irish hussy. Toe-tapping Christopher Walken in full strutting peacock mode, driving an old Detroit beater with a license plate reading "BoDiddley." A wife screaming at her husband, recently discovered cheating, "I trim your nose hair!" Family, infidelity, and a basketful of pop tunes for everyone to sing along to -- Ute Lemper to Connie Francis to Bruce Springsteen to James Brown to Tom Jones to....

Somewhere in all Turturro's chaos is a story about Nick Murder (James Gandolfini), a blue-collar schlub with a stolid wife, Kitty (Susan Sarandon), and a trio of slightly cracked daughters -- Constance, Baby, and Rosebud (Mary-Louise Parker, Aida Turturro, and Mandy Moore, respectively) -- who function partially as a junior set of Furies but are mostly there to bash out songs in the backyard as part of the three-piece bubblegum garage band they've formed. In short: Nick's a two-timing bastard who's stepping out on the wife with Tula (the previously mentioned Irish hussy), a fact Kitty doesn't take to overly well, and numerous friends and family get dragged into their scuffle and forcing everyone to occasionally bust out in song.

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Cats & Dogs Review


OK
I have officially reached my quota for the year of talking animal movies. Dr. Dolittle 2 pushed me to the edge, and the animatronic animal flick Cats & Dogs has pushed right over it, into a giddy oblivion where I now firmly believe purple dinosaurs can communicate with humans through song and dance.

Cats & Dogs is ridiculous and harmless, a Mission: Impossible for the animal world. For years, a secret high-tech espionage war has been waged between the feline and canine races, right under the noses of ignorant humans. The spark of this high-tech war came about as the result of the dog race overthrowing the then-dominating cat race during ancient Egyptian times (they even ruled the human race). Man's best friend re-established the humans as the dominant race and has protected that balance for years. And a breakthrough for dogs is approaching, as one human, Professor Brody (Jeff Goldblum), is on the verge of discovering an allergy vaccine which will enable all humans and dogs to co-exist in peace. The only problem is that the diabolic Mr. Tinkle (voiced by Sean Hayes), a furry white Persian with the attitude of Richard Grant's character from Hudson Hawk, and his small army of pesky felines have "cat-knapped" the family dog Buddy, who has been guarding the Professor and his family from the tuna-breathed fiends. The bodyguard job then falls on the shoulders of a Beagle pup named Lou (voiced by Toby Maguire) -- who is mistaken as a secret agent dog by an Anatolian Shepard named Butch (voiced by Alec Baldwin).

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Noel Review


Weak
Susan Sarandon starring in your movie ought to guarantee a box office bonanza, no? Well, not always. This terribly ill-advised film (which got only the barest of theatrical releases) is a textbook example of just about everything that guarantees disaster. That includes putting Robin Williams in a non-comedic role, giving Penélope Cruz too much dialogue, having Alan Arkin believe that Paul Walker is his reincarnated wife, and, worst of all, setting your Christmas movie among the horrors of an urban hospital.

The idea here is that our central characters (including all of the above, plus one guy who breaks his own hand so he can relive his Best Christmas Ever as he did as a kid in the E.R.) have problems. You know, New Yorker problems: Walker is a jealous cop (and Cruz is his flirtatious girlfriend), and Sarandon's geriatric mother is an a sort of dazed funk -- just staring at the walls, refusing to eat. Sarandon is the centerpiece of the film: She's a mopey creature who's faced endless disaster in her life (a stillborn baby, even), but she's trying to keep up appearances.

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Elizabethtown Review


OK
Soundtracks to Cameron Crowe's movies are often as memorable as the films themselves. Crowe's most famous marriage of cinema and song has to be John Cusack's radio hoist to the beat of Peter Gabriel's "In Your Eyes." Three years later, the 1992 relationship comedy Singles tapped into Pearl Jam, Soundgarden, and Alice in Chains before Seattle's music scene flamed out. And Almost Famous reminded us of the unifying power of Elton John's "Tiny Dancer."

Crowe's uncanny knack for turning up the volume has allowed countless scenes to soar to their potential. One problem nagging Elizabethtown, Crowe's most awkward project to date, is that the director is obligated to crank the knob again and again to overcome bland performances and missed emotional connections. He has assembled another astonishing collection of inspirational rock tracks, but for the first time the soundtrack outshines the accompanying movie by a long shot.

