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Tristram Shandy: A Cock and Bull Story Review


Good
At one point during Michael Winterbottom's shambolically hilarious Tristram Shandy: A Cock and Bull Story, a film about trying to film the legendarily unfilmmable 18th century novel, Steve Coogan says to a reporter that the wonderful thing about Laurence Sterne's book (which he obviously hasn't read) is how ahead of its time it was, that it was "a postmodern novel... before there was a modernism... to be post of." It's a throwaway line in some respects, but it's an excellent example of the layered absurdist humor that abounds within its wonderfully loose format. This is a film about ego, the fatal inability of people to plan their lives, and the delirious chaos of the creative process. It's also about what utter jerks movie stars can be, God bless 'em.

Sterne's novel is a big old mess and has never been quite accepted in the literary canon. Published in nine installments over a decade, it's a subplot-mad, diversion-crazed bildungsroman where the narrator - Shandy - can't even get past describing his own birth by the end of the book, due to his tendency to go off on tangents. Along the way it packs in satires of contemporary intellectuals like Pope and Locke and plays with the novelistic form, including even having one page printed entirely black to represent sorrow at a character's death. They try that in the film, but then realize it's not quite so interesting for audience.

Continue reading: Tristram Shandy: A Cock and Bull Story Review

Tristram Shandy: A Cock and Bull Story Review


Good
At one point during Michael Winterbottom's shambolically hilarious Tristram Shandy: A Cock and Bull Story, a film about trying to film the legendarily unfilmmable 18th century novel, Steve Coogan says to a reporter that the wonderful thing about Laurence Sterne's book (which he obviously hasn't read) is how ahead of its time it was, that it was "a postmodern novel... before there was a modernism... to be post of." It's a throwaway line in some respects, but it's an excellent example of the layered absurdist humor that abounds within its wonderfully loose format. This is a film about ego, the fatal inability of people to plan their lives, and the delirious chaos of the creative process. It's also about what utter jerks movie stars can be, God bless 'em.

Sterne's novel is a big old mess and has never been quite accepted in the literary canon. Published in nine installments over a decade, it's a subplot-mad, diversion-crazed bildungsroman where the narrator - Shandy - can't even get past describing his own birth by the end of the book, due to his tendency to go off on tangents. Along the way it packs in satires of contemporary intellectuals like Pope and Locke and plays with the novelistic form, including even having one page printed entirely black to represent sorrow at a character's death. They try that in the film, but then realize it's not quite so interesting for audience.

Continue reading: Tristram Shandy: A Cock and Bull Story Review

Steven Coogan

Steven Coogan Quick Links

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