Of course it turns out that Poitier's Virgil Tibbs is also a police detective, and in one of cinema's least logical plot twists, he is asked by his supervisors back home to pitch in with the murder investigation. All sides are reluctant, at least until the crime is ultimately solved and everyone comes to understand a bit about the other side of the fence. (How that got Tibbs to stick around in redneck central for two sequels and eight years as a TV show is never really explained.)
Continue reading: In The Heat Of The Night Review
The plot is somewhat predictable, but it's what you do with it along the way that counts. Keyes did a lot. Unfortunately, the film version (renamed Charly) doesn't do much beyond the obvious. As Charly gains intelligence, we're supposed to see the world develop through his eyes, but mostly we just see him studying and having boring conversations with love interest Claire Bloom. Robertson won an Oscar for the role, but his portrayal of the mentally disabled Charly seems crude by today's standards and inconsistent in tone - at times he's suspiciously aware, other times unrealistically slow. Robertson does better with Charly the genius, but this part of the film doesn't last that long and feels like an Outer Limits episode, with Robertson talking about the dehumanizing future and walking around in a lab coat narrating silly "scientific" dialogue.
Continue reading: Charly Review
It's a good thing, then, that these same grown-ups weren't around in the British village of Midwich circa 1950. In that sleepy hamlet the entire population suffers from a brief blackout one day; a few months later, all the Midwich women of child-bearing age find that they were expecting, and the children, when they come along, are not exactly like the other boys and girls. They are, in fact, exactly like one another: blonde, rather too intelligent for our comfort, and possessed of a particularly icy stare. To say that they are aloof is an understatement. And, perhaps most tellingly, they have a hive mentality: They keep only one another's company, they communicate wordlessly, and when one of these children learns a fact, the others automatically learn it too.
Continue reading: Village Of The Damned (1960) Review
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