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Shall We Dance? (2004) Review


Bad
In Shall We Dance?, Richard Gere plays a man in the throes of a mid-life crisis. This is new territory for the 55-year-old actor who's always found himself opposite considerably younger leading ladies. Here, he actually plays a man his age, and is married to someone a bit more believable. Has Gere finally grown up? Of course not! He decides taking ballroom dance lessons from a woman 20 years his junior will help out of his funk.

Gere plays Chicago lawyer John Clark, a man in a rut. Day after depressing day, it's the same routine of drawing up a few wills, running a couple miles on the treadmill, and returning home to apathetic wife Beverly (Susan Sarandon) and their two teenage children. The only highlight of his day is the fleeting moment when the "L" train passes by the beautiful but solemn looking woman in the window of Miss Mitzi's Dance School. Drawn to her, John impulsively jumps off the train and into the dance studio where he's confident that lessons will bring happiness back to his life.

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Rugrats In Paris Review


Terrible

Maybe it's just me, but doesn't it seem flagrantly irresponsible to market a cartoon to kids in which a diaper brigade of babies have wonderful adventures when they wander away from their parents and get lost?

I've never seen the "Rugrats" TV show, but the plots of both nerve-grinding movies that the Nickelodeon series has spawned have involved children disappearing, and treated such events as a cornucopia of light-hearted entertainment.

I might be a little sensitive to the subject, but in a cultural climate in which kids seem to get kidnapped (and often murdered) more and more frequently, do we really want G-rated movies giving our little ones the impression that going missing is great fun?

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Alfie Review


Good

Playing an inveterate womanizer as a sympathetic hero didn't work especially well for Michael Caine in 1966's "Alfie." He was Oscar-nominated for the performance, but his title character was a misogynistic, egomaniacal cad -- taking advantage of vulnerable women, then disposing of them offhandedly. Even when a vague health problem became a plot point meant to turn his life around, there was still nothing redeemable about the jerk.

On the other hand, in this year's "Alfie" remake, the irresistible Jude Law plays a more credibly charismatic and playful playboy whose contented superficiality steadily gives way to emerging self-awareness and perceptible depth -- which surprises even Alfie himself.

As the wily rake admits -- frankly, charmingly and direct-to-camera -- his concurrent affairs with a bevy of Manhattan beauties are a product of good looks, practiced flattery, an upscale metrosexual wardrobe, his English accent and the fact that he drives a limo.

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Cradle Will Rock Review


Very Good

A wonderfully ambitious, old-school ensemble piece, very much in the can-do spirit of the community to which it pays homage, "Cradle Will Rock" is a politically-undertoned dramedy about theater, censorship, ambition, apprehension, oppression, Orson Welles and the Great Depression.

Written and directed by Tim Robbins -- never one to shy away from cause-fueled entertainment -- this passionate labor of love celebrates and fictionalizes a legendary moment in American theater, when the government shut down the performance of a musical produced by the Works Progress Administration -- and the actors, at the risk of losing their jobs during the bleakest economic season in U.S. history, staged it anyway in a show of inspiring solidarity.

The play was entitled "The Cradle Will Rock" and its story of a greedy industrialist taken down by the organized working man made a lot of federal bureaucrats see red -- as in communism.

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Susan Sarandon

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Susan Sarandon

Date of birth

4th October, 1946

Occupation

Actor

Sex

Female

Height

1.70




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Susan Sarandon Movies

A Bad Moms Christmas Movie Review

A Bad Moms Christmas Movie Review

Everyone's back from last year's undemanding adult comedy, plus some starry new cast members, for...

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Spark Trailer

Spark is a teenage monkey living in an underground bunker on the virtually destroyed planet...

The Meddler Trailer

The Meddler Trailer

Marnie Minervini recently lost her husband. The couple were very much in love and did...

The Rocky Horror Picture Show - Clips Trailer

The Rocky Horror Picture Show - Clips Trailer

Brad and Janet are a young, innocent couple who find themselves stranded in a storm...

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About Ray Trailer

About Ray Trailer

Ray is, in many ways, a regular New York teenager who enjoys skating, goes to...

The Calling Movie Review

The Calling Movie Review

Dark and haunting, this Canadian thriller has an offhanded style that balances a grisly mystery...

The Calling Trailer

The Calling Trailer

Hazel Micallef (Susan Sarandon) is a Detective Inspector leaving a rather peaceful existence in the...

Tammy Movie Review

Tammy Movie Review

Melissa McCarthy is clearly in a rut: the title character in this film isn't very...

Tammy Trailer

Tammy Trailer

When Tammy is late for work following an unlikely road accident, she is fired from...

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