Sam Rockwell (best known for show-stealing turns in Charlie's Angels and Galaxy Quest) makes for an engaging and wildly funny doppelganger for Barris, owning the character so completely it's hard to tell where the source material ends and Rockwell's interpretation picks up. With Barris appearing in almost every scene, the film takes us down his road from TV-producer wannabe to master of the 1970s game show. Oh, and not to mention, a stint as a freelance assassin for the CIA.
Continue reading: Confessions Of A Dangerous Mind Review
The premise: Tommy Lee Jones plays a Texas Ranger who goes undercover in a girls' sorority house to protect five cheerleaders who have witnessed a murder -- is about as bad a concept as has ever been approved by a studio (at least until the Deuce Bigalow sequel comes out). But a funny thing about this film (about the only funny thing) is that the actors seem to be enjoying themselves -- especially Jones, whose droll, dry persona makes this film, if not a hoot, at least not a total travesty.
Continue reading: Man Of The House Review
It's safe to say that your enjoyment of the film is bound by this same rule. Dyed-in-the-wool film critics like myself have been down this road once or twice before, and the enormous leap of faith it takes to convince oneself that, deep down, even "bad" people are good makes me want to reach for my DVD of A Clockwork Orange.
Continue reading: Pay It Forward Review
You have a dapper, somewhat older wealthy man (Richard Gere), a surprisingly attractive prostitute (Julia Roberts), a toadie type (Jason Alexander) bent on breaking up the high roller and the ho, and the kindly gent (Hector Elizondo) who teaches the trailer trash how to hang with the upper crust.
Continue reading: Pretty Woman Review
Collateral Damage stars Arnold Schwarzenegger as a rough 'n' tough fireman, whose family is murdered in a bombing by notorious Columbian terrorist "The Wolf." Confronted with the inability and unwillingness of the U.S. government to seek justice, our fireman hero decides to take matters into his own hands and heads to Columbia to seek revenge. In one sense, this film is almost uniquely appropriate to the world's post-9/11 environment, presenting as it does such a larger than life hero, who just so happens to be a fireman, a group we are all looking to these days as real-life heroes. Yet, on the other hand, Collateral Damage is clearly the product of a different era. Blatantly and painfully pointing out our pre-9/11 ignorance, never has America's innocence been shown so clearly and by such a poorly made movie.
Continue reading: Collateral Damage Review
Jack Antonoff hears a ''female voice'' in his head when he writes music.
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I'm not one for Septemeber 11 censorship. You know what I mean, where the...