Believe me, I wanted - at times frantically - to like Ultraviolet. While the plot is entirely reductive, the acting painfully amateurish, most of the special effects uniformly crummy, Ultraviolet is breathtaking to watch. At times it looks like a 3rd generation bootleg of some ultra-obscure New Wave music video (perhaps, Experimental Projects' "Glowing in the Dark" - try tracking that one down), at others like goofy outtakes from Kill BillKill Bill: Volume 1. The film rampages wildly through neon infused colors and minimal THX 1138 styled sets, Matrix stunts, and gaudily shot sentimental close-ups. The entire film is an uncanny buffet of cult culture - we've got everything from Grant Morrison to Max Headroom, Tron to the Wachowski's Doc Frankenstein comic book, Iggy Pop's abs to Cassavetes' Gloria, all stuffed into a weirdly affected plot.
Continue reading: Ultraviolet Review
But Leone developed similar elements into films that ran more than three hours. Rodriguez packs it all into 97 minutes and can't help but give only suggestions of a plot and impressions of the forces that drive it. Nevertheless, once the bullets start flying and the one-liners start ricocheting, it doesn't matter much that Once Upon a Time in Mexico is a confusing mess of a film. When it works, you don't care about all the times it doesn't.
Continue reading: Once Upon A Time In Mexico Review
They'll hit the UK and Ireland this November.
Slaves hold open auditions for a new drummer in the star-studded and ultimately heart-warming video for their new single 'Chokehold'.
Sometimes it takes more than 12 months to put together a fantastic season of one of the world's leading TV shows.
Orbital brought their spectacular show to the East Kent coast at the weekend to the delight of a variety of ravers.