Daphne (Emily Beecham) comes across as a fun-loving individual in her early thirties, who enjoys spending her evenings getting so drunk that she ends up having numerous one night stands with people she never bothers to learn the names of and getting kicked out of bars for disorderly behaviour. But in the daytime, she feels a little lost. She has a difficult relationship with her concerned mother, who she loves deeply despite their differences, and doesn't particularly enjoy her job serving at a restaurant.
She really doesn't know where she's going in her life, and she certainly doesn't believe she could enjoy a long-term relationship with a person. That is, until she bumps into David (Nathaniel Martello-White) at the supermarket - the bouncer who kicked her out of the club a few nights previously. As unlikely as it seems, he's very interested in dating her, despite her attempts at giving him the cold shoulder. Change is needed for her to start living again, and she seeks guidance in the form of a therapist named Adam to help her through it. After all, part of moving forward in one's life involves recognising your inner fears about the tragedy that could follow any happiness you achieve.
'Daphne' is a comedy drama directed by Peter Mackie Burns in his feature-length directorial debut with a screenplay written by Nico Mensinga ('Titus'). It won Best Performance in a British Feature Film at the Edinburgh International Film Festival and is set to be released in UK cinemas on September 29th 2017.
Expectations are a problem with this year's Secret Cinema event. After the jaw-dropping, goosebump-inducing surprises of both 2014's Back to the Future and 2015's Star Wars, this immersive take on Danny Boyle's classic zombie movie feels rather undercooked. But there's a lot of fun to be had (if not many scares) spending several hours trying to survive in a world overrun by the undead.
The set-up is very clever: you are given an appointment at an NSH hospital in a secret London location, and told to wear scrubs or protective clothing. On arrival you're handed a surgical mask and ordered here and there for interviews, physical examinations and eventually an oral vaccination that seems to make everything go blurry and then pitch black. When you "wake up" all hell has broken loose, and you are sent running through a series of blood-drenched corridors and stairwells, encountering characters and settings from the film as zombies lunge from every corner. In the safe zone, food and drink is for sale, and you get a chance to relax a bit, play a game, have a dance. Finally, you're led into an inventively themed cinema to watch the 2002 film as on-screen elements are performed around you.
Through all of this, medical and military officials harshly shout instructions at you, while TV screens show news reports of chaos on the streets. Combined with the dimly lit post-apocalyptic setting, the atmosphere is enjoyably claustrophobic, only broken by the nagging sense that money is draining out of your wallet at an alarming rate. Not only is the ticket £67 (or £134 for a "premium experience"), but there are things to buy at every point, from the scrubs or coveralls to pricey cocktails served in small bottles or coffee mugs and a relatively slim selection of restaurant-priced food options.
Continue reading: Secret Cinema Presents: 28 Days Later Review
Meet Tom and Gerri, a happily married couple who're closer to the end of their life to the start. Another Year is a touching and true-to-life story that explores the meaning of friendships and relationships through all stages of life.
Another Year was written and directed by British film maker Mike Leigh and sees him collaborate with Lesley Manville for the eighth time, his seventh with Jim Broadbent and fifth with Ruth Sheen.
Another Year is released in the UK through Momentum Pictures on November 5th 2010
Directed by: Mike Leigh
Starring: Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Martin Savage, Michele Austin, Philip Davis, Imelda Staunton, Stuart McQuarrie, Eileen Davies, Mary Jo Randle and Ben Roberts
The unimpeachable talents of Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer go for naught in "Young Adam," a film of dark, disenchanting characters who tread water in moral ambiguity for 98 minutes.
McGregor plays Joe, a nebulous, failed beatnik writer who has deliberately dropped off the face of the earth by taking a grimy, hard-labor job, working (and living) on a cramped little coal barge that travels the shallow, narrow backwater canals of 1950s Glasgow. Vacant of disposition and void of moral fiber, he's become both a reluctant drinking buddy to his boss Les (Mullan, "Session 9") and an opportunistic lover to the boss's weary, vinegary wife Ella (Swinton, "The Deep End"), which soon upends all their lives.
Proving he hasn't abandoned his provocative sensibilities to Hollywood, McGregor makes Joe's soulless impalpability curiously absorbing in a performance full of furtive nuance and vague instability -- the signs of which grow as he finds a young woman's dead body in the water and director David Mackenzie slowly reveals that his protagonist may have had something to do with how she got there in the first place.
Continue reading: Young Adam Review
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