Writer-director John Singleton was only 23 when Boyz hit the big screen in 1991, and if the intervening years have brought anything into sharper focus, it's his immaturity as a writer. Boyz is a sledgehammer of a film -- powerful, but hardly subtle. Singleton centers his story on the character of Tré Styles, who's about 11 in the opening sequence. After Tré gets into a fight at school, he's taken to live with his father, Furious (Laurence Fishburne), who has a better shot at teaching him how to be a man than his mother (Angela Bassett) does. Tré's best friends are Doughboy -- a tough, pudgy, troublemaking little kid -- and Ricky -- Doughboy's good-looking, athletic younger brother. As the sequence winds to a close, Furious' paternal influence keeps Tré out of trouble while the fatherless Doughboy ends up being arrested for shoplifting.
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One look at Dewey (Black) and you can figure out the problems plaguing this bloated burnout. He's broke and jobless. His heavy metal bandmates kick him out after a botched gig. And his roommate and long-time friend Ned (White, pulling double duty) threatens him with eviction unless he can provide some rent money. When a snooty prep school calls Ned with a substitute teaching position, Dewey assumes his roommate's identity and takes over a classroom of eager young minds.
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Spawned by the evil pen of Paul Rudnick, Marci X is about Marci (Lisa Kudrow), the rich daughter of a billionaire media tycoon who has to rescue the family empire from a boycott against rapper Dr. S (Damon Wayans, frighteningly unfunny), who's on a Death Row-esque record label owned by Marci's daddy. It all starts with Marci's dad getting a heart attack after receiving word of the boycott - led by Christine Baranski in yet another of her humorless harridan roles - and having to convalesce for a couple weeks. Marci then goes, with her three debutante friends, of course, to a Dr. S concert in order to plead with him to apologize for his profane lyrics, end the controversy, and end daddy's stress.
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The title is evidently the former, though the movie is hardly the overwrought mess that I'd expected to see (for example: Message in a Bottle). Instead, The Deep End of the Ocean is a surprisingly thoughtful and laconic character study, full of nuance and genuine emotion, largely driven by Pfeiffer's unraveling character Beth. The well-known plot involves the sudden disappearance of Beth's 2 year-old son Ben, who vanishes while she is visiting Chicago. Nine agonizing years later, a kid who can only be Ben shows up -- as Sam, a neighbor's boy who wants to mow the lawn. Sure enough, it's him, but he doesn't remember his family,
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The actor says he isn't "holding out for more money or doing anything like that".
The drama will be making its return to the streaming service in the near future.
Charlie Cox explains why his character Daredevil 'doesn't have time' for Jessica Jones.
A collaboration between indie auteur director Richard Linklater (Before Sunrise, Dazed and Confused) and taboo-pushing...
Better than having your wisdom teeth removed, sans anesthesia, and worse than just about anything...