What, you aren't frantically dialing your phone to reserve your copy at the video store yet? Take off your shoes and put down the car keys. If this video has proven anything, it's that what can be funny for 1/2 a minute probably usually won't make it for 91. Oh, how Super Dave proves it.
Continue reading: The Extreme Adventures Of Super Dave Review
In fact, the last time I went to a rave (in 1991, when the scene was already on its way out), it cost $8. Today, it's like $20. Groove's $2 rave sounds a little phony, a little dated.
Continue reading: Groove Review
Great casting is absolutely vital to a puckishly impudent comedy like "Bubble Boy" -- the story of a happy-go-lucky, immune-deficient geek who zip-locks himself into a homemade portable orb to travel cross-country and stop the wedding of the girl he loves.
Put somebody like Adam Sandler, David Spade or Seth Green in the title role, and this childlike weirdo with matted hair and a whiney voice would lose all his sweet qualities and quickly become intolerably abrasive.
But Jake Gyllenhaal, who made such a lasting impression as future NASA scientist Homer Hickman in the little-seen coming of age picture "October Sky" -- is absolutely brilliant in the role. His exaggerated wide-eyed naivete has just enough pepper to make you laugh with him, not at him. His hyperactive enthusiasm at taking his first steps into the world ("Dog poo! Aweeeesome!") is so real that you don't just laugh, you smile. He makes the character three-dimensional and 100-percent lovable, but in an ever-so-slightly ironic way that requires a ton of talent to maintain.
Continue reading: Bubble Boy Review
Made for love, not money, by an upstart filmmaker who knows and adores his subject, "Groove" is an enthusiastic, insider snapshot of the sweaty, adrenaline-driven, hyper-party atmosphere of San Francisco's red-hot rave scene.
Capturing the boundlessly euphoric spirit of this kinetic musical subculture, this Sundance buzz bin picture is a biography of one rave -- from the guerilla location scouting in empty warehouses to the mood of Ecstasy-fueled pulse electronica that becomes more and more exhilarating with each changing of the guard on the DJs' turn tables.
Writer-director-editor Greg Harrison has a little trouble maintaining the needed verve because he invites the audience into the rave experience through a handful of rather uninvolving characters with elementary story arcs. David (Hamish Linklater) is a high-strung rave virgin, dragged to the party by his live-for-pleasure brother, Colin (Denny Kirkwood). Harmony (Mackenzie Firgens) is Colin's girlfriend, to whom he proposes before making a huge romantic mistake under the influence of Ecstasy. Layla (charismatic Lola Glaudini, "NYPD Blue") is a aimless-but-intelligent beauty who inexplicably nurses David the wet blanket through his paranoid and blissful first time dropping E. They're a shallow and sometimes grave bunch, and far less fun-loving than your average raver.
Continue reading: Groove Review
This year's Mercury Prize nominees features the best of British pop.
Great casting is absolutely vital to a puckishly impudent comedy like "Bubble Boy" -- the...
Made for love, not money, by an upstart filmmaker who knows and adores his subject,...