David (Turgoose) is the mid-teen son of a Norfolk caravan park performer (Maudsley). To survive the boredom, he bonds perhaps too tightly with Emily (Grainger), daughter of the site's shop clerk (Lynch). As they dash across caravan roofs and hang out with security guard Steve (Spall), their life is pretty happy. But Emily's when mother decides to send her to live with her father (Sidi), David helps her hide in a seaside cave. Tension builds when a police detective (Mackintosh) starts investigating. And it gets worse when a secret is revealed.
Continue reading: The Scouting Book For Boys Review
And even though the story wobbles along the way, it's a vital, involving film.
Lucy (Windsor) is an 11-year-old living with her father (Carlyle) in Nottingham. But when a schoolteacher discovers that she has been violently beaten, she's placed in a care home, sharing a room with 16-year-old tearaway Lauren (Socha). Lauren takes Lucy on several rather illicit outings, constantly landing the pair in trouble. And when Lucy wonders why she can't live with her mother (Lynch), her social worker (Stacey) only says that it's not possible.
Continue reading: The Unloved Review
DAME Helen Mirren is looking to follow-up her Oscars success next month (13MAR07) with a small screen acting honour at the Royal Television Society Awards.
Mirren has been nominated for Best Actress at the London ceremony for her role in PRIME SUSPECT, which has also been named in the Best Drama Serial category.
Mirren is up against BBC Four's FEAR OF FANNY star Julia Davis, and Susan Lynch, of BBC Two's SOUNDPROOF.
EXTRAS star Stephen Merchant will battle it out for Best Comedy Performance and time travel drama Doctor Who is in the running for Best Drama Series.
This time out, its two women (the beautiful Rachel Weisz (The Mummy series) and the less beautiful Susan Lynch) get caught up in a murder when one of their boyfriends gets abusive and takes a lead pipe to the skull at the hands of the other girl. Soon enough, a ransom plan is hatched (despite the fact that the guy is dead), the cops catch on and demand a cut, the body count starts to rise, and the whole affair proves that these girls make poor criminals indeed.
Continue reading: Beautiful Creatures Review
Six women from the U.S. with different life experiences and unique values are brought together in their quests to adopt a baby in an unstated South American country (though shot in and around Acapulco, Mexico). The problem they all face is the bureaucracy that's in charge of the process -- one that feels uncomfortably arbitrary, subject to more whim than substance.
Continue reading: Casa De Los Babys Review
While leaving town to get away from her abusive boyfriend, Dorothy (Susan Lynch) comes upon a scene that's all-too-familiar to her: another young woman getting smacked around in the middle of the street.
High on courage and indignation -- at least for the moment -- Dorothy picks up a pipe and bashes the guy's head in, saving platinum blonde trophy squeeze Petula (Rachel Wiesz). But now these newly-bonded sisters have a dead body on their hands.
Such is the set-up for "Beautiful Creatures," an energetic and sometimes clever, dark comedy crime thriller from Scotland that's full of sharp ideas but undermined by blunt-headed characters and logistical loopholes.
Continue reading: Beautiful Creatures Review
A vivid yet distinctly fictitious recreation of the crime-plagued gutters of 19th Century London, the Jack the Ripper thriller "From Hell" is quite a homage to the dense graphic novel from which it was spawned.
It's nothing if not atmospheric, what with its opulently dingy, blood-red set dressings, its pinched-cheek and cheap-corset prostitutes, and its opium- and absinthe-addicted hero -- an unorthodox Scotland Yard Inspector named Abberline (Johnny Depp in lambchop sideburns) who discovers dangerous secrets in the Ripper's ritualized killings.
The film's talented directors -- brothers Allen and Albert Hughes ("Menace II Society," "Dead Presidents"), definitively demonstrating there's more to them than ghetto fare -- blend quite a transporting concoction with their viscous visuals, menacing moodiness, puzzling plot and heady performances.
Continue reading: From Hell Review
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