David Dayan Fisher and Stewart Finlay-McLennan - David Dayan Fisher and Stewart Finlay-McLennan Los Angeles, California - Debut of David Dayan Fisher's 'Liquid' at The Papillon Gallery in West Hollywood Wednesday 14th November 2007
Stewart Finlay-McLennan and Stephen Rowe - Stewart Finlay-McLennan and Stephen Rowe Los Angeles, California - Debut of David Dayan Fisher's 'Liquid' at The Papillon Gallery in West Hollywood Wednesday 14th November 2007
Let's skip right over the fact that "National Treasure" may well have the most asinine plot in the history of cinema. But for the record, it's an action-adventure yarn from "dumb it down and blow things up" producer Jerry Bruckheimer, and it's about an invisible map on the back of the Declaration of Independence leading to a vast, multi-billion-dollar treasure buried by the Founding Fathers. So I think the "you've got to be kidding" factor pretty much speaks for itself.
Instead let's marvel at how a trio of hack writers (collectively responsible for "Snow Dogs," "The 6th Day" and "I-Spy"), coupled with a director whose best work is mediocre and pedestrian (Jon Turteltaub of "Phenomenon" and "Instinct"), can take this dumb idea and make it even worse in every conceivable way.
First they contrived to have a series of barely coherent clues to the treasure's location appear in laughably cryptic little poems and in the design of the $1 and $100 bills. Then they concocted an eccentric, nerdy-cool, disgraced-historian lead character named Benjamin Franklin Gates, who arbitrarily solves each esoteric riddle within three minutes of discovering it. These lead him closer and closer to digging up the treasure -- even though he says all he wants to do is protect it. (If it's been safely hidden for centuries, why not leave well enough alone?)
Continue reading: National Treasure Review
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