The film begins disconcertingly in the middle of a hellish battle during the final days of World War II, a chaotic prologue featuring gargantuan explosions, fleeing Nazis, and stampeding elephants. Then in a whiplash inducing segue, the film settles in to Los Angeles in the late 1970s, where Scott plays loner LAPD detective Barney Caine ("There's only two things that matter to me -- my son and my work. The rest of my life is a complete zero."), investigating the killing of his old pal Tom Neeley (Robin Clarke). The crime scene is laid out like the opening scene of a Charlie Chan movie with mysterious clues all about -- a voodoo doll, a map with the name "Oberman" scrawled on it, a folded newspaper with the letter G-E-N-E written in blood -- and Caine falls for the setup to avenge the death of his friend.
Continue reading: The Formula Review
If you had the misfortune of seeing Gere in 1992's Final Analysis, you'll be familiar with the setup. Gere plays Martin Vail, a self-described bigshot defense attorney in Chicago. Laura Linney is Janet Venable, a crass and unlikable public prosecutor, who spends most of the film developing her primary character trait: being a bitch. Aaron Stampler (Edward Norton) is who the lawyers fighting over (when they aren't rehashing their 6 month-long affair), because it turns out that Aaron butchered the local Archbishop. Maybe.
Continue reading: Primal Fear Review
Seven songs to take you to victory, or seven songs to dry your eyes to.
Idris Elba has unveiled his new indie imprint 7Wallace Music.
It's that time of year again. 'Today we celebrate our Independence Day!'
We could watch this guy all day.